Anne K. Mellor focuses on the topic of the role of female in Frankenstein’s patriarchal society in her article “Possessing Nature: The Female in Frankenstein”. Mellor states Frankenstein is a feminist novel which according on Victor Frankenstein’s identification of nature as being female at the beginning. She has repeated that Mary Shelly gives Frankenstein numerous hints of the feminist viewpoint. First, Mellor considers that Shelly’s inspirations were come from her mother’s work, A Vindication of the Rights of Woman, the first feminist treatise. It represents the consequences of “social construction of gender” that the values of man and women are inequality--“the values the male above the female” (274). Next, Mellor says the Frankenstein’s …show more content…
She describes Victor Frankenstein’s fear of his female creature will have her own “desire and opinion” as if his male creature (279). Mello goes on to relate to Frankenstein’s second fear of the “female desires might be sadistic”: they will be “‘ten thousand times’ more evil than her mate” (279). Frankenstein is afraid that the female creature will be “more ugly than his male creature” (279). Frankenstein’s last two fear of the female creature is that the female creature will have power to attract human and creates “race of similar creatures” (279). Mellor declares that Frankenstein’s fear destroys the female creature and even destroys “female sexuality” in a patriarchal society (279). Her article displays the female role has been “manipulated, controlled and repressed” in Frankenstein’s society (281). However, she also expresses that Nature, who is defined as female by Frankenstein in the novel, “resists and revenges herself upon” Frankenstein’s “violate” (382). Frankenstein receives “both mental and physical” illness from Nature during his research such as a “nervous fever that confines him for many months” and even “he dies at the age of twenty- five”
In conclusion, in Mary Shelly’s novel Frankenstein, the female characters always fulfill the limited and archetypical roles that are set for them by society. In this novel, many female characters are considered to be possessions. In fact, they are considered to be the servants of men. “I have a pretty present for my Victor—tomorrow he shall have it.” (Mary Shelly, Pg. 70)
‘[The] characters and plot of Frankenstein reflect . . . Shelley’s conflicted feelings about the masculine circle which surrounded her.’
Mary Wollstonecraft, mother of Mary Shelley and author of A Vindication of the Rights of Woman, held the firm belief that women were equal to men. As such, it is hard to imagine that the daughter of a prominent women’s right advocate would only portray passive and disposable women in her novel, Frankenstein. Despite this, the story only includes women such as Justine Moritz and Elizabeth Lavenza, “each of whom relies upon male intervention and agency to save them” (Cadwell). While it can be argued that these women were used to show the flaws of misogyny, on the surface they each provide nothing more than character development for the male leads or a means by which to further the plot.
Frankenstein “supports a patriarchal denial of the value of women and of female sexuality” (Mellor, 356). Mellor’s point is significant here because a woman was devalued if she was not able to produce children or if she showed signs of independence. Mary Shelley’s own mother, Mary Wollstonecraft, defied gender roles and strongly advocated for the freedoms of women. This influence shines through Shelley’s novel as the deaths of the women
Mary Shelley’s novel entitled Frankenstein demonstrates women of the Romantic Era as powerless citizens of society. Throughout the novel, the women are secondary characters and are portrayed through the men’s perspective. Therefore, many would think that these female characters are passive and dependant as they are often described as companions and nurturers. Despite the unequal rights of women, Shelley, one of the earliest feminist, has developed female characters who show agency. This trait of taking charge of one 's course of life is reflected through Justine Moritz as she is willing to die for her beliefs, in Safie who defies her father’s and religious wishes and when Victor Frankenstein decides to abort
In the novel "Frankenstein" by Mary Shelley, the relationship of external apperence and internal feelings are directly related. The creature is created and he is innocent, though he is seaverly deformed. His nature is to be good and kind, but society only views his external appereance which is grotesque. Human nature is to judge by external apperence. He is automatically ostracized and labeled as a monster because of his external apperence. He finnaly realized that no matter how elequintly he speaks and how kind he is, people will never be able to see past his external deformities. Children are fearful of him, Adults think he is dangerous, and his own creator abandons him in disgust. The creature is treated as a monster, therefore he begins to internalize societies view of him and act the like a monster.
American psychologist and well renowned author Jerome Kagan states “Genes and family may determine the foundation of the house, but time and place determine its form.” The topic of nature vs. nurture is highly known to the English literature community and is classified as a major aspect of gothic works. In the novel Frankenstein the author Mary Shelley uses the monster’s constant rejection from society to demonstrate that an individual’s traits are affected more by their environment and their surroundings than by nature.
When one considers the role that gender, sexuality, and their roles in societal expectations, the result shows how the fragile character of Victor Frankenstein who runs away from his creation and shows no social responsibility to his actions is still considered a ‘fine man’. Shelley highlights the ever obvious reality of her time that men were valued over women; moreover, it shows that men not man were seemingly meant to inherent the Earth and to become its God. Additionally, Shelley’s personal life and the male figures that shaped it offer additional evidence to the ideology of the fragile masculine identity (Gordon) and how Shelley subtly shows the lack of equilibrium that existed within literature and, by extension, reality. It is the underlying notion of the nineteenth century romantic literature that women are meant to hold only an aesthetic or pleasing purpose and value in life whereas men are capable of looking further past the ‘superficial’ and see the truth even when they’re young; Victor says, “While my companion [Elizabeth] contemplated with a serious and satisfied spirit the magnificent appearances of things, I delighted in investigating their causes,” (p. 38) suggesting that women are inherently shallow creatures unable to perceive deeper
Within Frankenstein, the level at which a female is portrayed is quite low. Like we have heard in class, women were not necessarily respected as much as men were when the novel was written. Published in 1818 by Mary Shelley, her story tells of the adventure of young Victor Frankenstein and the creation of his creature. Though deep within this narration of Frankenstein’s life, there seems to be an underlying theme seeping through Shelley’s writing. Shelley seems to venture into the idea of feminism and grotesquely show how men are treated much better than women. Her novel includes various concrete examples to support this hypothesis.
Many consider Shelley as an early feminist. Certainly her mother’s views on the issue cannot be doubted. In her book “A Vindication of the Rights of Women” Mary Wollstonecraft criticizes society’s treatment of women. Similarly in Frankenstein Shelly, more than simply telling a story, challenges a dominant patriarchal value system. In the novel the women are constructed as victims of male egotism and selfishness. Caroline Beaufort, Victor Frankenstein’s mother, lived in ‘poverty’ due to her father’s ‘abominable pride’ that refused to accept help or charity. Safie, daughter of the Turkish merchant is almost kept from the one she loves by her father’s ‘treachery’. Thus we can see that Shelly presents us with a s...
Throughout Mary Shelley’s Frankenstein there are many female minor characters. Some view these minor characters as passive and subordinate, the epitome of a delicate woman, that reflect the gender roles during the author’s era. This simplifying view of the intricately complex female characters does not accurately represent the powerful and firm importance of their underlying, yet commanding, voice. One of these characters is Justine Moritz who, although charmingly modest and gentle, is a testament to the dignified power of women. During her short appearance in the novel, it is clear Victor Frankenstein fears her for the bravery and strength she exquisitely exhibits through her unjust trial. In addition, the contrast between the characters is distinct. Evidently Victor fails to posses such courage and admirable traits reflecting the insufficiency of supposed male dominance as compared to feminine vigor. Mary Shelley’s minor character Justine is a subtle yet potent force who depicts the perseverance and strength of women by illustrating the considerable lack of such traits Victor Frankenstein.
From the beginning of time in history, women have always been portrayed as and seen as the submissive sex. Women especially during the time period of the 1800s were characterized as passive, disposable, and serving an utilitarian function. Mary Shelley’s Frankenstein is a prime example displaying the depiction of women. The women in Frankenstein represent the treatment of women in the early 1800’s. Shelley’s incorporation of suffering and death of her female characters portrays that in the 1800’s it was acceptable. The women in the novel are treated as property and have minimal rights in comparison to the male characters. The feminist critic would find that in Frankenstein the women characters are treated like second class citizens. The three brutal murders of the innocent women are gothic elements which illustrates that women are inferior in the novel. Mary Shelley, through her novel Frankenstein, was able to give the reader a good sense of women’s role as the submissive sex, through the characters experiences of horrific events including but not limited to brutal murder and degradation, which is illuminated by her personal life experiences and time period of romanticism.
When reading Frankenstein by Mary Shelley, one cannot help but notice that the women characters seem to have little substance compared to the male characters. This may have been caused by the time period in which she wrote: one in which females were considered inferior to males. This difference between the sexes can be looked at using a variety of different perspectives. Johanna M. Smith, a professor at the University of Texas at Arlington, discusses this issue using feminist eyes in her essay entitled "'Cooped up': Feminine Domesticity in Frankenstein." The main points in Professor Smith's essay are that the female characters are there only to reflect the male characters, and that the Frankenstein family has a weird style of living, which she describes as a "bookkeeping mentality" (Smith 279).
In “Frankenstein” penned by Mary Shelley, one cannot help but notice the role of women in the novel compared to men. Even though Mary Shelley is the daughter of Mary Wollstonecraft, a mother advocating for women’s rights in society, she displays the roles of Caroline, Elizabeth, and Justine as passive women. This may be the time period when women were considered inferior to men. Caroline, Elizabeth, and Justine are depicted as possessions by men, admired for their superficial beauty, and do not take action without the permission of men. On the other hand, Shelley illustrates Safie as a woman who speaks up for her own rights when her father forbids her to find Felix.
Frankenstein by Mary Shelley is a gothic science fiction novel written in the romantic era that focuses on the elements of life. The romantic era was sparked by the changing social environment, including the industrial revolution. It was a form of revolt against the scientific revolutions of the era by developing a form of literature that romanticize nature and giving nature godliness. This element of romanticized nature is a recurrent element in Frankenstein and is used to reflect emotions, as a place for relaxation and as foreshadowing. Frankenstein also includes various other elements of romanticism including strong emotions and interest in the common people.