Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Revenge in shakespeare essay
Revenge in shakespeare essay
Revenge in shakespeare essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Use of Blood in Richard III In Richard III, by William Shakespeare, there are many references and depictions of blood. Anne, Richard, and Richmond all make numerous speeches that involve this sanguine image. By using the various speeches and related fates of the characters in this work as a vehicle, Shakespeare calls upon the motif of blood throughout Richard III in order to demonstrate the futility of revenge. Following the blade-assisted demise of the once (but not future!) king, Henry, Lady Anne attends his funeral service and laments over his body as he is lowered into his final resting place. She refers to him as a “bloodless remnant of that royal blood,” (1.2.7), implying that she thinks of him only in terms of his blood, rather than …show more content…
For example, the band Bastille have published a song on the topic of “bad blood”, which is among one of the multifarious motifs upon which Richard has a tendency to soliloquise. In the lyrics of the aforementioned song, it is mandated that “all this bad blood here… be let dry,”. Bastille, in this work, use the image of blood to represent past events whose courses have run and that are no longer susceptible to human intervention. Similarly, Richard has a lot of ‘bad blood’ in this sense, but he refuses to ‘let it dry’, and instead chooses to pick at these past events, as though they were oozing, festering scabs that he refuses to let heal over. In the song, the line mentioning the titular ‘bad blood’ is followed by a few seconds of a high-pitched, banshee-like screaming, which is rather reminiscent of the (implied) dreadful wails emitted by Richard in the course of his eventual climactic demise, where his attempts at revenge prove to be a mortal exercise in folly. Following the surprisingly-in-tune howls of a sad, solitary singer, this musician goes on to philosophically muse that because “[the blood]’s been cold for years, won’t you let it lie?”, to which Richard answers with a resounding ‘no’, shortly before he loses the ability to reply at all, when he is ‘let lie’ in his grave. Though both Shakespeare and Bastille use blood in similar ways, Shakespeare expands upon what would happen if the blood were not allowed to
To explore connections between texts is to heighten understanding of humanity’s progressing values and the underlying relevant themes that continue to engage societies regardless of context. William Shakespeare’s King Richard III (1592) (RIII) and Al Pacino’s docudrama Looking for Richard (1996) (LFR) demonstrate how opinion is created through comparative study, both explore the struggle for power within differing contexts to determine the duplicity of humanity. Ultimately, despite the divergent eras of composition and textual form, these connections expose the relevant social commentaries of their composers, highlighting innately human values, which remain constant.
Anne is quite like a modern woman in the way that if a man tells her
Williams, Carolyn. "‘Silence, like a Lucrece knife: Shakespeare and the Meanings of Rape." Yearbook of English Studies 23 (1993): 93-110.
“I am determined to prove a villain / and hate the idle pleasures of these days. / Plots have I laid, inductions dangerous, / by drunken prophecies, libels and dreams.” Richard III, the evil Duke of Gloucester, is fighting a bloody road to the crown in Shakespeare's dramatic play. Stopped by nothing and with brilliant intelligence, Richard fights his way to the king’s position, clothing his villany with “old odd ends stolen out of holy writ.” With no one to fully trust, Richard breaks many hearts by killing all people in his way, and becomes the unstoppable villain. He hides behind a shield of kindness and care, but when he is alone, his real soul comes alive. Sending murderers, or killing people himself, he has no mercy. Manipulating Lady Anne to marry him and promising Buckingham rewards for his deeds, he knows what he is doing, and won’t stop until the crown lies at his feet.
Considering these ideas it can be concluded that from Richard’s first appearance, the entire play has been veiled with death, which is foreshadowed throughout the play of Richard III using techniques such as imagery which reflects the theme of tragedy, and using it to associate characters with seasons. Techniques such as these are fairly discreet; nevertheless they are still evident to the audience. However there are techniques used that are clearly apparent to the audience, for example Margaret’s curses which are sometimes very literal in their meaning, and often straight to the point.
The undeniable pursuit for power is Richard’s flaw as a Vice character. This aspect is demonstrated in Shakespeare’s play King Richard III through the actions Richard portrays in an attempt to take the throne, allowing the audience to perceive this as an abhorrent transgression against the divine order. The deformity of Richards arm and back also symbolically imply a sense of villainy through Shakespeare’s context. In one of Richard’s soliloquies, he states how ‘thus like the formal Vice Iniquity/ I moralize two meanings in one word’. Through the use of immoral jargons, Shakespeare emphasises Richard’s tenacity to attain a sense of power. However, Richard’s personal struggle with power causes him to become paranoid and demanding, as demonstrated through the use of modality ‘I wish’ in ‘I wish the bastards dead’. This act thus becomes heavily discordant to the accepted great chain of being and conveys Richard’s consumption by power.
Shakespeare Richard III was a traitor, a murderer, a tyrant, and a hypocrite. The leading characteristics of his mind are scorn, sarcasm, and an overwhelming contempt. It appears that the contempt for his victims rather than active hatred or cruelty was the motive for murdering them. Upon meeting him he sounds the keynote to his whole character. " I, that am curtailed of this proportion, cheated of feature by dissembling nature, Deform'd, unfinish'd sent before my time Into this word scarce half made up"( 1.1.20-23)
According to many, Shakespeare intentionally portrays Richard III in ways that would have the world hail him as the ultimate Machiavel. This build up only serves to further the dramatic irony when Richard falls from his throne. The nature of Richard's character is key to discovering the commentary Shakespeare is delivering on the nature of tyrants. By setting up Richard to be seen as the ultimate Machiavel, only to have him utterly destroyed, Shakespeare makes a dramatic commentary on the frailty of tyranny and such men as would aspire to tyrannical rule.
Compare the behavior and reactions of Richard, Anne and Elizabeth in Act One Scene Two and Act Four Scene Four.
Imagery is the use of symbols to convey an idea or to create a specific atmosphere for the audience. Shakespeare uses imagery in Macbeth often, the most prevalent one, is blood. I believe he uses this as a way to convey guilt, murder, betrayal, treachery and evil, and to symbolize forewarning of events.
In Richard III by William Shakespeare, Richard is a complex character whose use of rhetoric is used to what others consider to be nefarious ends. Throughout the play, Richard calls himself a villain, and all of his actions, as well as the consequences of his actions, seemingly corroborate this fact. However, when analyzing the interactions between Richard and the secondary characters as well as Richard’s interpretation of said interactions, Richard's character is exposed to be a victim of its circumstance. Examining the influence of secondary characters on Richard’s use of eloquence, rather than the actual use of it, as the true cause of the play’s problems then shows that Cicero's description of the cause of distress within a society is not
There are a variety of fluids in William Shakespeare’s Macbeth such as milk, water and blood. Milk quenches one’s thirst, whereas blood pours out of a person. Water is used to wash stains away, whereas blood can taint a person. The blood image is very potent throughout Macbeth and reinforces the major themes of bravery, guilt, and violence evoked by the three witches.
Hamlet is obsessed with suicide and wants his skin to melt off because he is disgusted with himself. "O that this too too sullied flesh would melt, / Thaw, and resolve itself into a dew…" This adds a felling that hamlet is disturbed and growing worse. He then wants the king to die like a beggar and rip out his guts. "Nothing but to show you how a king may go a progress / through the guts of a beggar." This shows an effect that hamlet is angry and disturbed by adding a felling of horror.
In the tragedy of Hamlet Shakespeare does not concern himself with the question whether blood-revenge is justified or not; it is raised only once and very late by the protagonist (v,ii,63-70) and never seriously considered. The dramatic and psychological situation rather than the moral issue is what seems to have attracted Shakespeare, and he chose to develop it, in spite of the hard-to-digest and at times a little obscure, elements it might involve [. . .] . (118-19)
"What tongue speaks my right drawn sword may prove" is the sentence which concludes a short speech delivered by Henry Bolingbroke to King Richard II (1.1.6). These words are but the first demonstration of the marked difference between the above-mentioned characters in The Tragedy of Richard II. The line presents a man intent on action, a foil to the title character, a man of words.