“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, Angel-headed hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night.” The opening lines of Howl, by Allan Ginsberg, melodiously encapsulates the beat generation. The beats alluded to by the verbatim ,“The best minds”, are a group of idiosyncratic poets whom through the instrument of prose(driven by spontaneity and a primal lifestyle) , orchestrated a rebellion against the conservative beliefs and literary ideals of the 1950s. Howl, utilizing picturesque imagery, expounds holistically upon the instigator of the movement in culmination with personal experiences of beat members. Accordingly “Howl” evokes feelings of raw emotional intensity that reflects the mindset in which the poem was produced. The piece is structured into three stanzas, sacrificing temporal order for emphasis on emotional progression. The first sequence rambles of rampant drug forages and lewd sexual encounters, eliciting intonations of impetuous madness, one ostensibly hinging upon on a interminable need for satiation of hedonistic desires. Concordantly the following stanza elucidates upon the cause of the aforementioned impulsive madness (i.e corruption of the materialistic society motivated by capitalism), conveying an air of hostility coalesced with quizzical exasperation. Yet, the prose concludes by turning away from the previous negative sentiments. Furthermore, Ginsberg embraces the once condemned madness in a voice of jubilation, rhapsodizing about a clinically insane friend while ascertaining the beats are with him concerning this state of der...
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...Hence he concluded that individuals of a society governed by capitalism risked falling into a state of nihilism bereft of meaning. Moreover, the solution he believed was that of a superhuman. A superhuman understands life’s lack of intransience and consequentially looks within for meaning. However, life’s transitory quality results in the superhuman having to constantly recreate in order to overcome the continuously new obstacles thrown at him. Correspondingly, Nietzsche ascertains the quest for satiation of one’s hedonistic insatiable desires, is the greatest strength for a superhuman. This is chiefly due to it being the underlying source for man’s insatiable desire to overcome. Coincidentally, the syntax, as noted by Ginsberg, is one of a pyramidal structure. The monotonic crescendo, symbolizes Solomon’s growing madness and its correlation with a heightened joy.
We have grown weary of man. Nietzsche wants something better, to believe in human ability once again. Nietzsche’s weariness is based almost entirely in the culmination of ressentiment, the dissolution of Nietzsche’s concept of morality and the prevailing priestly morality. Nietzsche wants to move beyond simple concepts of good and evil, abandon the assessment of individuals through ressentiment, and restore men to their former wonderful ability.
The "Poet of the New Violence" On the Poetry of Allen Ginsberg. Ed. Lewis Hyde. Ann Arbor: University of Michigan Press, 1984. 29-31.
Throughout the words and the lives of the Beat Generation, one theme is apparent: America, everywhere from Allen Ginsberg’s “America,” to Jack Kerouac’s love for Thomas Wolfe. Although the views of America differ, they all find some reason to focus in on this land. Ginsberg, in his poem “America,” makes a point that not many of us can see as obvious: “It occurs to me that I am America. I am talking to myself again.” Each and every one of us make up America, and when we complain about something that is wrong, we are complaining about ourselves. Being raised by his mother as a Communist, and being homosexual, Ginsberg found many things wrong with America, and he does his fare share of complaining, but at the end he decides, “America I’m putting my queer shoulder to the wheel.” Ginsberg didn’t want to sit and watch everything go wrong. He was going to do something, despite the fact that he was not the ideal American.
Nietzsche uses an elevated level of diction to help him achieve his purpose, he uses Latin in many passages to make the reader look to the bottom of the page and thus think about what he is proposing. His combination of elevated diction along with deductive reasoning can sometimes lose the reader, but just as fast as the reader is lost Nietzsche offers forth a formula which helps the reader follow his thinking. Nietzsche believes that a person’s "virtue is the consequence of happiness," or that a person’s emotions are the product of their beliefs. Nietzsche’s uses consequence to mean something more like cause than effect. He interchanges monosyllabic and polysyllabic - in the form of metaphors - words in connotation to sometimes differ the reader from the beaten track of thinking. He believes in a set course "that he became ill, that he failed to resist the illness," for humans and that they cannot deter from it (this is very far left in a time of conservative Europeans, late 19th century). Even in his "formulas" Nietzsche’s meaning is not as straight forward as it seems. It seems that he believes that individuals genetically are means to an end, but this is more of a metaphor for humanity, or that humanity is their own means to an end.
Ginsberg’s mother often made up bedtime stories with strong Communist ideas like: 'The good king rode forth from his castle and, saw the suffering workers and healed them.'" Ginsberg was equally critical of his father. "My father would go around the house," Allen once said, "either reciting Emily Dickinson and Longfellow under his breath or attacking T. S. Eliot for...
In his play, "Los Vendidos," Luis Valdez addresses, through humor and stereotypes, the issues faced by Mexicans in America throughout history. Although a "White Washed Mexican" woman is supposedly looking for a Mexican, what she is actually looking for is an American with darker skin. The key word here is American, as she is looking for someone who has denied his or her Mexican roots and become acculturated to the American way of life. This woman does not want a Mexican for any other reason than the fact that he is Mexican, and she has no respect for his heritage.
Michael Gray’s analysis of Dylan’s lyrics being a contrast between hackneyed expressions and “beautifully done” are exemplified in the song “Just Like a Woman.” Dylan’s lyrics “she aches just like a woman but she breaks just like a little girl” is given the harsh description of “maudlin platitude” and deemed to be a “non-statement.” If Dylan’s lyrics cannot uphold against meaningful music of the same category, how can they be expected to stand against literature written for a different field. John Lennon had his own critiques of Dylan’s works, calling out how the abstract nature of his lyrics, having loose definition, never achieved an actual point. Lennon’s definition of “poetry” referred to “stick[ing] a few images together” and “thread[ing] them” in order to create something meaningful. It once again boils down to the fact that Dylan’s music that was written and intended to be received as a live performance. The acknowledgement that “…you have to hear Dylan doing it” is a recognition of his composition’s failure to come across as a normal literary work. It’s all part of a “good game.” This in itself should disqualify Dylan as a possible candidate for the Nobel Prize.
...erg’s lines are inwardly. The self of Whitman is all-encompassing but Ginsberg’s self is passive, lacking diversity by excluding rural settings. In short, Ginsberg’s Howl” is a journey through a different route to reality by leaving the doubts behind and taking the lead role of a public American poet-prophet, which Whitman only dreamt of in his life by composing poetry for an imagined audience.
"Burn, burn, burn," says Kerouac, and that is what the Beats were all about. From the all-night, smoke-filled jazz clubs of the Lower East Side of Manhattan, to the trendy bars of San Francisco, the artists known as the ‘Beats’ were interested in one thing, and only one thing: living. To them, life was a series of adventures to be lived. Going from one high to the next, in search of that thing that will, in the end, transform them into that "blue centerlight" about which everyone says "Awww!" But a few questions must be addressed regarding the Beats. Was theirs the correct choice? Was the fun they had worth the pain that they caused, and the pain that they had to endure? And ultimately, what impact did the Beats have on society as a whole, and was that impact, is that impact, positive or negative? Jack Kerouac, the most prominent of all Beat poets, and the gang hanging out at the famous 115th Street apartment helped to mold two generations of young Americans, and have made a permanent impression on the landscape of American culture through their literature, and most of all, through their lives, and their desire to live. This is the contribution of the Beats: a legacy of s...
During the 1950’s, a group of young American writers began to openly oppose societal norms in favor of other radical beliefs. These writers believed in ideas such as spiritual and sexual liberation, decriminalization of drugs, and opposition to industrialism as well as consumerism (Parkins). Over time, these writers became known as the Beat Generation and created the Beat Movement. Among the members of this rebellious group was the infamous Allen Ginsberg who is considerably one of the most influential poets of his time. By utilizing tools like imagery, allusions, and symbols, Allen Ginsberg’s “A Supermarket in California” discusses themes such as consumerism, sexuality, and alienation which reflect Ginsberg’s personal beliefs and desire for change.
Etheridge Knight’s “Hard Rock Returns to Prison from the Hospital for the Criminal Insane” is an interesting poem spurred from his own experiences, that explores a variety of things from basic human emotions to controversial medical treatments. Knight was incarcerated for 8 years for robbery, during which he began to develop his skill as a poet, and this stint in prison influenced the settings and styles of his poetry. Knight’s poem is unique in its slang-styled diction, but brings about relatable concepts to allow the reader to connect with the text. Two prominent themes within the poem are that anyone, no matter how strong or looked up to, can be broken, and also that slavery is still alive today, even if it is not in its traditional form. Knight combines these themes with deeper meanings and an individual way of writing to create a poem that is compelling and classic.
Johann Wolfgang von Goethe, the brilliant mind behind the 17th century’s “Faust”, illustrates a combining structure of desire and self-indulgence. As a brilliant poet and artiste during the Enlightenment Age; Goethe’s poetry debates on the far-reaching rationalism that man is willing to go above and beyond to achieve his goals. All throughout the poem, Goethe projected a sense of unrelenting dissatisfaction of how a man’s sense of inaccessibility, and his emotional need to come to a realization of the world he lives in.
The 1950’s beatniks gather around coffeeshops, writing and grumbling about the unfairness of the government and society’s closed mind. Today, youth gather around their laptops and type away, despairing over the unfairness of the government and society’s closed mind. Allen Ginsberg’s poetry embodies those angry youth. His unique choices in diction, symbolism and imagery artfully conveys his criticism against the wrongdoings of Uncle Sam and his subjects. Through his poem America, Ginsberg reaches out to all generations of people and exposes the ethical mistakes that both the government and society as a whole make, and these mistakes are classic in the sense that it is always a mistake that everyone keeps repeating.
Madness is a disease. It’s a disease that can exponentially consume the host and make them lose their minds overnight. Allen Ginsberg, a famous beat poet, was a victim to madness. Under his circumstances, it was a disease that was incurable. Ginsberg, along with the other famous beat poets of his time in the 1950s’, had a remedy to his madness which was what he did best, create poems. In his famous poem, Howl, he vividly and emotionally paints a picture of a horrifying time in his life in which he was consumed and destroyed by madness. In HOWL, it is clear that the three parts of Ginsberg’s poem echoes the theme of madness with the use of form, tone, and language which in turn shows us of how our society really is