In Les Miserables, written by Victor Hugo, it is said “whether true or false, what is said about men often has as much influence on their lives, and particularly on their destinies, as what they do”. The society of Much Ado About Nothing by William Shakespeare, is very tight. It is a small town where every person in the city knows each other. The fact that they are all close knit makes it possible for an unscrupulous villain, like Don John, to take advantage of peoples reputation and views. In Much Ado About Nothing, the people of Messina find much importance in a person’s reputation. Don John, Claudio, Dogberry, Benedick, Leonato, and Hero are involved in the opinion of others and their own reputations.
Reputations in Much Ado About Nothing seem to be easily made and easily lost. Much of the interesting action happens because reputations are in no way guaranteed to be accurate. Someone’s opinion is taken as the gospel, in Messina, even though it may be false. An example would be when a messenger praises Claudio’s maturity, but Claudio is terribly immature the whole play. People are not only judged by what their deeds are, but what people say about them. Leonato said about Claudio “I find here that Don Pedro hath bestowed much honor on a young Florentine called Claudio” (1.1.9). It shows that Claudio’s reputation was known even before meeting him. Learning of others or yourself happens throughout the play.
Benedick is a fine example of finding out that his reputation is not as he thinks. Reputation is a powerful thing, especially hearing about your own from someone else. During the masquerade ball Beatrice says “why, he is the Prince’s jester, a very dull fool. Only his gift is indevising impossible slanders…; for he...
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...egation where I should wed, there will I shame her” (3.2.123). His plan is more about vengefully ruining her reputation. The men in the play are obsessed, both comically and seriously, with cuckoldry. This allows all of this bad judgement to happen on innocent Hero.
A reputation is not just decided in someones deeds and actions, but what people say of that person. Someones reputation is a powerful thing, especially hearing it from another person. When hearing an opinion of a person it may be true, but also false. In Much Ado About Nothing, the people of Messina find much importance in a person’s reputation. Don John, Claudio, Dogberry, Benedick, Leonato, and Hero are all involved in the opinion of others and their own reputations. William Shakespeare said “reputation is an idle and most false imposition; oft got without merit, and lost without deserving”.
In this world rumors and dishonesty happen to be everywhere, no matter where you are. Nowaday people start rumors just to hurt and insult people’s feelings that later on lead to dramatic events. In the story “Much Ado about Nothing”, we encounter different scenes that lead to rumors and deception. One scene that we encounter is when Don John, the bastard brother spreads rumors about Hero being disloyal to Claudio and Don Pedro to corrupt Claudio’s and Hero’s relationship. Another scene that we run into is when Ursula and Hero have a talk in the garden about how Benedick has love affection towards Beatrice. Later on, these two scenes play a huge role and become dramatic elements of the story. We will encounter on how rumors and dishonesty can destroy and corrupt not just one person, but many.
A reputation can be so well established that if one person in power does a wrongdoing people will not believe it. For example when Mrs. Muller says, “Let me ask you something. You honestly think that priest gave Donald that wine to drink?” (47). Donald’s mother is questioning sister Aloysius because she does not believe Father Flynn would do something like that. He has a reputation of being a great priest and his reputation is better than Sister Aloysius’. Mrs. Muller states, “You’re not going against no man in a robe and win, Sister. He’s got the position.” (47). Just by Father Flynn being a male he has a higher reputation than a nun, which he knows and can accumulate for his actions. In the hierarchy of the Church, the head male priest is the most dominant. Therefore, nobody questions what he is doing; he has a reputation of being this influential priest who gives great sermons. He knows that he has the power to do what he wants and has his fellow Monsignor and other men in the ...
In “The Crucible” by Arthur Miller, I found myself struggling to grasp the full intensity he portrayed. One intense subject he really pinpointed was reputation. Reputation seemed to be a major focus of almost all they characters in this literary work. Whether it be reputation as a good member of the Salem Massachusetts community, or reputation as most successful preacher, the townspeople seemed to revolve around reputation. Many townspeople including John Proctor, Reverend Parris, as well as Giles Corey. This was not always necessary a bad thing, as it kept them in check, but in this case, the longing for a good reputation overpowered many lives, literally. Too much want for a triumphant
Debra Winger had stated once that “Most bad behaviour comes from insecurity”, this could not hold anymore truth in Shakespeare’s “Othello” as the story progresses only due to the insecurities of the characters. For starters, Othello is the protagonist so we get to see his internal conflicts about societal standards and judgement on display. Meanwhile, Iago’s vulnerabilities as a villain are only showed during his monologues as he is hinted to having a superiority complex against Othello, and a complete reverse of Iago, Cassio’s issues are visible from the readers perspective and the characters as his reputation is slandered and used against him. These are all prime examples of how insecurity was used as a primary plot device to advance the
There exists a kind of person who can be called by no other name than by “Magnificent Bastard”. They are masters of deception, bloody brilliant, unstoppable in achieving their goals even when it means grinding others into the dust, and yet they have such a flair, such a charming disposition, that they are often admired by even those who are wronged by them. Iago in Shakespeare’s play Othello is one such character. The audience may love or hate him, but either way they must admit that he commands the spot-light. In spite of this, the reason why Iago acts as he does is shrouded in mystery. Even when directly speaking to the audience about his motivations, Iago is not always truthful. In reality, while Iago derives great pleasure from manipulating others, his driving motivation throughout the entire play is his own jealousy; from being unrecognized for his greatness, to an impossible love for Desdemona, and of the virtuous characters all around him.
Throughout, the play, Much Ado About Nothing, the characters within the play constantly degrade Don John to less than a human, because of his illegitimacy. These people treat him inferior to themselves, which in response makes Don John provoke chaos.
One way to prove this is by reading The Crucible, written by Arthur Miller. This play displays the effects of acquiring a bad reputation. Many characters from this play deal with a conflict based off a reputation they have gained. The characters with the most significant conflicts resulting from reputations are John Proctor, Reverend Parris, and Abigail Williams.
Reputation plays a big role in the play Othello written by Shakespeare. Iago uses his reputation as an honest man to deceive Othello and everyone else. Othello's reputation also plays a big role throughout the play. Cassio's changing reputation has a big part in the outcome of the play as well.
Centuries ago in Elizabethan England there were many traditions about marriage and the treatment of women. One strong tradition of these times was the practice of marriage between races. Interracial marriages were considered extremely taboo. (High Beam). In this era marriages were arranged by the parents with strong help from the local church. The individuals had little choice as to who they would marry. (Elizabethan England Life). Yet another example of these traditions was the respectable treatment of women. While the husband was in charge of his wife, as was the father, the husband were expected to treat the women right (Elizbethi). In spurning all of these traditions, Shakespeare demonstrates a view of marriage far different from that of Elizabethan England, in doing this he is trying to plant new ideas in the people who read or view the play.
Throughout the history of the world, honor has been an important part of life. In literature, as well, honor plays an important role in many plots and the development of almost any character. Shakespeare’s play Much Ado About Nothing is no exception. In this comedy about love and marriage, honor is revealed as the primary reason for many of the actions taken by several different characters. When Claudio breaks off his wedding with Hero, he does it because he believes she is not chastised as she claims to be and in being such, she would dishonor him as well as her father if the marriage were to proceed as planned. The play is an accurate depiction of the honor code and the different standards for men and women of the time in regards to honor and chastity.
Shakespeare’s Much Ado about Nothing is, on the surface, a typical romantic comedy with a love-plot that ends in reconciliation and marriage. This surface level conformity to the conventions of the genre, however, conceals a deeper difference that sets Much Ado apart. Unlike Shakespeare’s other romantic comedies, Much Ado about Nothing does not mask class divisions by incorporating them into an idealized community. Instead of concealing or obscuring the problem of social status, the play brings it up explicitly through a minor but important character, Margaret, Hero’s “waiting gentlewoman.” Shakespeare suggests that Margaret is an embodiment of the realistic nature of social class. Despite her ambition, she is unable to move up in hierarchy due to her identity as a maid. Her status, foiling Hero’s rich, protected upbringing, reveals that characters in the play, as well as global citizens, are ultimately oppressed by social relations and social norms despite any ambition to get out.
Reputation in this play is what drives people to act in certain ways. Miller uses this theme in such a way that is seems to control certain characters like Danforth, Parris and Abigail thus portraying them in a negative and insincere light. They go to lengths to never have no contradict themselves or appear to be mendacious and deceitful whereas other characters such as John Proctor, Sarah Good and Giles, are driven by the will to protect their integrity. The protection of either integrity or reputation is what differ...
The character Othello, from the tragedy Othello, is portrayed as faultless in many ways in the beginning. However, as the story goes on, many unattractive qualities are revealed through Othello’s actions. One flaw of his is that he is too trusting. Othello believes Iago’s lies and so unable to trust from then on. Such as, when he believes Iago when Iago tells him that Desdemona gave Cassio her handkerchief, although this is quite untrue. Later on, he does not believe Desdemona when she continually tells him that she is not cheating on him, as his trust has been destroyed. Another equally important flaw of his is jealousy. Othello is jealous of the suspicious relationship between his lieutenant Cassio and his wife Desdemona. This is ironic because there really is no such affair between the two. Othello has many flaws which allow him to seem more humanlike and connect to society.These many flaws of Othello allow for more genuineness to be seen within him, and as a result he appeals more to the public. Authenticity is imperative for the public to connect with the character Othello and really enjoy the Shakespearean tragedy. Othello is...
Reputation and honor are two different things. They often are the difference between appearance and reality. Reputation is other people's opinions of you, while honor is a high respect. In the play, Othello, a character named Iago has a great reputation; however, he has no real honor. He is able to manipulate and shame other people without hurting his own reputation. In the play there are many examples of when he appears to be something, but really he is being the opposite.He talks badly about Othello to Roderigo and then talks badly of Roderigo to Othello.He also acts as Cassio’s friend and tells him to talk to Desdemona. In addition, he lies to Desdemona when she comes to him for help with her husband. Iago was able to manipulate each one of these people and in the end ruin his honor.
According to Niccolo Machiavelli’s, The Prince, there are five traits that make up a successful leader. The five traits that are necessary in determining a leader’s success involve being feared, being virtuous, having the support of the people, having intelligence and the use of arms. In this paper, I will argue that the Duke Vincentio of William Shakespeare’s, Measure for Measure, is an ineffective leader because he loses virtue acting deceitful and spying on his subjects as a friar. Also, when he realizes that his people do not fear him, he allows for Angelo to come so that he can win their respect by becoming the better option of the two. It is portrayed by his constant presence in the play as the friar, that instead of earning the support of his people, he treats them as puppets and himself as the master puppeteer.