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Plato's perspective on democracy
Platos meaning of democracy in platos republic
Plato's perspective on democracy
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1. Common people in the Cave- In this story, Plato’s takes our everyday life and create the metaphor of people sitting in a cave. There are people at the bottom of a valley in the cave who are chained in and can’t move. All that these people see are the shadows that are put on the wall in front of them which are produced by puppeteers who are behind them by a light source producing the shadows. The people who are chained in also only hear echoes and believe this to be the shadows are talking. The only thing that these people have ever seen or know about are the shadows and echoes, causing them to believe that this is the truth. The issue is that the truth that they believe is being manipulated by someone else, the puppeteers. Plato equated these people in the cave to a common person in the city. They are not always very educated and rely on people to lead over them and tell them what to do. 2. People who have been freed- At one point in the metaphor story, one person was released from the chains that were holding them down to their specific spot in the cave forcing them to look at the shadows. When they were released they started to look around and they saw the light. In this story light is equated to the real truth. At first the newly freed Education- The entire point of this story was to show how education works. In the book it says “education isn’t what some people declare it to be, namely, putting knowledge into souls that lack it, like putting sight into blind eyes.” Essentially this means that you cannot teach anything to someone who is not willing to learn. Equating this back to the allegory of the cave that was presented before this, the people who are chained to the cave and won’t listen to the people who have seen the light don’t want to learn. They think they already know the truth and whatever else is told to them cannot be true. Much like teaching someone who is blind to see, it is impossible without a complete reconstruction of the systems in
They are facing the wall, they are unable to move or see anything besides the shadows of their own bodies, puppets and objects, which are intentionally substituted by other people. The shadows appear on the wall from the fire that burns behind them. Prisoners can also hear the sound of an echo that reflects from the wall. The only reality that they know and are aware of, are the shadows that they see and the echo that they hear. Everything changes when one of them have a chance to leave the cave and finds out what the truth is and how the world looks like. The process of finding out the truth is not easy, it is quite painful and overwhelming. It takes time for a prisoner to adjust and comprehend the new information, considering the fact that knowledge that he had was far from the truth. What is even more challenging, is the posture of the prisoner after discovering the reality, who has to go back where he came from. He does not agree to live in denial for the rest of his life with other prisoners who believe in the shadows. Since he discovered what the truth is, he does not want to be fed up with lies anymore. (Plato
Plato’s “Allegory of the Cave” explains his beliefs on education of one’s soul and the core of the way they shape themselves. The rhetorical devices that Plato represents inside of his story explains how much freedom is worth in this world. The deeper meaning inside of what Plato describes can further be found out once a reader realizes the type of rhetorical devices are being used. For example, Plato portrays prisoners being locked inside of a cave without a way out. These prisoners never got to see the outside world, yet he mentions they “see shadows” which explains they are only able to catch a glimpse of reality from the outside. Plato’s use of imagery gives us a mental picture on the tease we may feel to notice reality but not be able to experience it. In reality, we do not value freedom as much as we are supposed to. We seem to not see the world as he sees it. With the help of personification, Plato uses human like characteristics to describe non-living things to give
The first similarity between the cave theory and television is the fact that the audience is being controlled. In the essay, Plato describes the prisoners’ condition by stating how they “have their legs and necks chained so that they cannot move, and can only see before them, being prevented by the chains from turning round their heads”(868), and how the prisoners are being controlled by the puppeteers that are “passing along the wall carrying all sorts of vessels, and statues and figures of animals made of wood and stone and various materials, which appear over the wall”(868). These descriptions offer us the vivid perception that the prisoners are being highly restrained by the puppeteers, both physically and intellectually; they couldn’t move, and they thought that the shadow was the reality. Just like the prisoners, w...
The Republic is considered to be one of Plato’s most storied legacies. Plato recorded many different philosophical ideals in his writings. Addressing a wide variety of topics from justice in book one, to knowledge, enlightenment, and the senses as he does in book seven. In his seventh book, when discussing the concept of knowledge, he is virtually addressing the cliché “seeing is believing”, while attempting to validate the roots of our knowledge. By his use of philosophical themes, Plato is able to further his points on enlightenment, knowledge, and education. In this allegory, the depictions of humans as they are chained, their only knowledge of the world is what is seen inside the cave. Plato considers what would happen to people should they embrace the concepts of philosophy, to become enlightened by it, to see things as they truly are. As we have mentioned in class, Plato’s theory did not only present itself in his allegory, but also in the Wachowski brothers’ hit-film, The Matrix. In the film, the protagonist, Neo, suffers from a similar difficulty of adapting to reality, or the truth, which we will see later on. In order to understand Plato’s Allegory of the Cave, one must consider how Plato’s used of symbols to explain what true knowledge (or enlightenment) really is along the comparisons to the Wachowski brothers’ film, The Matrix.
Plato's Allegory of the Cave is a symbol for the contrasts between ideas and what we perceive as reality. The Allegory of the Cave is that we are chained to a wall. Behind us is another wall with figures walking across it, behind that wall is a pit of fire. The firelight casts shadows upon the wall in front of those chained to the wall. Because we are chained to the wall we believe the figures are what they represent. Plato says there times when one tries to break away from the wall but others encourage him to join back the wall as he experiences what the world truly is. Because we are chained to the wall we are afraid of the unknown. But breaking free could change the perception about the world and feel truly free. Plato also argues that we are the cave slaves. We live in a world of shadows, where we don't see the reality of ideas. However, it is possible to climb out of the cave, to be released from our shackles but it’s difficult. And when we ( s...
In conclusion, Plato's story of the cave brings up many philosophical points and most importantly, addresses the issue of society's role in our lives. To some degree, we are all influenced by the thoughts and actions of others; however, at the same time, we have the ability to question, draw our own conclusions, and ultimately make our own choices.
In the essay “The Allegory of the Cave,” Plato addresses how humans generally do not pursue knowledge. Most humans are satisfied with what they already know and do not want to expand their knowledge. Plato uses simple examples to help the reader understand his logic on why humans do not expand their knowledge.
...lieved in their shadow of reality. However, once released prisoner Miss Moore arrives into Sylvia’s neighborhood, everything changes. Coupled with Miss Moore’s education and power is the “light” and “truth” Bambara wants to display. Miss Moore articulates the “light” to all the chained prisoners, but like in “The Allegory of the Cave,” many are afraid and bewildered by the “light,” so they reject being enlightened. However the “light” reaches Sylvia, which causes a soul-shattering experience, but ultimately releases her from her chains. Once freed from the dark cave and its wall of illusions, Sylvia is able to communicate the “light” to the other chained prisoners in her society as well. This allows her to express Bambara’s “truth,” which is educating youth on the unequal distribution of wealth, so they can learn to change their society’s shadow of truth.
In Plato’s “Allegory of the Cave”, Plato described a group of people that have lived their lives confined to a cave, tied to a pole making them face a wall. On this wall you could only see shadows of what was going on behind you, and from that they misperceived shadows from reality. One day, one of the inhabitants broke free and was able to leave the cave, only to be shocked by what “true reality” was outside of the cave and what was different from the shadows he saw on the cave wall. He was so excited that he wanted to go back into the cave and basically enlightened the other prisoners about what he saw,
Plato’s cave had chained prisoners and that was the only life they ever knew. They couldn’t move their heads, and the only objects they could see from the outside world were the casted shadows created by the fire. They saw the truth from the shadows, but they were distorted. What they were seeing was only one side of the truth, not the whole thing. When one of the prisoners was free to go, he was forced to be dragged out of the cave. It
Plato's Allegory of a Cave is a story about prisoners that are chained underground, who can not see anything except for shadows caste on a wall by a fire. The only thing that these prisoners can see is the shadows of people. Eventually, one of the prisoners breaks free of the chain and ventures out into the real world. In the real world the freed prisoner discovers that the shadows in the cave are created from light diverge off people. He recognizes there is a whole new world filled with light. The freed prisoner is very confused and blinded by the light so he decides to return to the cave. When the prisoner returns to the cave, he shares what he saw in the real world with the other prisoners. The remaining prisoners treat the freed prisoner like he is crazy and they tell the freed prisoner that the real world does not exist. The prisoners in the cave do not believe in the real world because the cave is all that they know exists.
Plato begins the dialogue by describing the cave and the people to which he is referring. The cave is underneath the ground where a small fire is the main light source. The prisoners, who are shackled by their arms and legs, are sitting in front of the fire facing a wall. Above them there is a walkway connecting with a low wall, resembling a puppeteer’s stage. On this walkway people are carrying monuments and statues to make
In "The Allegory of the Cave," prisoners in a cave are forced to watch shadows as people behind them are forced to accept these shadows as reality -- "To them... the truth would be literally nothing but the shadows of the images. One prisoner, however, is released, and stumbles into the real world, containing more depth and complexity than they had ever known. At first, the prisoner will be pained at the bright, piercing light, but will eventually recover. According to Plato, the freed prisoner is then obligated to return to the shadows of the cave, to inform the shackled prisoners left behind of the real world. The prisoners, however, will not believe the freed prisoner, and may even go as afra s to kill him for such "lies" contrary to their "reality." The pursuit of the truth is, therefor, a painstaking but rewarding process. According to Plato, the physical world is a world of sight, one that lacks meaning if left alone. Only those who manage to break into the sunlight from the cave will ascend to the intellectual world. The prisoners in the shadows only know of the dull physical world, while those who ascend into the sunlight learn of the spiritual world, and are exposed to the first hints of truth. The soul ascends upward into the realm of goodness and of the truth, where "... souls are ever hastening into the upper world where they desire to dwell.." The pursuit of goodness and of the truth, then, improves the soul, as the soul desires to be elevated to a higher state of knowledge and morality. Caring for the self and the soul involves freeing the shackles of the physical world and ascending to the "... world of knowledge... the universal author of all things beautiful and right... and the immediate source of reason and truth in the intellectual..." The soul yearns to dwell in a world of morality and knowledge, and only the pursuit of
To begin, Plato’s Allegory of the cave is a dialogue between Socrates and Glaucon and its main purpose, as Plato states is to, “show in a figure how far our nature is enlightened or unenlightened.”(Plato) The dialogue includes a group of prisoners who are captive in a cave and chained down, only with the ability to stare straight at a wall. This wall, with the help of a fire, walkway, and people carrying different artifacts and making sounds, create a shadow and false perception of what is real. This concept here is one of the fundamental issues that Plato brings up in the reading. “To them, I said, the truth would be literally nothing but the shadows of the images.” (Plato). These prisoners, being stuck in this cave their entire life have no other option but to believe what they see on the wall to be true. If they were to experience a real representation of the outside world they would find it implausible and hard to understand. “When any of them is liberated and compelled suddenly to stand up a...
In book seven of ‘The Republic’, Plato presents possibly one of the most prominent metaphors in Western philosophy to date titled ‘Allegory of the Cave’.