Raymond Carver's Neighbors: A Brief Analysis

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In the bedroom Marian eases Ralph toward making love, and "He turned and turned in what might have been a stupendous sleep, and was still turning, marveling, at the impossible changes he felt moving over him." Carver presents intimacy as a healing hand. Since Ralph is "letting go a little" of his smug, self-righteous attitude, he might be able to put a meaningful expression on his face.
In spring 1968 Maryann Carver accepted a scholarship to Tel Aviv University, and Raymond Carver arranged for a year's leave from SRA. In 1969 he returned to SRA as an advertising director and stayed with them until September 1970. Combined with a National Endowment for the Arts Discovery Award, his severance pay and unemployment benefits allowed him to write full-time.
For the first half of the 1970s, writing, teaching, and increased drinking were the shaping events in Carver's life. Lish published Carver's story "Neighbors" in the June 1971 Esquire. Three other stories were chosen consecutively for the O. Henry Awards annual Prize Stories (1973-1975). While drawing praise, Carver accepted a series of one-year lectureships at universities interested in enhancing their writing …show more content…

His subjects and characters seem lifted from the dismal sidewalks of pedestrian life. Out of work or laced to dead-end jobs, they wait tables, sell vacuum cleaners door-to-door, deliver the mail, punch time cards at the factory, or attend to bookkeeping and secretarial duties. In Understanding Raymond Carver (1988) Arthur M. Saltzman says of these characters, "Vaguely unhappy, vaguely lonesome, they tread water. They wonder if they are leading the right lives." Some characters, in fact, are fading out of existence, as in the conclusion of "The Father," when Alice blurts out: "Daddy doesn't look like anybody!" Suddenly aware that he has no functional identity even within his family, the man turns "white and without

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