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Symbolism in carvers cathedral
Cathedral symbolism by raymond carver
Symbolism in carvers cathedral
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To think a cathedral could make somebody navigate thru their mind and find a bigger purpose in their life it is an unlikely fulfillment and an abnormal conclusion but a probable outcome of The Cathedral a short story by Raymond Carver. There is symbolism, themes, characters and learning experiences from this text. The short story conveys into a mindset where it would make most people rethink how they reflect, feel, and see things in their environment. This being stated because a blind man made a capable individual of seeing, see what the blind man could see. The Author Raymond Carver writes in a simplistic and easy to follow style almost shadowing the characteristics of the main character of the story, a simple husband which his own insecurities …show more content…
We see in the wife how straightforward she is but at times she cannot express herself fully just like the husband she does this when she gets upset and throws the potato to the ground in anger. Makes it feel as there is an underlying problem going on that the reader does not know about. Robert means hope to the wife because he is one of the oldest friends she has. She and her husband do not have mutual friends and she hopes for him to recognize the blind man as a possibility for him to make friends and share something in common to bring them closer she emphasizes that if he loves her that he would be nice to Robert therefor it is visible the pressure that is out in the husband to perform well when he meets Robert and understand that he is a dear friend of his wife. The wife trying to pay attention to Robert forgets how her husband feels about this situation and underestimates the narrator feelings. In the short story we realize that contact is always the best connection you can have, examples are when the blind says this beats the tapes when he is talking to the wife also at the end when the husband creates the painting of the cathedral instead of dictating it to Robert. For the narrator the routine the monotony, and his own limited vision leads him to encounter an experience that he once never felt before it was describing a picture to a blind man without having to speak a word. Meanwhile this was going on the wife had fallen asleep and all of this progress between them was occurring. Again, something amazing that is not visible. The ending concludes abruptly because it does not say if the husband and Robert became good friends or the wife gets closer to the husband because of his newly relationship with one of her friends or if he just went back to being superficial and at times ignorant. In spite of the narrator's jokes, and exaggerated assumptions. He is more blind than
The short story, “Cathedral,” by Raymond Carver, is about a blind man who changes the way the narrator views life by giving him some insight on how he sees things. The characters in this short story are constantly developing into better versions of themselves by sharing their insights with one another.
Upon reading Raymond Carver's short story of the Cathedral one will notice the literary devices used in the short story. When analyzing the story completely, one then understands the themes, motifs, metaphors, and the overall point of the piece. This leaves the reader with an appreciation of the story and a feeling of complete satisfaction.
The narrator’s prejudice makes him emotionally blind. His inability to see past Robert’s disability stops him from seeing the reality of any relationship or person in the story. And while he admits some things are simply beyond his understanding, he is unaware he is so completely blind to the reality of the world.
As a result of his inability to relate with Robert, he thinks his behaviors are odd, and is unable to understand the relationship he has with his wife. His wife worked for this blind man many years ago, reading him reports and case studies, and organizing his "...little office" (Carver 98) in the county's social-service department. He remem¬ bers a story his wife told about the last day she worked for him. The blind man asked her if he could touch her face, and she agreed.
The usage of first person point of view traps the reader within the mind of a character who is closed off and narrow-minded for the duration of the story in such a way that it “tell 's nothing, but shows everything (Messer)” at the same time. In this way, the reader goes through the series of realizations with the narrator which convey the message of blindness in correlation with true sight and a spiritual awakening. For instance, the narrator can only feel pity for Robert’s wife, Beulah, because he was never able to see her. He imagined that Robert 's wife “could, if she wanted, wear green eye-shadow around one eye, a straight pin in her nostril, yellow slacks, and purple shoes” (Mays). However, none of this really matted to Robert, and the narrator finds it utterly pathetic. Yet, the narrator never really understands the fact that he does not really know his own wife, regardless of the fact that he can physically see her. Additionally, within the first paragraph, Carver uses demonstratives and possessives to draw the reader close to the Narrator of the story while also constructing a psychological distance between the narrator and other characters in the story (Peterson). In this paragraph, Carver uses the demonstrative “this” as a word to indicate distance, metaphorically, between the narrator and Robert (Peterson). In particular the sentence, “This blind man, an old friend of my wife 's, he was on his way to spend the night (Mays 33)” demonstrates the use of this as a specific person while showing the distance and dislike the narrator has of Robert. As a result, the narrators prejudice is presented to the reader in a way that shows his blindness as
The irony between Robert and the narrator is that even though Robert is blind, he pays attention to detail without the need of physical vision. Roberts’s relationship with the narrator’s wife is much deeper than what the narrator can understand. Robert takes the time to truly listen to her. “Over the years, she put all kinds of stuff on tapes and sent the tapes off lickety-split. [...] She told him everything, or so it seemed to me” (Carver 124). This demonstrates that the narrator is in fact somewhat jealous of how his wife confides in Robert, but still overlooks the fact that he doesn’t make the slightest effort to pay attention to her. Also the narrator is not precisely blind, but shows a lack of perception and sensitivity that, in many ways, makes him blinder than Robert. Therefore, he has difficulty understanding people’s views and feelings that lie beneath the surface.
The narrator in Raymond Carver's "Cathedral" has two fully functional eyes, in which he chooses never to use to their full potential. The eyes of the narrator are biased, insecure, jealous, and very limited in what they choose to see. This inability to see is made apparent when he is forced to meet and converse with a blind man. The narrator's perception of the world around him, and blurred vision, is resolved by a great irony in the story when Roger helps the narrator see past his prejudice outlook on life. The blind man teaches the narrator how to see.
Raymond Carver utilizes his character of the husband, who is also the narrator, in his short story "Cathedral." From the beginning of the story the narrator has a negative personality. He lacks compassion, has a narrow mind, is detached emotionally from others, and is jealous of his wife's friendship with a blind man named Robert. He never connects with anyone emotionally until the end of this story.
The narrator does not address Robert by his full name, he address him “this” blind man instead of a blind man. Carver allows the reader to make the assumption that “this” blind man is of great importance to the narrator. “This” also conveys a direct relationship between the narrator and Robert even though they have never met, it also has a slight hint of arrogance to it (Peterson).The narrator has a pessimistic view of Robert before he ever has a chance to have a discussion with Robert. The narrator’s education on blindness “came from movies” (32) and he stereotypes all blind citizens as someone who “moved slowly and never laughed” (32). The narrator has a negative view of himself and it rubs off on him before his initial meeting with Robert. The narrator clearly is was passionately in love with his wife early in their relationship and she clearly loved him. The narrator is very protective of her and no amount of money could part them from love. The narrator backs this up by saying “She didn’t have any money. The man she was going to marry at the end of the summer was in officers’ training school. He didn’t have any money, either. But she was in love with the guy, and he was in ...
The husband in Raymond Carvers “Cathedral” wasn’t enthusiastic about his wife’s old friend, whom was a blind man coming over to spend the night with them. His wife had kept in touch with the blind man since she worked for him in Seattle years ago. He didn’t know the blind man; he only heard tapes and stories about him. The man being blind bothered him, “My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to. (Carver 137)” The husband doesn’t suspect his ideas of blind people to be anything else. The husband is already judging what the blind man will be like without even getting to actually know him. It seems he has judged too soon as his ideas of the blind man change and he gets a better understanding of not only the blind man, but his self as well.
When Robert and Bub’s wife first arrive and begin speaking to one another, Bub only focuses on how his wife is paying more attention to Robert than himself. Bub thinks to himself, “My wife finally took her eyes off the blind man and looked at me”(Carver 38). Bub exposes one of his character traits when he narrates this potion of the story ,becauses of his attitude and word choice. Bub believes that his wife’s focus should be more on him than Robert, because Robert is blind and Bub is not. Bub learned Roberts name earlier in the story, but continues to refer to him as “ the blind man.” Robert is placed on a subcategory of human by Bub, which lead him to believe that he should be the center of attention and not Robert. While Robert and Bub’s wife are talking about their lives, Bub listens to their conversation. While listening, Bub, “waited to hear my [his] name on his wife’s sweet lips”(Carver 39). Bub is hoping his wife will talk about him when Robert and her are talking. The reseason Bub is hoping that his name will be brought up into the conversation is so that he will become the center of attention in the conversation. Bub believes that the world has to revolve around himself and wants to be the center of attention, which makes him
The story begins with a description of the relation’s between he, his wife and Robert. It is unveiled that Robert employed Raymond Carver’s wife, whose name is never stated, ten years previous by having her read reports and case studies to him since his blindness would not permit him to do it himself. She hadn’t seen him since those days but “she and the blind man kept in touch. They mailed tapes and sent them back and forth.” (506) The story also is set up by briefly describing Carver’s wife’s past relations with her first husband. Their past marital troubles seem to be a main basis for the wife’s and Robert’s extended contact. After this background history, the story then jumps into the present with the Blind man on his way to stay for a night.
At first glance, one might assume Raymond Carver’s "Cathedral" illustrates the awakening of an insensitive and insulated husband to the world of a blind man. However, this literal awakening does not account for the fact that the husband awakens also to a world of religious insight, of which he has also been blind. The title and story structure are the first indicators of the importance of the religious thesis. It is also revealed when one examines the language and actions of the characters in the story. Finally, Carver’s previous and subsequent writings give an overall background for the argument that "Cathedral" has a significant religious import.
Overall, the cathedral that the narrator draws with Robert represents true sight, the ability to see beyond the surface to the true meaning that lies within. The husband’s insecurities makes him emotionally blind. His inability to see past Robert’s disability ultimately prevents him from seeing the reality of any relationship or person in the story. The husband becomes more sensitive and accepts the moment of being blind has allowed him to become a better man. Finally, the cathedral drawing ironically reveals blindness to be an important factor. As a result, Carver gives interesting lessons to powerfully assess how we can find beauty and free ourselves from prejudgments and see the real world with our minds, not only our eyes.
Raymond Carver's "Cathedral" depicted the interaction between a narrow minded husband, with a limited understanding of the world around him, and a blind visitor, named Robert, that proved to be the catalyst that dramatically changed the husband's view on the world, while they went from being strangers to becoming friends. In the beginning of the story, the husband disliked the concept of his wife bringing her blind friend over to stay since he never had met a blind person before and did not understand it. However, as the story progresses, the husband, through interaction and observation, begins to dispel his fears and misconceptions of Robert and his blindness. With the help of Robert, the husband gains a revelation that changed his view and opened his eyes to the world.