Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The role of imagination in romantic poetry
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The role of imagination in romantic poetry
Richard C. Sha’s article argues against the common notion during the 19th century that Romantic imagination was abnormal and served no purpose. Critics argued that the imagination was part of materialism and was therefore an ideology. Because of this, Sha claims that imagination was pathologized, and physicians “medicalized it as the source of disease or cure” (403-404). Critics insisted that imagination led to hypothesis, speculation, and theory, and none of which proved anything (404). Unlike the opposition, however, Sha interprets imagination, hypothesis, speculation, and theory as being distinct from one another. Imagination is not the source, but is a cohesive element of each. Imagination is the platform, which fuels innovation, leading …show more content…
As with the first half of the article, the second article uses the same context of imagination, hypothesis, speculation, and theory. This half discusses Coleridge’s own understanding of imagination and his attempt to redeem Romantic imagination in the eyes of society. Coleridge’s definition of the imagination in his Biographia Literaria was due in part to his fascination with Saumarez, or so Sha argues (411). Coleridge uses physiology to construct a method that disciplined imagination. There is some contention, or irony, in the fact that Coleridge commends the works of Saumarez because physiology was seen as materialism, which Coleridge was critical of. Therefore, because Coleridge was against materialism, imagination and physiology could be reconciled. An argument against this, however, was the practice of experimentation on animals that was required in the practice of physiology. Which begs the question of how someone, namely Coleridge, could praise physiology when it experiments on animals who are a part of …show more content…
Sha’s argument could have been strengthened if he had focused on a couple of topics rather than flowing to one finding after another to emphasize his argument. Thus, making the first half of his article less of his own argument and more of a stream of thought. That being said, his argument was clear from the start and was nonetheless convincing. The second half of his article was easily digestible because his analysis was contingent with quotes from both Coleridge and Saumarez. He made the connections between the two obvious using his own interpretation. If Sha had been just as engaged as he was in the second half throughout the article the article would have been more
Fantasies, which are defined as fanciful or extravagant notions, ideas, or suppositions are things he often does while on his mission to victory. During the late afternoon hours, he would frequently climb into his foxhole and read his received letters from a girl named, Martha, that he absolutely adores. She sent him letters that he guarded with his dear life and kept secretly hidden from the other men. They weren’t by any means “love” letters, but he often imagined they were just for the spite of things. Jimmy read those letters every day and every night, paying no attention to what was going on around him, just focusing on Martha. Although, letters were the main source of his absence from the world around him, he would often imagine romantically, trips into the white mountains of New Hampshire while holding the letters in his hand. He would sometimes taste the flaps, knowing her tongue had been there (Obrein, “Carried” 272). Jimmy began to pass his days more quickly by trying to keep up his hope, while thinking about being with Martha, somewhere in a beautiful place, alone, with nothing to worry about. Meanwhile, Jimmy received a pebble in one of the letters from Martha, which she picked up off the Jersey Shoreline just for Jimmy as a good luck charm. He carried the pebble in his mouth most of the time. While on other occasions, he would often slip away into daydreams, just pretending, walking barefoot along, the shoreline, with Martha, carrying nothing (O’brien, “Carried” 275). He fantasized daily about Martha; He wondered who she was with, and what she was doing. Although, Jimmy carried Martha’s pebble with him continuously, he began to carry much more than just a pebble in his mouth.
Osgood, Samuel. “Nature.” The Western Messenger. (1837): 385-93. Rpt. in Nineteenth Century Literature Criticism. Ed. Laurie Lanzen Harris. Vol. 1. Detroit: Gale Research Inc., 1981. 275.
The era of Romanticism during the 18th century was enriched with flourishing qualities of art, historiography, education and natural sciences that are exalted in history to this day. The Romantic era was more than what meets the surface, the literary creations of this time was not superficial love stories as the name may inaccurately suggest. This was a period of love for creation and nature, the exaltation of the common people, the desire for perfection in their community and an overall quest for something greater. The writers’ of this era emphasize on imagination and emotion and was influenced from the changes that were occurring in front of their very own eyes. A prime example of this is the literary works of Nathaniel Hawthorne and the common theme of science and the author’s fear and distaste it has on humanity that has been introduced.
Romanticism is an essential part of the early forms of American literature. Romantic’s, who value feelings and intuition as opposed to reason, seek to reveal higher truths through their writings. One way to reveal these truths is by the use imagination, as Washington Irving and Henry Wadsworth Longfellow do. Through the utilization of imagination, Washington Irving and Henry Wadsworth Longfellow reveal distinct truths about life.
An artist and intellectual movement that originated in Europe in the late 18th century that was characterized by a heightened interest in nature, emphasis on individual expression of emotion and imagination, departure from the attitudes and forms of classicism, and rebellion against established social rules and conventions is nothing less than what is defined and termed to be Romanticism. Unlike many of the “isms” during these times, Romanticism is the only movement that was not considered to be directly political. Instead, it was more generated towards the thoughts and ideas that reason alone cannot explain everything and that there must be something more that lies within the subconscious mind. During the period of Romanticism, three things that have been carried over into today’s society that has had great impact on beliefs and modern day philosophies were the ideas of individualism, emotion over reason and how it has became an ethical response towards empiricism, and how romantics revolted against societal conformity and the rising industrialism which made a person’s individuality insignificant.
Imagination allows for one to explore deeper into their faith than what would be possible in the physical world. Brueggemann describes imagination in faith as inevitable because it is bound to happen when trying to understand that of which is beyond physical means; also when one relates the stories of an ancient world to present day circumstances.
Imagination is the action of creating new ideas, scenarios, or concepts that are not present. It is the ability to form a mental image of anything that is not perceived through senses. It’s the ability of the mind to build mental scenes, objects or events that do not exist or are not there or have never happened. “...the pleasures of the imagination exist because they hijack mental system that have evolved for real world pleasure. We enjoy imaginative experiences because at some level we don’t distinguish them from real ones.” (pg.577 parg 4, Bloom)
There were two principle views concerning imagination, the Victorians and the Romantics, who didn’t accept each other’s ideas about imagination. But, despite their clashes on the status and views of imagination, the Romantics and Victorians share similar ideas through different angles of perspective, which we could assume are linked in part to their era. The long poem, named Goblin Market, written by Christina Rossetti shows the contrast between the ideas of Romanticism and the Victorian image of imagination while utilizing the same motifs. Goblin Market centralizes its theme on the Victorian approach towards Imagination as being a destructive, alien force that leads to grave and fatal consequences. Nature is seen as a demonic force that leads to death, as well as the clear distinction of the imaginative creatures, consisting of the goblins, being portrayed as satanic and evil. In addition, throughout this tale we see how the imagination is constantly blamed for leading to unfortunate situations, while the Romantics would consider the imagination to be doing the person good even if it leads the person astray on a path of death and destruction. Thus, Rossetti’s text demonstrates the Imagination having satanic nature, which portrays imagination as intoxicating and deadly. Also, the author displays her disapproval of nature by demonstrating Laura’s rejection of nature as her enlightenment, whereas the Romantics would do otherwise. The Romantics have different views of the imagination than the Victorians. They consider imagination as a divine force and a pathway to a higher experience and spiritual truth in any form. The Romantics consider that their perc...
Classicist and Romanticists also differed on their approches towards reason and imagination. Classicism attached much more importance to reason than imagination because imagination could not be explained by their laws. To them, “;the imagination, though essential to literature, had to be restrained by reason and common sense.”; (text, 119) The Romanticists, however, emphasized that reason was not the only path to truth. “;Instead, Romantic writers emphasized intuition, that inner perception of truth which is independent of reason.”; (text, 122) To the Romantic writers, imagination was ultimately superior to reason.
The human imagination is a very powerful thing. It sets humanity apart from the rest of the creatures that roam the planet by giving them the ability to make creative choices. The imaginary world is unavoidably intertwined with the real world and there are many ways by which to illustrate this through literature, either realistically or exaggerated. Almost everything people surround themselves with is based on the unreal. Everything from the food we eat to the books we read had to have been thought of by someone and their imagination. The imagination empowers humans.^1 It allows people to speculate or to see into the future. It allows artists to create, inventors to invent, and even scientists and mathematicians to solve problems. J.R. Tolken wrote “Lord of the Rings” by sitting in his backyard and imagining everything coming to life.^2 He thought about all the “what if” possibilities. But this method of storytelling can be used in much more subtle and/or sophisticated ways than in science fiction or fantasy novels. Through such works as the short story Dreams and the novel “Headhunter” by Timothy Findley, the film “the Matrix”, and the short story the Telltale Heart by Edgar Allan Poe, one can see how a writer can use the concept of the imaginary invading reality to write their story.
Imagination is a powerful tool for creating art, Kant even called it “a second nature out of the material supplied to it by actual nature” (XLIX). As nature is usually seen as heavenly with illusions to the gods, I quite like the idea that the imagination is on par with a divine plane of existence. When it comes to how imagination would be connected to genius, we must first look that the nature within actual nature. Although the imagination uses material from actually nature for the groundwork of the construction of the second nature, it would not be a carbon copy of it. As a genius is provided the talent but not the rules, their imagination would be free from the limitation of reality and can be used to remodel past experience or even to be built into something that could surpass nature. These representations of the imagination are label as ideas by Kant. Ideas are interesting as they can be seen a reality with the right perceptive. Ideas, with how they are constructed and modify by the imagination, no longer fit the criteria to be consider an experience, but at the same time they do not possess a concept to be seen as a rational idea. While a genius can use their imagination to be free from the constraints of the rules of art, it must not be in constant fluctuation. As a genius creates their art, the imagination’s portrayal of freedom from the rules must be presented as it final form in its representation of
The vision of a pragmatic likeness of contemporary life preoccupied spectator and critic alike. Although the concept of reality referred to a more spontaneous or natural state, the objective quality of its style emphasised the material semblance of the observed world {House 2007}. Ironically, Romanticism grew out of an age of scientific enquiry and reason. It paralleled Realism by challenging the genre of traditional artistic theories. The ideals of a universal harmony, love of nature and unity of the human soul with mystical metaphor appealed to the widest audience {Smith 2002, 151}. The subjective element of its inexplicable energy-that Ka...
Writers during the ‘Dark Romantics’ period took a close, in-depth look at the flaw in human nature. Authors such as Edgar Allen Poe, Nathaniel Hawthorne, and Herman Melville, use feelings, imagination, and nature to show a different vision of the individual than that of the Transcendentalists. The work produced by the ‘Dark Romantics’ suggests that human beings are not divine. Poe’s ‘The Tell-Tale Heart,’ Hawthorne’s ‘The Birthmark,’ and Melville’s ‘Benito Cereno’ all support this idea by showing the dark side of humanity through their characters’ evil doings.
In two works by Coleridge, The Rime of the Ancient Mariner and Kubla Khan, both works regard the imagination as vitally important. In the Ancient Mariner, the imagination (or rather, the lack of it) condemns the Mariner to a kind of hell, with the fiends of sterility, solitude, and loneliness: “’God save thee, Ancient Mariner, from the fiends that plague thee thus! Why look’st thou so?’ ‘With my crossbow I shot the Albatross’”. In Kubla Khan, the imagination of an external being, the narrator that Coleridge created, the ideal critic, can create a masterpiece that far outstrips the meager piece of work that even the emperor of a huge, rich civilization can produce: “I would build that dome in air, a sunny dome! Those caves of ice! And all who heard should see them there, and all should cry, Beware! Beware!” In Kubla Khan, the imagination can even make people fear an otherwise inconsequential event, sequence, or organism.
In this essay, I aim to discuss the issue whether imagination is more important than knowledge. “For knowledge is limited to all we now know and understand, while imagination embraces the entire world, and all there will ever be to know and understand” (Albert Einstein).