Passivity and Impotence in Mary Shelley's Frankenstein

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Passivity and Impotence in Frankenstein

There are many ways to interpret a literary text, especially one as laden with ethical questions and literary allegory as Mary Shelley's Frankenstein. Shelley's complex family dynamic - her conflicted relationship with her father, her need to please her mentor/husband with literary success, her infants' deaths - enhances the intrigue of the novel and suggests multiple themes and layered meanings. One discernible theme in Frankenstein is illuminated by the bold line that separates male character from female: The men inevitably fail the women whom they claim to love, but the women are maddeningly passive, seemingly blind to the men's inadequacies. Here, however, this passivity is a defense mechanism. Because the women's place in society depends on the patriarchal system, their choices to be passive are the only way they can assert control.

Frankenstein revolves around the relationships between its characters. Aside from Safie and Felix, the romantic male-female relationships are tinged with an incestual element. Also, the males idealize femininity and take the women's adoration of them for granted. Victor's parents, Alfonse and Caroline, have an age disparity that echoes father and daughter; he rescues her from poverty by coming, "...like a protective spirit to the poor girl" and then after their marriage "strove to shelter her, as a fair exotic is sheltered by the gardener...with all that could tend to excite pleasurable emotion in her soft and benevolent mind" (32).

But before Caroline meets Alfonse, her personal strength is described as "...possessing a mind of an uncommon mould, and her courage rose to support her in her adversity" (32). ...

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...stein is used as a coping strategy. Subconsciously unwilling to submit to a soul-chafing patriarchy, surrounded by men who have enormous ambition but have an absence of moral responsibility, Caroline, Elizabeth, and Justine manage to claim a modicum of control in spite of their powerless state. It would be speculative to say that Shelley used passivity thusly in her own life, but that she bequeathed it to her characters acknowledges its existence and her awareness of women's disparities in 1800s England.

Works Cited

Ellis, Kate. "Monsters in the Garden." Levine, George and U.C. Knoepflmacher, ed. The Endurance of Frankenstein. Berkeley, California UP, 1979. 123-144. 123-142.

Knoepflmacher, U.C. "Thoughts on the Aggression of Daughters." The Endurance of Frankenstein. 88-119.

Shelley, Mary. Frankenstein. 1818. London: 1992.

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