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Literary analysis of the fall of the house of usher
Allan poe's writing style
Literary analysis of the fall of the house of usher
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Edgar Allan Poe was a writer who used strict personal guidelines for writing short stories. "The Fall of the House of Usher" is an excellent example in which three of his guidelines are quite evident- telling a story in the first person, beginning at the beginning, and using unity of effect. For instance, the story is told in the first person narrator. Also "The Fall of the House of Usher" starts at the true beginning of these events without any preliminary incidents or background. Furthermore, the story is based around the single effect of terror. These three characteristics hold true during the entire story. For example, "The Fall of the House of Usher" is told by a narrator. It is explained by the narrator. The narrator experienced the events firsthand. By explaining the event this way; the reader is able to identify with the "I" in the story. The narrator relives these events for the reader and gives them a sense of immediacy. In order to do this the narrator must describe these events in detail. "I have been passing alone, on a dreary Miettinen 2 tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher"(234). Such details as these told in first person portray the emotional experience of the narrator. As a result the reader can experience the emotions along with the narrator. Therefore the reader can imagine the events with the feelings the author desires. Stories told in first person help the reader to understand the story on a personal level. Along with the story being told in first person a short story must begin at the beginning. Proper order is necessary. By avoiding bouncing around in time, Poe does not lose the readers attention. In some short stories a historical background could be needed. If some is needed, Poe works it into the story rather then slowing you down at the beginning. Therefore the reader would not have to research any material to understand the topic. The most important reason why a story should start at the beginning is so that it will flow. A flowing story is told in chronological order. Beginning at the true start of a story may not seem very important, but it along with other writing guidelines, it can make a story come together.
In Edgar Allan Poe's "The Fall of the House of Usher" Poe created a feeling of loneliness, oppression, and Fear using Gothic elements , symbolism, and suspense. Poe literature uses a writing style that generally contains suspense, symbolism, and gothic literature in order convey the very real idea that not all stories have a happy
In "The Fall of the house of Usher," Edgar Allen Poe creates suspense and fear in the reader. He also tries to convince the reader not to let fear overcome him. Poe tries to evoke suspence in the reader's mind by using several diffenent scenes. These elements include setting, characters, plot, and theme. Poe uses setting primarily in this work to create atmosphere. The crack in the house and the dead trees imply that the house and its surroundings are not sturdy or promising. These elements indicate that a positive outcome is not expected. The thunder, strange light, and mist create a spooky feeling for the reader. The use of character provides action and suspense in the story through the characters' dialogue and actions. Roderick, who is hypochondriac, is very depressed. He has a fearful apperance and his senses are acute. This adds curiosity and anxiety. The narrator was fairly normal until he began to imagine things and become afraid himself. Because of this, the audience gets a sense that evil is lurking. Madeline is in a cataleptic state. She appears to be very weak and pail. Finally, when she dies, she is buried in a vault inside of the mansion. In this story, the plot consists of rising events, conflict, climax, and resolution. The rising events include the parts in the story when the narrator first arrives at the house, meets Roderick, and hears about Roderick's and Madeline's problems. Madeline's death and burial are part of the conflict. At this point, Roderick and the narrator begin to hear sounds throughout the house. The sounds are an omen that an evil action is about to occur. The climax is reached when Madeline comes back from the dead and she and her twin brother both die. Finally, the resolution comes when the narrator escapes from the house and turns around to watch it fall to the ground. The theme that Edgar Allen Poe is trying to convey is do not let fear take over your life because it could eventually destory you.
In Edgar Allan Poe’s short story, “The fall of the House of Usher”; literary elements play an essential role in providing subsistence and depth to this Gothic piece. Poe’s rhetoric and literary elements enhance the story’s dark demeanor by linking sinister details to the work holistically and reiterating the depth of decay. His syntax shows the extent of the darkness, dreariness, and sickness in the story. When Poe describes the atmosphere of the house of Usher, he uses dashes to form long broken up sentences and hideous adjectives to demonstrate the never-ending darkness of the home and the darkness within the household. Poe utilizes morbid diction to depict the gruesome events of this story. As he does this with his vocabulary, his syntax
First Person is when the author chooses one character to tell the story. You will often see the words, “I,” and “me,” through out. The narrator will most likely be in the middle of the action, or telling the story from a past perspective.
Edgar Allen Poe’s short story, “The Fall of the House of Usher”, sets a tone that is dark, gloomy, and threatening. His inclusion of highly descriptive words and various forms of figurative language enhance the story’s evil nature, giving the house and its inhabitants eerie and “supernatural” qualities. Poe’s effective use of personification, symbolism, foreshadowing, and doubling create a morbid tale leading to, and ultimately causing, the fall of (the house of) Usher.
The dialogue a narrator uses with characters in a short story reflects on how the story is being understood by the reader. A character’s dialogue is assumed to be controlled by the author, and then the reader comprehends the dialogue through different points of view in which is told by a narrator. Which point of view the author uses can change how the reader may understand the story. Understanding a story is not just based off the ability to comprehend the plot, setting, characters, and theme. But importantly, understanding what point of view the narrator is in and whether the narrator has dialogue with characters within the story is important. The short story “Lusus Naturae”, written by Margaret Atwood, it’s a short story told by a first person narrator who is a main character in the story but has very minimum dialogue with the other characters. Another short story, “Sonny’s Blues”, written by James Baldwin, is
In conclusion Poe excellent use of characterization and imagery to depict fear and darkness, truly make The Fall of the House of Usher a story of the battles the we must face our fears in order to free our mind.
the point of view is an important aspect of telling the story. first person narration helps the reader to understand and follow the story from the narrators point of view. in this case it helps the reader to realise how insane the narrator is. even thought 1st person narration is not the best form of narration, as everything we read is the way the narrator looks at things, but it is the only way a reader can actually feel and experience what the narrator is expirencing. it helps the reader to get a good feel of the emotions, his state of mind and his madness.so i feel that in "the black cat" first person narration plays an important part in enhancing the theme of madness.
The first reason that the paragraph is successful is the fact that it sets the key element of the story, the tone. When reading the introduction, the narrator’s description of the house paints a crystal clear image in one’s mind of horror, dread, death, and decay. The reader is overwhelmed with a sense of evil. However, if one was to read deeper than what is on the surface, they may be surprised. As I mentioned earlier, in Poe’s time a family was often referred to as a house. Keeping this in mind while reading the opening paragraphs, the reader can very well wonder if our narrator is referring to the building in which the Ushers live in or the family that occupies it.
A virtuoso of suspense and horror, Edgar Allan Poe is known for his Gothic writing style. His style is created through his use of punctuation, sentence structure, word choice, tone, and figurative language. Punctuation-wise; dashes, exclamation marks, semicolons, and commas are a favorite of Poe. His sentences vary greatly; their structures are influenced by punctuation. Much of his word choice set the tone of his works. Figurative language colors his writings with description. Such is observed in the similarities between two of his most well-known short stories, “The Cask of Amontillado” and “The Tell-Tale Heart”
Edgar Allan Poe applies a variety of examples of this feel in the short story. An example of the feel of the genre is “the haunted mansion, haunted siblings, bewildering corridors, and eerie chambers,”(Fisher 88). The so-called feel of the Gothic genre is so well represented in “The Fall of the House of Usher,” that it makes a great argument that it positively is a representation of the Gothic genre and not for the Gothic parody. An obvious clue that Poe left behind was the death. In which, most Gothic genre ends with a death or some kind of terrible ending ,yet in “The Fall of the House of Usher,” the conclusion of the short story is a basic ending to the story because this type of genre is dark. Therefore, the feel of the genre is heightened when the literary device, Gothic double, is used throughout “The Fall of the House of
Edgar Allan Poe, renowned as the foremost master of the short-story form of writing, chiefly tales of the mysterious and macabre, has established his short stories as leading proponents of “Gothic” literature. Although the term “Gothic” originally referred only to literature set in the Gothic (or medieval) period, its meaning has since been extended to include a particular style of writing. In order for literature to be “Gothic,” it must fulfill some specific requirements. Firstly, it must set a tone that is dark, somber, and foreboding. Next, throughout the development of the story, the events that occur must be strange, melodramatic, or often sinister. Poe’s short stories are considered Gothic literature because of their eerie atmosphere and atypical plot developments. Consequently, in “The Fall of the House of Usher,” Poe is distinguished as an author of unique, albeit grotesque ingenuity in addition to superb plot construction via his frequent use of the ominous setting to enhance the plot’s progression and his thematic exploration of science versus superstition.
“The Fall of the House of Usher” is a story does not use the typical, first person point of view where the protagonist tells a personal account of a crime that he or she has committed. Instead, the narrator is a character of whom we know very little, who acts like an observer. The friend of Roderick invites the reader into the madness of the mind of fantasy and reality.
The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.
The narrator is the person telling the story and can range from one to several, within a single story. How the author develops the narration will direct how their work is perceived by the reader. The narrator can present the story reliably or dishonestly, from a compelling view to an ironic view. The author can lose or gain pertinent information simply by changing the narration. Narration is a guide for the reader “…it requires the invention of a narrator,” Diane Middlebook said, “who serves as a contemporary guide to the materials of the book…” (Middlebrook). The narrator of a story is fundamental to the reader’s understanding and, any changes to the narration can change the stories understanding entirely.