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Prospero as a Magnanimous Ruler or an Oppressive Coloniser
At first glance Prospero seems like a well intentioned magician, a
serene old man who only wanted to restore harmony and achieve
reconciliation. But when you look closer into his character you see
something else there, a character who is harsh and impatient,
demanding and ambiguous, power hungry and deeply troubled. However,
there is also a noble, kind and divine side to him.
Ariel knows Prospero well and is one of the main characters and so has
an advantage over the other characters about what he knows.
Ariel calls prospero:
"…..My noble master"
However, Ariel has good reason to call him this. Prospero treats Ariel
very well compared to Caliban often calling him names like "bird,
"chick" and"...mine free spirit"….Ariel is under Prospero's control
because he set him free from a tree which Sycorax imprisoned him for
12 years because he did not obey her commands. Although prospero is a
much better master than Sycorax The fact still remains that he is
still master and through out the play Ariel longs for "my liberty" but
when he asks for it back Prospero becomes angry and threatens him with
twelve more years. He has been extremely unjust and unfair against
Ariel's wishes and has not realized this. However, Prospero might feel
that he has good reason for keeping Aerial in his service, not to
mention that because he freed him Ariel owes him a favour. It might be
that prospero is keeping Ariel because he NEEDS him to carry out his
plans, just like the English settlers needed the African slaves to
survive. But one cannot make this entire comparison because Ariel is
...
... middle of paper ...
...adistic oppressive
colonizer....?
While prospero was in Milan he was the divine ruler, his people loved
him and this was all done without the aid of magic to control people.
However, when prospero arrives on the island he tries to take it by
force off the original inhabitants and from Caliban, who is the ruler
by right. The way in which he beats Caliban is cruel and the fact that
he keeps everyone under control by force is an act of an oppressive
coloniser. This is nothing short of what the European colonisers did
to the native Americans.
While Prospero is in Milan he has the divine right to govern and is a
magnanimous ruler, but while on the island he thinks he is doing what
is best, not what is right, and so has become in effect an oppressive
ruler and coloniser who keeps people under his control force fully.
Critical Response: Given the three possible responses from the book, I feel like #2 is the most ethical of the three. However, I feel like all three aren’t satisfactory ways to treat this situation. I will analyze them one by one, then give my opinion of what the salesperson should do.
On October 12, 1492, Admiral Colon landed on a tropical Caribbean island. Finding this island was purely accidental. Colon had originally set out to find a shorter route to China and instead discovered the New World. If the purpose of Colon's voyage was not seeking out to dominate another country (definition of imperialism) but to find a shorter route to China, then how could he be considered an imperialist? While he didn't set out as an imperialist, some of his actions could be considered imperialistic.
Many children, including myself, have once played the game Marco Polo. Although, I have always been curious, who exactly is Marco Polo? My fascination of Marco Polo warped into a fixation of his travels. Marco Polo was born in Venice in the year 1254. His father, Nicolo, and his uncle, Maffeo, were merchants who had seats in the great nobleman council of Venice (Polo IV). According to his records, he had traveled thousands of miles with his father and uncle.
it was like then and how he ruled the state. Prospero was the Duke of
He takes advantage of his authority over the people and situations he encounters while wearing a facade of integrity and compassion to disguise his wily intentions and to retain love and respect. In Act I of the play, Prospero finally tells Miranda the woeful story of how she and he arrived on the island. From the beginning, Prospero plays his subjects and his sympathetic audience as pawns in his game of manipulation. He explains that twelve years ago he was the Duke of Milan, but being enthralled with his studies, he left most of the governmental responsibilities to his brother Antonio. Antonio, hungry to be "Absolute Milan" himself (1:2, p.6), proceeded to betray him with the help of King Alonso of Naples.
The first I have already alluded to, namely, the danger of using of his powers purely for vengeance. Prospero, like Shakespeare, is a master illusionist, and he is tempted to channel his personal frustrations into his art, to exact vengeance against wrongs done in Milan through the power of his art (perhaps, as some have argued, as Shakespeare is doing for unknown personal reasons against women in Hamlet and Lear). But he learns from Ariel that to do this is to deny the moral value of the art, whose major purpose is to reconcile us to ourselves and our community, not to even a personal score.
When Caliban is first introduced in the play it is as an animal, a lazy beast that tried to rape Prospero’s daughter, Miranda. Prospero wastes no time referring to him as, “Thou poisonous slave, got by the de...
Having been usurped and wrecked on an Island Prospero and his young daughter Miranda have to settle. It is here in Prospero's past that it first clear to see where any confusion about his character may appear. As a learned and powerful man Prospero is able to take direct control of the island, he frees a trapped and tortured spirit (Ariel) and befriends the inhabitants (Caliban). Prospero 'helps' Caliban, he tries to educate him and teaches him to communicate, in exchange Caliban helps Prospero to survive on the Island. But in taking power of the Island Prospero is committing the same act that happened to him as Duke of Milan, now Prospero himself has become the usurper. In this act of goodness Prospero has unknowingly shown his evil side.
...also helped Prospero twelve years earlier by supplying him with food. He had the best outlook throughout the play and for the future of his company.
portray his degraded, brutish nature. In Act 1 Scene 2 Caliban complains of how Prospero used h...
Caliban is described as “naturally evil”. Despite any efforts, his nature cannot be changed. His natural evil in The Tempest will always triumph any attempts to change him. His relationship to an evil witch made him naturally evil and will forever be who he truly is.
Prospero presents himself as a victim of injustice, however his belief of justice and injustice is somewhat contradicting. He takes advantage of this authority over other people and situations he encounters while using his integrity and compassion to mask his dangerous plans and to retain love and respect. The Tempest in the end suggests that love and compassion are more effective political tools than violence, hatred or even abusive magic.
'Prospero on top, invisible' which positions him 'close to God' and by his power to manipulate and control the lives of others:
To reassure her further, he continues by explaining his motives in creating the storm. Here the reader learns that Prospero and Antonio are brothers, and that Prospero is the rightful Duke of Milan but that his brother usurped his kingdom and exiled Prospero and his daughter Miranda. Fortune saved the two from their rotting ship which had been set to drift, and brought them to the island where Prospero has been granted supernatural powers by the enemies of Antonio. From the above description, it is clear that the play embraces both the natural and the supernatural world. Twelve years before the action takes place, we are told that Prospero was a prince who had a different type of power than he has now.
Prospero’s decision to relinquish magic coincides with his decision to forgive Alonso, Antonio, and Sebastian, freeing him from the burden of revenge. Moments prior to his declaration that he will renounce his magic, Prospero says, “Yet with my nobler reason 'gainst my fury / Do I take part: the rarer action is / In virtue than in vengeance…” (5.1.26-28). His “nobler reason” has a greater impact on his rational than his “fury”, resulting in his decision to free Alonso, Antonio, and Sebastian after harbouring years of ill will against them. Prospero’s use of alliteration places emphasis on “virtue” and “vengeance”, and the contrast between the positive and negative connotation of his diction proves his understanding of the importance of forgiveness. Therefore, his power no longer has a corruptive influence upon him. Soon after he gives up his magic, Prospero also sets Caliban free, which in turn frees himself from the burden of his hatred for Caliban. Prospero tells Caliban, “Go, sirrah, to my cell… as you look / To have my pardon, trim it handsomely” (5.1.292-293). Prospero’s reference to Caliban as “sirrah”, although not respectful, still shows a stark change from the insulting manner in which Prospero previously spoke to Caliban. Prospero’s offer to give Caliban “pardon” shows development in their relationship since their mutual hatred for each other at the beginning of the play. Prospero’s decision to give