The title of the movie that we watched last week (September 15 2015) was “Pan’s Labyrinth”. This essay will focus on the acting of the actors, lighting and the costumes/props of the movie. The topics will be generalized with examples from the movie.
The acting of the characters in the movie was excellent. Ofelia’s character was played well considering she was still your when she done this movie, all the facial expressions is accurate that it makes the viewers believe in her acting. Ofelia’s mother was also believable about her pain and joys throughout the movie, it makes the viewers feel how much she was to be happy and for Ofelia to be happy. Captain Vidal’s sadistic and cruel nature is one of the main focus of the movie, he never hesitate to shoot anyone, one example is when he shot Ofelia, he did not hesitate to pull the trigger. The director of the movie wanted to scare and make the viewers anxious through Captain Vidal’s character that he successfully did and that’s how great Captain Vidal’s actor was. The rebels, the soldiers, and the servants/maids’ acting was good as well, all the emotions and facial expressions was good and it felt their acting was just natural.
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The dark colour/blue-gray filter was used for the antagonist while the bright was used for the protagonist. For example, whenever the Captain Vidal’s world was show, the lighting that always use was dark colours to illustrate his dark’s nature and also show to audience that his place is not nice to be. When Ofelia is on her adventures using the book, the lights are brighter than the normal scenes in the movie. One example of this is at the end of the movie, Ofelia was shot and dying, she was shown to be “revived” underworld and she at at the mansion and the scene was bright with
The left door which they entered was a dead end. After sprinting a hundred yards, they ran into an enormous boulder that completely blocked their way.They could hear something breathing heavily which didn't sound human. Tyson pushed the boulder blocking the place where they could hear the heavy breathing and soon Annabeth realized they were in Alcatraz so she told the group about it.
Primo Levi once said, " Human memory is a marvelous but fallacious instrument. The memories which lie within us are not carved in stone; not only do they tend to become erased as the years go by, but often they change, or even increase by incorporating extraneous features.." The memory of a human being is a fascinating matter, but it is not something that stays with us forever. Memories will often change or multiply with unnecessary information, but they are what define you as you.
Regardless of race, gender, or religion there are times when humans have internal battles with themselves, and are unable to perform actions. Such is showcased brilliantly throughout the novel The Battle of The Labyrinth written by Rick Riordan. The protagonists of the novel Percy, Annabeth, and Briares all face internal conflicts. All the internal conflicts of the protagonist’s stem from self-doubt, and questioning personal morals.
The movie I chose to write about is called “The Maze Runner” It is about a group of children that get dropped off inside a maze. When they wake up they have no memory of who took them there, or why they are there; They call this place “The Glades.” A new person randomly appears each month to try and pass a test which they are unaware of at the time.
"Pan 's Labyrinth" is directed by Guillermo del Toro, is a magical realism drama. The screen shows the magical world of bizarre situations, a fictional out of Pluto 's daughter "Ophelia" to roam the world. To 1944 as the background, the fascist murder of guerrilla fighters as a real-world story. The whole film myth and reality are intertwined, is a complete metaphor and reflection on the Spanish civil war. One side is the little girl innocent fairy tale, while the Nazis are inhuman torture and slaughter. Two living scenes intertwined in a film, brings out a moral and human conflict. This is the child to see everything in the eyes, and what we see, it seems that the other world.
The film Pan’s Labyrinth, has several common concepts with Joseph Campbell’s theory on heroes in Hero with a Thousand Faces. His theory emphasizes on tests that show their moral and basic instincts for the rite of passage to their threshold, in this case, the underworld. Campbell’s theory is a concept that surrounds an individual’s journey to heroism. This concept pertains to Ophelia due to her circumstances as a child who ventures out on thresholds, tests, and so forth. Campbell’s depiction relates to Ophelia as he describes the levels in which one must attain and accept as a female heroine. Furthermore, his theory exaggerates on the making of a hero to the resurrection in terms of physical and spiritual transformation. Ophelia’s character depicts a hero who has been resurrected as a human. Thus, she begins her journey to cross the threshold, “pass from the everyday world in the world of adventure,” (Campbell). There are many stages in the film that depicts Ophelia’s introduction to the stages of being a hero. More so, it focuses on tasks, which Ophelia must pass or fail in order to determine her role in the film; Princess of the Underworld or just a human soul. This is lead by the faun who simply reassures a place of ‘paradise’ for Ophelia only with her cooperation to listen and follow her morals.
Film is a form of storytelling, and all stories are, in essence recycled, contemporary films must modernize a story of the past to make it accessible to modern audiences. This is the case with the film, Pan’s Labyrinth. The myth of “Theseus and the Minotaur” has been rewritten and modernized in the 2006 film, Pan’s Labyrinth. The myth “Theseus and the Minotaur” and the morals that exist within it, present a context in which it will be possible to interpret and analyze the film Pan’s Labyrinth as a modern day rewriting of the myth.
Within this essay I will describe and elaborate on a specific scenes in the movie Gladiator. I will explain in specific detail the physical affects, and analyze the emotional affect it has on the viewer. I will also discuss the atmosphere and the detailed themes, the camera positioning, and how the emotions of the audience are manipulated and changed. I will give a conclusion giving my opinion of how the movie scenes are very useful in creating emotion in the audience.
With the advent of film and the ability to produce visual representation of fictional (or non-fictional) characters, situations, and settings, one of the natural courses has been to adapt literary works to the new medium. Throughout time we have seen this occur endlessly, with subjectively varying results. Literature has been adapted to forms such as staged plays, live readings, as well as other visual forms, such as painting, sculpture, or photography, and in each adaption to a new medium, aspects of the tangible essence of the fiction are translated to fit its new form of expression. In Thomas Mann’s Death in Venice, the struggle of the novels protagonist Gustave Aschenbach reaches back to Greek Mythology via contemplations of emotion versus reason. In the novel, this is done using internal dialogues to vividly express the conflict that resides in humanity between instinctual and conditioned thought regarding beauty in the world, in Aschenbach’s own internal debates. However, in the translation to film, many of the internal dialogues must be represented visually, with different forms of symbolism that, while easily conveyed in text, are more difficult to embody in such an external and demonstrative medium. In this paper, I look to explore the references Thomas Mann made to Greek Mythology and their meanings, and how both are interpreted and in some cases changed in the translation to film.
For my analyzing movie scene essay, I choses the first four minutes opening scene of the widely popular animated movie that won two award at the 82nd academy award, this movie is releases on 2009 and it name is up. Up is categorized as a fantasy, comedy-drama type of movie, but the four five minutes of this movie is critical because it totally contradicted the comedy genre that the director set, it also sum up the reason why the main character of the movie Carl possess a dull personality that he depicted in the beginning of the movies, and the reason why he went on the adventure, without this scene, the movie would lost it charm and it would left why the audience pondering why Pete Docter choses elderly as the main character when the mainstream main character for an animated movie today usually in their teen or a monster. The first five minutes of this scene also have some fore shadowing that will correlate to the future scene. The cinematography, the lighting, and especially the music that Docter use for this scene had bring out the true history of Carl and his regret after Ellie died.
This movie was beautifully produced. I don’t believe another director could have done as good of a job as Luis Puenzo did. I believe Puenzo was able to bring this story to life and allow us to be able to really relate to each character intricately because he lived through the uncertainty and witnessed the agony faced by many, and he made all of the emotions real through this work. I also believe that having actors and actresses that lived through the experience was an excellent move.
My initial idea for this paper was to focus on the technical aspects of the film—the hybrid of animation and live action. I first saw this technique used in The Three Caballeros (Ferguson & Young, 1944) and was going to research this film, but the amount of literature on t...
Greatest Surprise of the Film: The attention to detail and the symbolism employed to make the story richer than any other period piece. The script was also very well written, and very well paced making the movie much more enjoyable to watch because it was interesting and did not drag.
The development of narrative in film is a major turning point in cinema, as filmmakers and actors now had to focus on conveying a transformation the audience could not only relate to but a new, innovative idea that left the audience wanting to rewatch the film despite knowing the ending. This addition of narrative added a new layer and appeal to filmmaking, as now instead of the sole focus being shots and editing, of using the equiptment to it’s full potential, now there were lead actors that had to take the audience through a comprehensible journey. These films also had a new structure to follow, starting with exposition, rising action, climax, falling action, and the resolution or reconciliation. These films felt so much more human than some previous favorites as now the characters have their own backstories that
Topic: The conventions of, Constantine Stanislavski, can be applied to the acting styles and techniques of performers in the first scene of “The Lion and the Jewel” by Wole Soyinka.