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Violence in movies
Violence in movies
Essy of violence in cinema & tv its effects
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Reservoir Dogs is a gangster movie with a difference. Instead of the gangsters being portrayed as slick professionals who always stay calm and collected, they are portrayed realistically. Reservoir Dogs is about a group of 5 professional thieves who attempt to rob a jewellery store. However, one of the team, Mr Orange (played by Tim Roth) is an undercover police officer. After the group enter the jewellery store and employee turns on an alarm and one of the men, Mr Blonde starts shooting the staff and customers, before the police get there, and the team escapes by stealing cars and shooting police officers dead. When the surviving members of the team rendezvous at a warehouse, debate begins regarding who the 'rat' is.In the movie, the story as outlined above is not presented in such a linear way.
The movie begins with the team members dining with the boss, Joe at a restaurant, a comical scene where they are light-heartedly discussing the meaning of the song "Like a Virgin" and why society demands that people tip waitresses. However, the mood of this film dramatically changes after the introductory credits when the scene is changed to a stolen car, where Mr Orange is in the back seat screaming "I'm gonna fucking die!", clutching at his bloody wound is his belly. This sets the scene for the rest of the movie that occurs after the robbery, as most of what happens is arguments between various people as to who the 'rat' is, often leading to threats, and more than once, the 'teammates' draw their guns on each other, and in the end, Joe (the boss), Big Eddie (Joe's son) are killed in a triangular shooting over whether or not Orange is the 'rat'.The non-lineal sequence of events is not at all confusing, and adds to the interest and intrigue as the movie progresses. This movie would not have been so acclaimed, had it followed the traditional sequence, where we follow firs the preparation of the cop, the preparation of the robbery, the robbery and then the rendezvous.
If Reservoir Dogs had been set out in such a manner, one could easily see what would happen well before it did.For the most part, this film is about 'honour among thieves", and the aspect of professionalism in crime. There is much discussion about Mr Blonde's action when the alarm went off, and Mr White emphatically states that he is a "psycho", and "unprofessional" and in the end Mr White ends up being shot because he is convinced that Mr Orange is not the rat.
The movie starts with a slow shot of a gas station. A car drives up, and the cashier working there is shoved in the store as three gunshots ring out. It then goes to a shot of Rico and Joe in a diner talking about a successful gangster named Pete Montana. They decide to move to the city. There, Rico wants to be like Pete, and Joe wants find a girl he loves and be a dancer after his time with the gang. Rico doesn’t like this idea of Joe’s and dismisses it saying tit wasn’t important.
Chinatown is regarded by many as one of the best films ever created. In 2007, The American Film Institute named “Chinatown” as #21 on their list of 100 greatest films! Chinatown is a great film because it is able to show how far people are willing to go to obtain riches and how a detective is willing to go to great lengths to solve the mysteries in front of him. The movie has been talked about in abundance and has even been influenced by real life events from the water company in Los Angeles. It is closely related to corruption and the 1% which people still talk about till this day. In the movie “Chinatown” directed by Roman Polanski, a private detective hired to expose an adulterer finds that he is caught up in a web of deceit, corruption, and murder. Somewhat relating to this is the article “Of the 1%, by the 1%, for the 1%” written by Joseph E. Stiglitz. In the article Stiglitz writes about how democracy in America is a mirage and that the rich
... comes to restoring order for the sake of a satisfying conclusion. However, this is nowhere close to the case of Arlington Road, which ultimately kills off its protagonist, frames him, and has his child handed over to the alleged terrorists. This demoralizing “dénouement” alone is enough to support the case that Arlington Road is indeed not a film designed to follow in the steps of Hitchcock.
During the course of our class we have encountered plenty of important topics and vital information that is essential to the field of the Criminal Justice system. Such as; Crime and justice including laws, Victimization and Criminal behavior, Laws, Police officers and Law enforcement and the criminal justice system in itself. These topics are daily situations yet individuals are oblivious to what's going on and that in it can be a major problem to the community. On that note this paper will express the ignorance and selfish values of twelve individuals by fully explaining the movie "Twelve Angry Men"
...ttle between feuding families, a young boy named Buck is shot and his corpse is found floating in the river. Huck's companion, Jim, shows the deep welts of a whipping he's been subjected to. During a mob scene, a shooting and a stabbing occur. Repetitive risky behavior
goes from the kitchen to the poker table to the door where James walks in. During this shot you see how organized the mob was, everyone played his or her part.
Betrayed by his cohorts Alex is beaten by local officials and confesses to all the crimes. As a point to retribution a sergeant states, "Violence makes violence" and proceeds to through Alex back into the cell.
The film illustrates the subculture within the fictional Shawshank State Prison in Maine. In this prison, inmates fulfill certain roles such as the dominant, masculine male, the helpless, feminine man, and the inmate that stands out. This is similar to real prisons and helps develop specific culture, expectations of behaviors and norms, and values within the prison. Furthermore, the inmate that plays the role of a smuggler of outside items, helps to establish the norms of currency between the inmates. Lastly, for the inmates, Shawshank is
The viewer sees a private eye and beautiful client. First thought, "It’s definitely another Hollywood crime drama." On the surface, Chinatown has all the elements of a film noir: the presence of a beautiful but dangerous woman, otherwise known as the femme fatale, a gritty urban setting, compositional tension (highly contrasting light and dark colors or oblique camera angles), and themes of moral ambiguity and alienation. Chinatown, however, is different. Polanski shot Chinatown with color film, and though his colors do appear especially vivid, color film precludes the contrast intensity that black and white film offers. In addition, Evelyn is not the classic femme fatale. Though Jake mistakes her for her husband’s killer at first, Mrs. Mulwray eventually emerges as the story’s most tragic victim. Yes, Chinatown for the most part conforms to the structure of film noir, but this film departs from the general genre, creating an entirely different element in which Roman Polanksi examines not only big-money corruption and its malignant obsession with money, but also larger, more human themes such as ignorance, authority, and the pervasiveness of evil.
The Fight Club, directed by David Fincher, constructs an underground world of men fighting with one and other to find the meaning to their lives. Ed Norton and Brad Pitt are the main characters who start the fight club. They make a set of rules in which everyone must follow.
He kills his father after slapping the cornflakes out of his hands just like his father did to him. While the hit man is in his twenties having fun, his mother is in the hospital dying of cancer. The fact that T.C Boyle puts the line “The priest wears black. So does the hit man.” means something. It means that both life and death or good and bad are both sides of the same coin. Both of them go hand and hand. They’re both messengers of something greater. The hit man’s first job, which we don’t find out till later, was to kill this one guy’s cousin. He then tells us he doesn’t like peas which was a foreshadowing of the waitress’s death. The hit man then attends a talk show which is really him talking to god and his angels. The whole description of the place and how the pediatrician has to deal with all the children (which is us) made it seem to be like god talking to death. The pun at the end, “Tell me - I’ve always wanted to know – what does it feel like to hit someone?” was just to make it funny. Later on when the hit man gave a wino $1800 then killed him meant that the wino used all his money on drugs which killed him. The hit man getting married, having a kid, going to work, and greeting his neighbors is all part of creating the sense of humanity in him. The fire, the 3 headed dog, and getting a gilded scythe is all part of making him seem like the reaper or something of that nature. At the end when he’s
ChinaTown, directed by Roman Polanski, is a non-traditional hard-nosed detective film made in the 70's. The typical elements of character type are there; J.J. Gittes (a private detective in LA) played by Jack Nicholson is the central character, sharing the spotlight is Fay Dunaway playing the femme fatale Evelyn Mulwray. This film breaks all types of norms when compared to the hard-nosed detective films it is modeled after. The film is filled with allusions to the Big Sleep, especially taken from scenes of Marlowe and Vivian. Chinatown has formal elements indicative that it is going to be in the style of traditional Film Noir hardboiled detective, until you examine the characters' personalities next to the story content.
The director Antoine Fuqua vision for this film was to bring that intense love-hate relationship onto the big screen and showcase it for the world to see. To ensure a convincing film setting, Fuqua shot on location in some of the most hardcore neighborhoods in Los Angeles. Fuqua also wanted to show the daily struggles of officers tasked to work in the rougher neighborhoods of cities and how easy it can be to get caught up in a street life filled with killers and drug dealers. Overall the film displayed the city of Los Angeles in a different perspective. One which m...
Minority Report is a 2002 science fiction film directed by renowned director Steven Spielberg and is set in the year 2054 in Washington, D. C. The film revolves around an elite law enforcing squad; Precrime. The Precrime Division uses three genetically altered humans called Pre-Cogs whom possesses special powers to see into the future and predict crimes beforehand. After each crime is foreseen and analyzed, Precrime police officers are sent to the crime location to apprehend the future murderers and place them under arrest. The future murderers are then put into a sleep state with a device called a "halo". Based on Minority Report, it suggests that humans are free willed beings and have the ability to alter the future that was predetermined for them.
Entrails torn from the body with bare hands, eyes gouged out with razor blades, battery cables, rats borrowing inside the human body, power drills to the face, cannibalism, credit cards, business cards, Dorsia, Testoni, Armani, Wall Street; all of these things are Patrick Bateman’s world. The only difference between Bateman and anybody else is what is repulsive to Bateman and what is repulsive to the rest of the world. Bateman has great interest in the upper class life, fashions, and social existence, but at the same time he is, at times, sickened by the constant struggle to be one up on everybody else. On the other hand Bateman’s nightlife reveals a side of him never seen during the day. Bateman is relaxed, impulsive, and confident while torturing and killing. He doesn’t have to worry about being better than anyone else. The only competition he has is his last victim. Torture and murder are the two true loves of Patrick Bateman.