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Use of symbolism in robert frost poetry
Themes of silas marner
Symbolism and the poetry of robert frost
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Love. Passion. Women. Females generally possess a softer heart than males. They are usually depicted as sympathetic humans who care about others no matter their status or esteem. Robert Frost, author of “The Death of the Hired Man,” illustrates Mary’s perception of Silas through dialogue, connotation, and imagery. Mary is sympathetic towards Silas, concerned about him, and thoughtful in their relationship. Mary impacted Silas by overseeing the bad and accepting him at his worst. Traditionally, an author applies certain literary devices to enhance and emphasize the meaning of their literature. Frost uses dialogue to present Mary as sympathetic. Mary is the wife of Warren, Silas’ boss. She was the first to come into contact with Silas. Her encounter with him was bitter and very disturbing to persevere through. She illustrates her sympathy through her conversation with Warren. Frost states on page 149, “He’s worn out. He’s asleep by the stove… A miserable sight and frightening-too…” Mary’s description of Silas is brutal and inflicted spiritual pain on her heart. Also, Frost expressed through Mary, “Surely you wouldn’t grudge the poor old man…” (150). Mary insisted on Warren being sympathetic towards Silas, but he resisted. …show more content…
She worried about Silas’ condition as said on page 152, “Warren, he has come home to die. You needn’t be afraid he’ll leave you this time.” Mary was perceiving Silas as being too ill to disappoint Warren again. Her concernment was focused on his health. “No, but he hurt my heart the way he lay and rolled his old head on that sharp-edged chair back… You must go in and see what you can do” (155). Frost’s statement above infers that Mary longed for Warren to check on Silas. She demanded him to analyze Silas’ body’s condition. Her concernment showed passion for his healing
The thought of even having to touch the aides disgust Mary because they are a physical representation of the reality she is denying. When she is told that she may have to kill her daughter, she reacts poorly, as most would expect a mother to, however she has gone to extremes. She accuses her husband of having never loved their daughter and that the only thing keeping them married was the daughter and that without Jennifer, Peter would have left Mary (156-158). This intense outburst from a woman who is usually so calm when tragedy affects those outside of her narcissistic bubble only goes to show further the indifferent attitude of denial. When made to recognize the oncoming death, she cannot fathom it, and tries to find other reasons for Peter trying to get her to come to terms with “murdering” her daughter.
This quote was used to show how Mary Anne was starting to act grim and unusual. Also, this quote showed how different she speaks to her boyfriend and the ways she even finds her joy in everything that was and is different.
The narrator loves her baby, but knows she is not able to take care of him. "It is fortunate Mary is so good with the baby. Such a deer baby! And yet I cannot be with him, it makes me nervous" (Gilman 359). The symbolism utilized by Gilman is somewhat askew from the conventional. A house us...
Mary played the role of a very caring wife at the beginning of the story, since she was always there for her husband and tried to do anything to serve and satisfy him. Firstly, as soon as her husband came home “She took his coat and hung it in the closet. Then she walked over and made the drinks”(Dahl 2). Later on when she notices that her husband seemed depressed, she asked him, “Would you like me to get you some cheese” (Dahl 2). When he says no, she replies “But you must eat! I’ll fix it anyway” (Dahl 2). This shows the care she had toward her husband at the beginning of the stroy and how her life used to revolve him. Furthermore, it shows how she used to do anything to please him. Therefore this proves how she knew her duties and responsibilities toward her husband really well. Although, in this story, Mary Maloney was not only a very a dutiful and caring wife, but during the story she transitioned into becoming an even more dutiful mother who was well aware of her responsibilities. After she killed her husband she thought of her child and wondered, “What were the laws about murderers with unborn children? Did they kill the both- mother and child? Or did they wait until the tenth month? What did they do? Mary Maloney didn’t know. And she certainly wasn’t prepared to take a chance” (Dahl 3). This shows how Mary Maloney had created this entire plan just to save her child and didn’t care what harm came to her. Therefore this definitely makes her a very caring mom, because it takes a lot of love to do such a thing. So this definitely makes her the perfect mother. In conclusion, Mary Maloney is strongly aware of her duties and responsibilities. Therefore, she was able to carry out the entire plan because people knew how much she loved her husband and so people trusted her. Also, she created this plan because
To illustrate, in the author’s words, “Why don’t you eat up that lamb that’s in the oven?” (Dahl, p. 324) In this quote the author proposes that Mary deceived the detectives into eating the murder weapon. This quote models the author’s use of character development as Mary went from the beginning of being good-natured and honest to deceitful. This brings the immoral evolution of Mary out. Moreover, the author plainly asserts, “And in the other room, Mary Maloney began to giggle.” (Dahl, p. 324) In this quote, the author describes how Mary laughed as the detectives ate the murder weapon. This quote reminds the reader that Mary is now “innocent” in a different sense than she was in the beginning of the story. “Perfect”, unaware, self-sacrificing, wife Mary is gone. Revealed to the readers is wicked, manipulative murderer
At first though, Mary became very depressed, and she didn’t want to go anywhere or do anythi. Her only child had been killed and now she was alone. She felt compelled to forgive her son’s killer because she knew that would be the only way to get out of the state of depression. She contacted the prison where her son’s killer was staying. She sought permission to speak to her son’s killer. She wanted to find out why he would ever do something like this to
Mary's life is controlled by a man, a womanizer, a cheater. Because of the guy who abandoned her, she gives up everything. "she had given up everything but her work, and that there had been in her history some reason.", this is how the narrator has told us, everything but work. Her work is inescapable because she still needs to live. She
Although the physical confinement drains the narrators strength and will, the mental and emotional confinement symbolized in the story play an important role in her ultimate fall into dementia. By being forced to be her own company she is confined within her mind. Likewise part of the narrators mental confinement stems from her recognition of her physical confinement. The depression the narrator has experienced associated with child bearing is mentally confining as well. "It is fortunate Mary is good with the baby. Such a dear Baby! And yet I cannot be with him, it makes me so nervous"(675). Specifically, she cannot control her emotion or manage her guilt over her inability to care for her child. These structures of confinement contribute to the rapid degeneration of her state of mind.
An additional view point of the story could be from a woman. A female reading Lamb to the Slaughter would most likely side with Mary Maloney. Dahl starts the story describing Mary’s behavior before her husbands’ arrival. She sits ...
In conclusion, Mary Warren knows what is right and what is wrong. However, she is more concerned about her health and well-being than someone else’s. She becomes cocky when given power and betrays whoever she can when she is pinned against a wall. As long as it looks bad for her, she would be willing to call out anyone to save herself. Therefore, she is an antagonist of the play with very little similar traits when juxtaposed to a typical protagonist.
Mary commits cold blooded murder with a big, frozen, leg of lamb in the back of the head. This is a very dark side to her, especially when previously it stated she waited happily for her husband to come home. This shows how people can have a secret about them that you might never know. Mary is a prime example of this because she murdered her husband and future father of her child. This shows how people can reveal a dark side to them that you may have never knew
Mary grows emotionally fatigued from giving herself to a man that does not care. With an exc...
...with] no emotion in [them]” (105). Before the coming to the war, Mary Anne is sweet, innocent, and curious. But now, she has matured and looks upon the world indifferently.
Near the middle of the story we see Mary exhibit her bad sinister character; her personality and feelings suddenly change when she murders her own husband by hitting him at the back of the head with a frozen lamb leg. After denying all of Mary’s helpful deeds, Patrick told her to sit down so that he can tell her something serious; the story doesn’t tell us what he says to her but Mary suddenly changes after he tells her something, her “instinct was not to believe any of it” (Dahl 2). She just responded with “I’ll get the supper” (Dahl 2) and felt nothing of her body except for nausea and a desire to vomit. She went down the cellar, opened the freezer, grabbed a frozen leg of lamb, went back upstairs, came behind Patrick, and swung the big leg of lamb as hard as she could to the back of his head killing him. This act of sudden violence shows how much she has gone ...
Silas’ life was lived in the wrong way. He was earned money to buy tobacco, ditched his friend when he was in times of need, and was disowned by his family members. His life was hard and when he tried to fix it, everything was too late. He tried to make things right with his old friend Warren and when Warren tried to go and talk to him, he was dead. This symbolizes that Silas should have tried sooner rather than later because he was already on his death bed when he had any chance to make things right. If he would have realized that his life was shorter than expected he might have tried to help out more and lived life to the fullest. The tragedy also shows that Warren shouldn’t have argued so long with his wife Mary. If Warren would have gone to talk to Silas right as he had gotten home, he would have seen the state he was in and could have discussed his past with him. Even if Silas couldn’t have talked he could have spoken a few last words to him before he