Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The history of the vampire
The history of the vampire
The history of the vampire
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The history of the vampire
American society of today tends to be short-sighted and trendy. It’s almost impossible to keep track of the current fads in fashion, movies, novels, and television these days because of how fast they stay popular. In my short lifetime, I’ve been subject to boy bands, the internet explosion, and several incredibly successful movie franchises. These would include Harry Potter, Pirates of the Caribbean, and The Twilight Saga. They are all new series that have been written in the last fifteen years however they contain subjects that have been in stories and history for centuries. From it’s earliest entry into modern literature in 1819 with John Polidori’s “The Vampyre” to Charlaine Harris’ The Southern Vampire Mysteries: Dead Until Dark vampires have undergone a myriad of adaptations. I believe that the vampire genre is unique in its ability to adapt and stay relevant in media and therefore they are the ultimate “Darwinian Predator”. Through a careful examination of vampires in various forms of media I will show how this is possible.
Before Dracula and “The Vampyre”, vampires were trapped in myths of superstitious people never being wholly considered by mainstream society. Polidori introduced the world to Lord Ruthven, and Stoker introduced us to the infamous Count Dracula. This was a major step for the vampire genre because it created realistic characters that audiences could connect with and bridge the gap from myth to reality. These vampires were no longer whispered about or told to frighten little children they actually had a place in literature. Furthermore these two vampires were the prototype for the suave, articulate, and cultured vampires of today. “His peculiarities caused him to be invited to every house; all wished to se...
... middle of paper ...
... are very successful in doing so.
From Polidori’s 1819 short story “The Vampyre” to the latest in The Southern Vampire Mysteries series vampires have grown, adapted, and been molded by their writers to please their ever changing audiences. It is the vampire genre’s flexibility and ability to change that has allowed it to thrive in media for nearly two centuries.
Works Cited
King, Stephen. "StephenKing.com - 'Salem's Lot." Welcome to StephenKing.com. 1 Apr. 2005. Web. 01 Dec. 2011. .
Rice, Anne. Interview with the Vampire: a Novel. New York: Knopf, 1976. Print.
Stoker, Bram. Dracula. New York: Signet Classics, 2007. Print.
"The Vampyre - John Polidori." Books & Literature Classics. About.com. Web. 01 Dec. 2011. .
J. Gordon Melton, in the excerpt “Sexuality and the Vampire” published in his The Vampire Book: The Encyclopedia of the Undead (1998), explains that vampires have a sexual appearance that started from their origin in Dracula. Melton supports his statement by analyzing the monsters' transition to sexual beings through the stories of Dracula’s desires, multiple countries’ erotic tales revolving around vampire-like beings, the manifestation of sensual themes in literary, stage, and screen works, and their current evolution of the once terrified immortals to loved heroes. The purpose of this essay was to outline the seductiveness of the written immortal creatures in order to explain the fanged-mammals’ appeal beyond their terrifying monster abilities.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Stevenson, John Allen. A Vampire in the Mirror: The Sexuality of Dracula. 2nd ed. Vol. 103. N.p.: Modern Language Association, 1988. JSTOR. Web. 6 Jan. 2014. .
Vampires have been viewed with fear and fascination for centuries. Of all the vampires in literature, Bram Stoker’s Count Dracula is probably the most prominent vampire. Recently, there has been an upsurge of public interest in socially acceptable vampires, like the Cullens in the Twilight series by Stephanie Meyer. This essay will contrast Stoker’s Dracula with Carlisle Cullen, one of the newer vampires from the Twilight series. They will be examined in terms of their origins and how they dealt with immortality.
After analyzing The Scarlet Letter, Roger Chillingworth is the ideal vampiric figure, supporting Thomas Foster’s perspective about vampirism from his book, How to Read Literature Like a Professor. In fact, Roger Chillingworth, presents many instances of how vampires might act and appear in literature. Even though he is not a literal vampire, it does not
Bram Stoker took the legend of Vlad Tepes and used it as an idea for Dracula. He was the ruler of an old country called Wallachia. He is most famous for impaling his enemies on sticks around his castle. He taught himself how to miss vital organs in the body, causing the victim to die a slow painful death. This is why people consider him an ancient vampire. What people don’t know about him is that the rich loved him, but the poor hated him. To anyone that didn’t have to seal to make it by he was great. But to the poor people who couldn’t buy food, they were always in fear of him. He was abused as a child, and this is what is thought to have caused his behavior. (Melton 1053)
When the vampire came about the thought of the monsters themselves were terrifying, and to view one they were ghostly pale with dark sunken eyes, large nose similar to that of the stereotypical witch, pointed ears like an elf and dark hair usually dark brown if not black. The original folklore on vampires showed a terrifying creature that you would know if you would see it out and about during the night. Today’s films and novels want to present you with an attractive vampire, like dying and becoming an immortal being is something a human would want to do because they would become more attractive. But also in today’s depiction of the vampire they have no obvious tells that a person is a vampire until they get angry and the fangs elongate. The idea of the vampire has shifted so drastically over the course of time, from fear to an admiration of a creature that could kill you in seconds. In the popular culture of today, the vampire is something attractive that girls pine after and want to be since there are a multitude of romance novels printed today with the male leads being portrayed as a
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre; These factors include setting, actions of each vampire, the initial reactions to news of them, and how their presence affects the people who live within the region the vampires inhabit.
In Twilight, Edward Cullen presents the question; “ But what if I’m not the hero? What if I’m the bad guy?” The role of vampires is very controversial. Back in the day they were evil, soulless monsters and people genuinely feared them. However, in the present day it seems that we have grown to love them and even hope to one day be them. There are a plethora of vampire stories and many of them have become immense hits. With so many vampire stories, it is not uncommon that readers are able to identify a vast amount of similarities. Although similar in aspects, there are still many differences between the classic and modern day vampires. Two highly popular stories, in which we can easily identify similarities and differences, are Bram Stoker’s Dracula and Stephenie Meyer’s Twilight.
At first glance, Joss Whedon's "Buffy the Vampire Slayer," the hour-long TV series which premiered in 1997 and is now in its third season, bears little resemblance to the book which started the vampire craze -- Bram Stoker's Dracula, published a century earlier. And yet, looks can be deceiving. Although the trendy -- and often skimpy -- clothing and bandied about pop-culture references of "Buffy" clearly mark the series as a product of a far different culture than that of the Victorian England of Dracula, the underlying tensions of the two texts are far similar than one might think. Beneath the surface differences in the treatment of their heroines, the two texts converge in similarly problematic anxieties about gender and sexuality.
When the word vampire is said it evokes Hollywood images of handsome men and beautiful women, seductive creatures with fangs that lure in their prey with their hypnotic stare along with their good looks, wit and charm. Once the prey is seduced the vampire goes straight for the throat, biting down and draining their blood and ultimately their life. More recently the images may be of the sexy Vampire who is trying to pass as human in some high school setting that is amazingly fast, and strong, yet trying to be sensitive. Some sparkle in the sun and others must avoid it altogether, while still others wear some enchanted ring or jewelry in order to walk in sunlight. Oh yes, and let’s not forget their ability to go on living forever because one of the most incredible qualities is a vampire’s immortality, unless they have a wood or silver stake driven through their heart, or end up decapitated and burned, which would swiftly end there immortal rain. Whichever version of vampire you envision will depend on the most recent book, movie, or television series you are intrigued by. These images are the glorified Hollywood images that are spoon fed to us daily, but these are not the true definitions or characteristics of a real vampire. As much as most people believe that the image of the vampire was spawned from the story of Dracula written by Bram Stoker that is certainly not the case, the story of the vampire started thousands of years ago and span the globe, and continue to engross society today. Every culture has their own story and origination point and these stories have spawned a growing fascination with vampires. It is important to look back and see where it all began in order to uncover the truth of real vampires today.
Gothic imagery and themes include castles, coffins, monsters and strange lands and pose the background of the classic Gothic novel. The Gothic element is synonymous with the horror and uncanny- a feeling rather than form, in which transgression is the central topic (Wisker 7). The vampire is a figure that transgresses society’s limits to form the central dynamic of the Gothic. “We enjoy seeing the limit transgressed- it horrifies us and reinforces our sense of boundaries and normalcy” (Halberstam 13). Assuming that Bram Stoker’s Dracula sets the archetype of the vampire, it is clear that modern vampires have demonstrated a decrease in the Gothic horror despite similarities in the Gothic imagery
Comparing the vampires’ eating habits, sleeping habits, reaction to sunlight and professions clearly shows that a couple of hundred years ago stories about vampires were intended to shock people. The vampires were monsters you could best stay away from. Nowadays stories about vampires still have a little shock effect but the vampires are portrayed as creatures with a large amount of human characteristics. Therefore the vampire has evolved from ferocious villain to a wanted lover.
The vampire genre is one that is so widely exploited, that anything can be done with it. It can be made into a horror story made to induce nightmares, into a story that displays humans can be just as monstrous as the monster, or into a romance that proves that love conquers all. The mystery and sensuality that shrouds vampires allows for a vampire story to be anything and everything the writer or reader desires.
The author’s op-ed piece was published in 2009, the very peak of the vampire contagion, where one could find these creatures wherever they looked. This pandemonium that arose from vampires is what drove del Toro and Hogan to pen “Why Vampires Never Die.” Furthermore, the purpose behind this essay is to give an abridged description of the past of vampires for the people who had become fanatics of the creatures. Also, this essay showed how vampires have persisted in pop culture. They suggest that vampires have been remade by diverse cultures at different times, and this change echoes that society's angst and concerns. The novelist’s imply that Stroker’s Dracula may mirror an exaggerated human on a prim...