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Analysis of othello characters
Discuss iago's sinister plot
Analysis of characters of othello
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In Act V Scene II of William Shakespeare's Othello; the once dependent relationship between the characters Emilia and Iago (displayed thought Emilia's yielding to all of Iago's requests, and Iago's consistency of making requests of Emilia) is ruined when the malice of Iago's intentions is discovered. During this scene, Emilia, for the first time, not only stands up to her husband, but also acknowledges and reveals his negative motives to all those present in Desdemona's living quarters. It can be observed that this scene plans and extremely important role in Othello marks; the unveiling of Iago's cruelty, Othello's realization that he put his trust in a man who manipulated him, and the conclusion of brutalities through words and displays their consequences.
Emilia's dependence on other characters through out the play is displayed through her acquiescing to all of her husband, Iago's, requests. Similarly, her infatuation with Desdemona whom she thoroughly trusts heightens the notion that Emilia remains dependent on others. Prior to Emilia's death at the conclusion of this play, Emilia is forced to choose who she truly trusts between the two characters that she has complete faith in. After much introspection Emilia realizes that her husband has been manipulating everyone. At first Emilia tries to prove Iago's innocence and begs for an explanation. Similarly she hates Othello for "laying murders on [Iago's] neck", but as events transpire Emilia realizes that Othello's claims of Desdemona's alleged infidelity all stemmed from Iago. Thus, Iago indirectly lead to the death of her beloved friend, and she, unknowingly, aided Iago on his conquest. Once Emilia can acknowledge this fact, she can bring herself above Iago and stand up to him to prove her loyalty to Desdemona. This loyalty is exaggerated in her death through her singing the song "Willow Willow" that Desdemona was familiar with. Instead of begging for an explanation from her husband, she praises Desdemona even during her own death and this can be viewed as an ultimate declaration of loyalty. Emilia is not only infuriated with her husband, but also possibly feeling a form of guilt herself as she feels that she too inadvertently helped to kill Desdemona by providing Iago with information and belongings of Desdemona that he requested. The unfolding of these events as such leads to heightened emotions that the characters display through their actions and words.
This scene is one filled with extreme tension (because Iago acknowledges that his wife's explanation will lead towards consequences for his actions) and anger.
In everyday society, all people face challenges and adversity, some of which prove to be more difficult than others. In modern society with faceless mega corporations, mass media, and powerful governments and their surveillance, many find it hard to trust them, to discern between whether they are being told a lie or the truth, and to decide who to believe. In both 1984, by George Orwell, and Othello, by William Shakespeare, many of these ideas are prevalent and demonstrated in both pieces of work by the motifs of manipulation and rebellion. In Othello, the titular character is convinced by his so-called friend, Iago, that his new wife, Desdemona, is being unfaithful in an attempt to steal his position. In 1984, Winston is a normal citizen
Shakespeare’s Othello presents an antagonist who has a perfect understanding of human nature: Iago’s grasp of human hopes, ambitions, insecurities and flaws, coupled with the fact that he is an excellent judge of character, allows him to devise a tragedy fueled primarily by mere malevolence. Even so, he is not the only character that possesses this knowledge. His wife, Emilia, despite far from being the central figure of the play, understands human motivations almost as well as her husband does. She initially starts out as a submissive character, but gradually develops throughout the play into the one character who can see through Iago, oppose him, and cause his downfall. Through this development, Emilia becomes the voice of reason, the sense
Shakespearian tales always leave us with a plethora to ponder about the Elizabethan age and Shakespeare himself. “Othello” is no break in this mold, leaving us to ponder the roll of Iago within the harsh tale of love and murder. Iago is the one to tell Othello of his wife’s betrayal with Cassio, hence making up a story that will work to his favor yet betray those around him. Iago betrays his wife, Emilia, but not only her as he drags Othello, Desdemona, and Cassio into the mix of lies and the hatred he is spreading to improve his rank with Othello. But were Iago’s acts unjust and done for the sake of it? Is he a heartless man who’s only happiness is to bring sorrow upon others? No, Iago has a just reason for what he does, even though he causes the deaths of Cassio, Emilia, and Desdemona in his search for revenge; Iago is not a heartless fiend, just a man wronged.
The European Renaissance forever changed the life of the contemporary individual. Explosive advancements in education, technology, and trade broadened geographic and mental horizons; however, in England these developments were paired with population crises of poverty and unemployment. In addition, the increased interaction with foreign cultures fomented by various commercial and diplomatic engagements gave rise to apprehension in English sensibility. Eventually, Christian England would attempt to reshape these ‘strangers’ in their image and modern racial tensions sprung forth. Recursion of the trope of race, under the guise of blackness, heathenry, or even femininity occurs extensively in literary tradition, and especially within Shakespeare’s oeuvre. “There exists in all literature an archetypal figure who escapes both poles of the classic definition – appearing sometimes as hero, sometimes as villain, sometimes as clown…[he] has been named variously the ‘shadow,’ the ‘other,’ the ‘alien,’ the ‘outsider,’ the ‘stranger.’” It is with this borderline figure, mired in ambiguity, that this investigation is concerned: primarily with the stranger as the Moor in Othello, the Welsh in Henry IV, Part 1, and the woman in both.
The final catastrophe of the play—with Emilia’s revelation of Iago’s treachery, and Othello’s suicide in atonement for his crimin... ... middle of paper ... ... tragic ending, This builds up the tension as well, because the characters in the play still refer to Iago as "honest" when the audience can see plainly he is not. Shakespeare uses certain ironies in the play, where he seems to be saying something to a person, but in fact is saying something completely different and evil. An example of this is in Act III, Scene III, where Othello says to Iago, 'I am bound to thee forever.'
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
Iago is one of the most complex characters in William Shakespeare’s Othello. To most of the characters, he is “Honest Iago” (Shakespeare, 5.2.73). however, the audience knows that Iago is the furthest thing from honest. Iago is a devil bent on destroying the lives of everyone around him. At the beginning of the play, the audience learns that Iago is determined to ruin Othello’s marriage to Desdemona. He has appointed a new lieutenant, Michael Cassio. This angers Iago because he feels that he has much more military experience and should be the lieutenant. Iago has also heard rumours that both Othello and Cassio have slept with his wife Emilia. He concocts a malicious plan to ruin the lives of all who have wronged him, and consequently establishing
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
...her murdered mistress, resuscitates morality in this play. Emilia refutes the untrue notions which Othello says motivated him to kill; she counters Iago’s lies (“She give it Cassio? No, alas, I found it, / And I did give’t my husband.”) and lays the guilt for Desdemona’s murder on his shoulders. And she sacrifices her very life for the truth; she dies a martyr, stabbed by evil Iago. Othello also is a martyr in a sense, paying in full for the crime that he committed.
Iago intends to orchestrate the demise of Cassio and Othello. On the surface, winning a promotion was the catalyst for Iago’s rage but bringing down only Cassio does not satisfy his bloodthirsty rage. Although Iago is cunning and ruthless in his pursuit to ruin Othello, the plot spins out of his control and only gains traction when his wife, Emilia unknowingly helps him. At this point Iago is poised to fail but the possession of Desdemona’s handkerchief provides a key piece of “ocular proof (Shakespeare)” that Othello requires to be convinced of Desdemona’s infidelity. Iago loses control of the situation. His stated purpose is to suppl...
Iago controls Emilia and treats her as less when she does not act as a submissive wife. Therefore, Emilia follows to keep Iago satisfy. Further, Iago tells Emilia to steal the handkerchief; which she follows without knowing his intentions, to then be insulted by Iago calling her a “foolish wife” (3.3.313), and demanding her, “Go, leave me” (3.3.330). Apparently, Iago makes Emilia lesser, and she accepts her role as a submissive wife. Moreover, although Othello proclaims loving Desdemona, he perceives her as inferior as a result of jealousy. As in Act 5, Scene 2 where Othello says to Desdemona, “Down, strumpet!” (89), suggesting that he puts her in an inferior position to kill her reflecting his true perception of Desdemona. And likewise Emilia, Desdemona accepts the role of an obedient wife by using her last breath to take the fault off Othello
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
Come, go with me apart; I will withdraw, To furnish me with some swift means of death For the fair devil. Now art thou my lieutenant.” (III,3,2167) Proof of Iago 's evil is easy to come by, but he is no more evil that when he uses his wife as a pawn in his twisted revenge plot.
A particular theme throughout the story is the search for truth. During this last part of the book and the movie, Emilia ends this search for truth. All becomes clear to Othello and realizes that the true enemy, or the one that's been conspiring against him the whole time was Iago. After this, Othello demands Iago to answer why he's been torturing him, and why he made him turn on his beautiful Desdemona. Iago replies, "Demand me nothing. What you know, you know, From this time forth, I will never speak word" (Iago 5.2.300-301). So even in the end Iago still refuses to give Othello the truth.
In the play Othello by William Shakespeare, our main protagonist, Othello, is manipulated by a man who he thought was honest and noble, Iago. Othello is pushed all the way to the lengths of murder, and eventually commits suicide. I believe that Othello’s inevitable fall was due to his own tragic flaws. Some of these factors include his jealousy, him being gullible, and the high amount of trust that he puts in Iago.