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Contrast between romeo and mercutio
Contrast between romeo and mercutio
The Functions of Mercutio in Romeo and Juliet
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The theme of Romeo and Juliet is about a love destined to end in tragedy.
For this assignment, I have chosen Mercutio.
Mercutio, is a witty skeptic, a foil for Romeo. An anti-romantic who mock's Romeo's visions of love and is a friend to our leading hero himself.
In Paragraph one: Mercutio is an anti-romantic character who regards love as an exclusively physical pursuit. Romeo, Humors! Madman! Passion! Lover! Appear thou in the likeness of a sigh, Speak but one rhyme and I am satisfied.
He challenges an opposing concept of love that contrasts sharply with Romeo's idealized notion of a romantic coupling. In which case, Romeo cannot confide to his friend.
In Paragraph two: Though he is first to mock and say that Romeo is a fool for love he
Throughout the speech, he frequently adds a sort of flare to the way he speaks; for example, he uses over ten lines(in the text)to simply describe the size of Queen Mab. The manner in which he speaks is loud, confident, and stylish; therefore, he attracts attention. He also manages to subtly mock Romeo when speaking about how those who are in love dream of love; this is to add a comedic flare, even though that is what he is. Mercutio’s entertainer like personality is due to the fact that he is amusing. In this tragic and serious play, he is the obnoxious character that breaks the seriousness for a while with a witty remark.It also explains why he is the dramatic foil to Romeo. This goes along with his flamboyant attitude. Nevertheless, he is also vulgar at times, which adds to his loud personality. Now, brown represents Earth and reliability, and Mercutio, in his own way, represents
Romeo and Juliet engage in a love that they believe is the one true love. They don’t even know each other and don’t know each others personality so they can only be attracted sexually. Instead of taking things slowly and getting to know each other or on the other hand engage in a type of relationship just to satisfy each others desires they act like they have known each other for a long time and that they can’t live one without the other.
It is human nature to place blame and point fingers at someone, but it is a lot less common to take responsibility for your own actions. Sometimes, we put ourselves in positions that are detrimental to our lives or well-being. Even though we are responsible, it is likely that we will place the blame elsewhere. In Shakespeare’s Romeo and Juliet, Mercutio found himself with a similar conflict. Tybalt, Juliet's cousin, killed Mercutio during a fight in the town square. It would be easy to say that Tybalt caused Mercutio’s death since it was his sword that killed him, but that is simply false. Mercutio ignored many warnings and continued to antagonize the fight that lead to his death. The character ultimately responsible for Mercutio’s death is
When Romeo is down, Mercutio is there for him, much like. the nurse is who Juliet turns to, when she needs to talk. She chooses to talk to the nurse, rather than her own mother. Mercutio is the one. who gets Romeo over Rosaline, and tells him that there is more to base.
In the play Romeo and Juliet by William Shakespeare, Mercutio, a friend of Romeo plays a deep role within the play. Many characters in Romeo and Juliet can represent the masculine or feminine spaces. The masculine space is chaotic and more towards the sexual and material side of the play, which have more of a tragic potential. While the feminine space is peaceful, more romantic and spiritual in giving a better chance for the comic potential. Mercutio represents the masculine space while Romeo prefers the peacefulness of the feminine space. Mercutio tells Romeo to be rough with love, he tries to keep him within the masculine space after the ball, and he fools with the Juliet’s nurse because of his actions he pushes Romeo towards tragedy.
I love people think that Mercutio is responsible for most of the deaths in the famous play Romeo and Juliet people also commonly think that it could be Romeo spot too. In my opinion it was all the fires fault. The fire was doing the right thing at first when Romeo first confronted the fire about Mary and Juliet. The fire turn Romeo down saying that it was a crazy idea. He was right to say that because Romeo was just in love with Rosaline less than 24 hours before that. But unfortunately it doesn't stop there. The fire it's an idea. He thinks they're from you and Juliet get married then maybe the two households. She didn't come together for the power of true love. His idea eventually did work, but under different circumstances. The first is to Romeo to
The excerpt shows how even Mercutio recognizes the feud between the Montagues and Capulets being destructive, and how it is now gotten so out of hand he has been dragged into it. Mercutio tries to open Romeo’s eyes on how if this feud continues there will be a demise for both families; but by Romeo choosing to ignore this advice and killing Tybalt he is setting himself up for his failure/downfall. Thus, Romeo is shown as a tragic hero because his demise is partly his fault and not an accident.
Loyalty to another person can cause people to act without thinking. Romeo and Juliet by Shakespeare is a dramatic play about two lovers and the quest for love. Many of the decisions that were made throughout the play were bad decisions and affected Mercutio and Juliet’s outcome greatly. While Mercutio and Juliet both make decisions out of lack of impulse control, Mercutio also makes decisions that are influenced by violence, and Juliet makes decisions that are influenced by suicidal actions.
Most people who have read or seen the play Romeo and Juliet would say that the more important characters in the play are Romeo, Juliet, Friar Lawrence, and the Nurse. Nobody talks about Romeo’s best friend, Mercutio. Even though they are foils, Romeo and Mercutio Mercutio provides comic relief, and he serves as a serious and key character in the play. Without the important character Mercutio, the play of Romeo and Juliet would be a whole different story.
Mercutio is the Prince’s kinsman and Romeo’s close friend, he’s not a Capulet nor a Montague and is one of the few characters that can mingle with both households. In this scene, Mercutio, unlike Romeo, doesn’t think that dreams can be warnings and explains that dreams are the outcome of the stress and eagerness of those that sleep. Because Mercutio isn’t a Capulet or Montague, he’s invited to the Capulet’s party while Benvolio
Mercutio also acts like a foil to the romantic, idealistic part of Romeo. He sees love as something physical unlike Romeo who thinks love is an emotion. A clear example of Mercutio being a foil to Romeo is when Romeo attends the party at the request of Benvolio, who encourages Romeo to forget about Rosaline and find someone new. Before the party, Romeo tells his friends about the dream he had. While Romeo believes in his
When suddenly Baz Luhrmann nineteen minutes into his work presents a drag Mercutio dressed scandalously in a ridiculous white wig and wearing red lipstick to top it all off, it seems he has no regard for the original Romeo and Juliet. In his portrayal of a character as crucial as Mercutio, Luhrmann crosses the fine line between the individual possessing eloquence and profuse wit Shakespeare creates, and a downright maniac. Before entering the Capulets’ mansion Mercutio’s acclaimed Queen Mab Speech in Act One, Scene Four, displays the aforementioned eloquence and vivid imagination of the character. Specifically, Mercutio claims, “Oh, then I see you’ve been with Queen Mab/...True, I talk of dreams,/Which are the children of an idle brain,/Begot of nothing but vain fantasy,”(I iv 53, 97-99). Anyone with a rational mind does not expect Mercutio to deliver his lines about dreams being merely the result of the anxieties and desires of those who sleep while holding ecstasy and jumping agitatedly. Luhrmann offers an insane Mercutio in his take on Romeo and Juliet and all it achieves is a massacre of the brilliance of the dialogue. The unconventional director stages the exchange to end with Romeo accepting a psychoactive drug inducing him in a euphoric state, then shattering any proceeding potential romantic mood.
Impatience kills In “The Tragedy of Romeo and Juliet” by William Shakespeare, two very young people fall in love but cannot be with each other because of the feud between their families. The feud ends when Romeo and Juliet both kill themselves because of heartbreak over the other. The minor characters Mercutio, Tybalt, and Friar Lawrence serve as foils to Romeo, to help support the theme of patience. While Romeo is impatient and makes rash and hasty decisions, Friar Lawrence is careful and takes time to consider his actions. First Romeo thinks that he is in love with a nun named Rosaline, but a couple hours later he is asking the Friar to marry him to another girl she had just met.
The most famous foil character in ''Romeo and Juliet'' is Mercutio. He is known for his sharp wit and quick, often ribald, humor and is considered a foil to Romeo. He lacks Romeo's effusive romance, his adoration and almost courtly approach to the idea of love. He often urges Romeo to just find a woman to sleep with and stop worrying about the ephemeral, yet all consuming, love Romeo is desperate to achieve. Mercutio warns Romeo to be skeptical of love and not to rush ahead, but Romeo is all rush, no
In Shakespeare’s Romeo and Juliet, the views of love held by the character Romeo contrast sharply with the views of Mercutio. Romeo's character seems to suffer from a type of manic depression. He is in love with his sadness, quickly enraptured and easily crushed again on a passionate roller coaster of emotion. Mercutio, by contrast is much more practical and level headed. His perceptions are clear and quick, characterized by precise thought and careful evaluation. Romeo, true to his character begins his appearance in the play by wallowing in his depression over Rosaline who does not return his love: