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Narrative literacy essays for english
Narrative literacy essays for english
Narrative literacy essays for english
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The Fish is a narrative monologue composed for 76 free-verse lines. The poem is constructed as one long stanza. The author is the speaker narrating this poem. She narrates a fishing experience. The author is out in a rented boat on a body of water, presumably a lake. She tries to describe the fish to the fullest, which appears to be the purpose of the poem, without saying either the specie or an approximate age. The narration gives the impression that the fish is slightly old. There are a number of reasons as to why that fish got caught by the author, including time of day, the weeds weighing it down, fish’s age, and the fact that it has been previously caught five times. This poem is full of visual imagery; one can imagine being the speaker, staring at the fish on the hook. The fish’s brown skin, shapes on his scales, the tiny white sea-lice, the green weed, the blood flowing from his gills, his entrails, and his pink bladder all describing the fish’s body. This allows the reader to imagine as if the fish was in their hands. She not only illustrates the fish as a whole but also ge...
In Drea Knufken’s essay entitled “Help, We’re Drowning!: Please Pay Attention to Our Disaster,” the horrific Colorado flood is experienced and the reactions of worldly citizens are examined (510-512). The author’s tone for this formal essay seems to be quite reflective, shifting to a tone of frustration and even disappointment. Knufken has a reflective tone especially during the first few paragraphs of the essay. According to Drea Knufken, a freelance writer, ghostwriter and editor, “when many of my out-of-town friends, family and colleagues reacted to the flood with a torrent of indifference, I realized something. As a society, we’ve acquired an immunity to crisis. We scan through headlines without understanding how stories impact people,
“Salmon” by Tom Dawe and “Pike” by Ted Hughes are two free verse poems that both have the theme of fish. In their poems both of the poets use strong imagery to describe the two different fish and both poems also have the motif of someone watching a fish. The final element that stands out in both poems is the use of structure and the way that they are different. Although both poems are similar with some of the elements they differ in ways, like how the two poets describe the fishes in their own unique way and the different levels of simplicity in there writings where one is much more complex than the other.
Throughout the first half of the poem, Bishop describes the fish as an inanimate object, as reflected in her comparisons, which uses objects to describe the fish as shown when she says, “Here and there his brown skin hung in strips like ancient wallpaper…”. (9-11) She chooses a wallpaper to describe the skin of the fish in order to accurately portray its battered and worn state; her decision to compare the fish to an inorganic ...
The poems “Sea Rose” by H.D and “Vague Poem” by Elizabeth Bishop were both written by two women who took over the Victorian era. H.D’s works of writing were best known as experimental reflecting the themes of feminism and modernism from 1911-1961. While Bishop’s works possessed themes of longing to belong and grief. Both poems use imagery, which helps to make the poem more concrete for the reader. Using imagery helps to paint a picture with specific images, so we can understand it better and analyze it more. The poems “Sea Rose” and “Vague Poem” both use the metaphor of a rose to represent something that can harm you, even though it has beauty.
Two poems, “The Fish” by Elizabeth Bishop and “The Meadow Mouse” by Theodore Roethke, include characters who experience, learn, and emote with nature. In Elizabeth Bishop’s poem “The Fish,” a fisherman catches a fish, likely with the intention to kill it, but frees it when he sees the world through the eyes of the fish. In Theodore Roethke’s poem “The Meadow Mouse,” a man finds a meadow mouse with the intention of keeping it and shielding it from nature, but it escapes into the wild. These poems, set in different scenarios, highlight two scenarios where men and women interact with nature and experience it in their own ways.
Therefore, Oliver’s incorporation of imagery, setting, and mood to control the perspective of her own poem, as well as to further build the contrast she establishes through the speaker, serves a critical role in creating the lesson of the work. Oliver’s poem essentially gives the poet an ultimatum; either he can go to the “cave behind all that / jubilation” (10-11) produced by a waterfall to “drip with despair” (14) without disturbing the world with his misery, or, instead, he can mimic the thrush who sings its poetry from a “green branch” (15) on which the “passing foil of the water” (16) gently brushes its feathers. The contrast between these two images is quite pronounced, and the intention of such description is to persuade the audience by setting their mood towards the two poets to match that of the speaker. The most apparent difference between these two depictions is the gracelessness of the first versus the gracefulness of the second. Within the poem’s content, the setting has been skillfully intertwined with both imagery and mood to create an understanding of the two poets, whose surroundings characterize them. The poet stands alone in a cave “to cry aloud for [his] / mistakes” while the thrush shares its beautiful and lovely music with the world (1-2). As such, the overall function of these three elements within the poem is to portray the
“The Fish” by Elizabeth Bishop is an excellent poem that goes beyond its straightforward subject. She vividly describes the act of catching a fish while also utilizing the thematic elements of figurative language, imagery and tone to bring many more ideas into the picture. Overall “The Fish” is a poem that champions the beauty of nature while also putting forth a negative connotation on all things artificial through a simple topic.
The opening two lines are as simple and clear like a casual conversation. However, the speaker’s use of “sanctuaries” shows his realization of the toad’s unfortunate situation, and words such as “cineraria,” and “ashen” convey a deathly atmosphere. Realizing that any creature can die a tragically, the speaker watches the “rare original bloodshed” flow out; he now sees the importance of this blood. All the descriptive words used in stanza two; “wizening’s”, “banked” and “staring”, shows that the speaker is paying close attention to the toad. This new curiosity leads him to upgrade his use of diction on the “misted and ebullient seas”. The importance of such word choices is that the speaker sees the toad as something precious and respected. These critical words demonstrate the formidable change that the speaker’s attitude has passed
The poet seems to share the same pain with the fish, observing the scene and enjoying the detail just like enjoying an artwork. The poet lets the fish go because she is totally touched by the process between life and death; she loves life but, meanwhile, is deeply hurt by the life. In the poem, the fish has no fear towards her; the desire to live is in the moving and tragic details when she faces the death.
The speaker from the first stanza is the observer, someone who pays closer attention to the entire piece of work, noticing all the details and able to understand the painting as a fluid story and not a snapshot. He is a man with fishing experience. He knows violent the seas and the power nature holds, strong and unforgiving to any individual. The second speaker in the poem is the observer, his voice is heard in the second stanza. He describes the individual looking at the painting as an innocent bystander embracing the art in a museum. The man views the painting, not fully immersing oneself in the complete story of the painting. Instead, he just looks on as a spectator, not fully appreciating the intensity of what he is looking at. Breaking the poem into two stanzas not only allows Finkel to voice two speakers, but also allows him to alternate the tone. The tone of the first stanza with the observer is dark, the speaker describes the events in the painting with a terror, making the painting more realistic with hints of personal experiences. The second stanza is divided into two parts: the first is calm, the onlooker is innocent, gazing at the still image on the canvas, describing the painting at face-value. The latter half of the stanza brings the painting to life. Similar to the first stanza, it transitions back into darkness, a contrast of what the observer views on the
“The Fish” by Elizabeth Bishop illustrates the art of capturing a fish from water, an act once used merely as a food source. When the narrator first caught the fish, she felt sickened by it. As the poem proceeds, the narrator starts to develop an admiration towards the fish. This poem is saturated with colorful imagery and sufficient descriptions, which helps the reader envision the narrator’s view of the fish transform. At first glimpse, the reader would believe that this poem is just about a regular fishing trip, but the central theme has a much greater meaning. Through imagery, similes, and paradox Bishop demonstrates that beauty and bliss can be uncovered in the most ambiguous things.
In the poem ‘The Fish’, the use of short lines and the presence of enjambments indicate that the poet, Bishop, is giving her own thoughts. This form of poetry gives the impression that the poet is not simply writing the words on a piece of paper but is rather speaking them out loud. The poem is presented in a way that the audience feels as if the poet was present at the scene and was narrating the events that occurred throughout the poem (Bishop 463). The poem is also written as a single stanza. The decision to write it this way may have been in an attempt to portray the long ordeal that fishermen engage in when fishing. In doing so, bishop is able to prepare the audience for the poem and to make sure that it resonates with the act of fishing itself. The poem is also full of imagery that is extremely vivid in description which help the audience visualize what is being narrated in the poem (Bishop 463). Through the narration, tone and imagery used, the audience is led into creating a bond with the fish. This bond is essential, as it is through it, the audience develops the same admiration towards the fish as the narrator does and appreciates
The poem “The Fish” by Elizabeth Bishop, born in Worcester, Massachusetts in 1911 is a narrative monologue (Bishop, 2014). The use of imagery in this poem is strong as it is reflected visually, auditory, and sensory. Bishop also uses strong descriptive and figurative language to bring the reader into the poem with simile, irony, and symbols. She utilizes an open form structure, also known as the free verse due to there in no specific length to the line structure. The narrative monologue use of imagery, figurative language, and an open form brings this poem to life for the reader.
“The fish” by Ellizabeth Bishop and “Out, Out…” by Robert Frost. In the poem “The Fish” and “Out, Out”, both narrators describe nature and his beauty like art. Ellizabeth Bishop begins with a clear description of what happened as the fish was caught. Later on Ellizabeth uses descriptive language to describe the fish. This helps the readers visually imagine what;s going i their head. In “Out, Out”, Frost describes a young boy doing a grown up job. Similarly to Bishop, Frost uses descriptive language to help the readers imagine.
“The Fish,” written by Elizabeth Bishop in 1946, is perhaps most known for its incredible use of imagery, but this analysis does not merely focus on imagery. Instead, it is based on a quote by Mark Doty from his essay “A Tremendous Fish.” In it he says, “‘The Fish’” is a carefully rendered model of an engaged mind at work” (Doty). After reading this statement, it causes one to reflect more in-depth about how the poem was written, and not just about what its literal meaning lays out. In “The Fish,” Bishop’s utilization of certain similes, imagery in the last few lines, narrative poem style, and use of punctuation allows the audience to transport into the life of the fish; therefore, allowing them to understand Bishop’s ideas on freedom and wisdom.