An Aristotelian tragedy consists of several different aspects. The main characters contain a tragic flaw, or hamartia, that contributes to their fall from esteem. Additionally, the audience experiences pity and fear evoked by Shakespeare for the duration of the play. Next, the characters undergo a catastrophe at the end of the tragedy, in which the characters meet a tragic and horrendous death. Shakespeare’s Romeo and Juliet is a true Aristotelian tragedy because both Romeo and Juliet possess a tragic flaw, a catastrophe takes place in which both characters meet a tragic death, and the audience is aroused with pity and fear.
Romeo’s tragic flaw impetuousness causes him to make decisions quickly, which contributes to his tragic death. Romeo acts with haste when he marries Juliet, not after knowing her for at least twenty-four hours. Juliet tells Romeo, “It is too rash, too unadvised, too sudden, / Too like the lightning” (II, ii, 118-120). One can see that even Juliet recognizes Romeo’s impetuousness and questions if they are moving their relationship forward too quickly and hastily. Romeo allows his anger to guide his actions and this gets him into trouble many times throughout the play. One example of this is immediately after Tybalt kills Mercutio. Romeo is so devastated by his friend’s death that he does not think clearly and acts impulsively. Normally, Romeo would not have gone after Tybalt but he is angered by Mercutio’s death and seeks revenge. Romeo regrets killing Tybalt and even he recognizes his flaw when he says, “Oh, I am fortune’s fool!” (III, I, 132). Romeo realizes that he should not have gone and attacked Tybalt and that there are serious consequences. Last but not least, Romeo...
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... feel pity and fear for Romeo and Juliet throughout the play. Undoubtedly, Romeo and Juliet is a bona fide Aristotelian tragedy because it contains hamartia, catharsis, and a tragic catastrophe.
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