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Gender and roles of women in literature
Gender and roles of women in literature
Research on gender roles in literature
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Recommended: Gender and roles of women in literature
Traditional gender roles exist in Gabriel Garcia Marquez’ novel One Hundred Years of Solitude, but traditional distribution of power between the genders does not. In analyzing each character and their life, it’s easy to see how Marquez presented each in terms of his own view on gender constructs. Marquez portrays femininity and masculinity very differently. But why would Marquez choose to make such a clear distinction between the roles of each gender? Marquez sees women as spiritual and overpowered by traditional standards, and men doomed by their own obsessions. Men are wily and therefore vulnerable, whereas women are dignified and durable, and survive for much longer. We all know that the Buendia men in are a mess when it comes to self-control. …show more content…
He was every bachelor’s dream self. He traveled the world with gypsies and got every tattoo he could think of. He drank, slept around, and women idolized him. Unfortunately, his personality wasn’t as fabulous. He defied his mother’s direct orders and married his adopted sister, Rebeca. In a fight with Pietro, he states, “Fuck nature two times over” (92). He doesn’t care about what the laws of nature, the actual law, Ursula, or his family has to say about his marriage to Rebeca because he has no wish to control his desires. He has always been able to get what he wanted, and he doesn’t plan to stop that type of behavior any time soon. Because he defies Ursula, he gets banished from her house, and eventually killed- supposedly by an act of God against his actions, but the exact circumstance is unclear. What we do know is that Jr. overindulged in every desire he had, and he died for that. We can contrast this with the fate of Remedios the Beauty, who is the feminine-stereotype equivalent of Jose Arcadio Jr. Remedios ascended into heaven instead of receiving an almighty punishment. This contrast is a perfect example of Marquez’ views on
about marriage that our society assumes to be true today. These include ideas about single
Through his novel, author Marcel Theroux creates a dystopian era revolving around war, and man’s need to control and dominate over others. Through the life of one particular character, the audience is able to experience this world through the eyes of a woman. Makepeace, the protagonist, takes the reader on a journey through her past to reveal how these men demonstrate such characteristics. In contrast to her fellow characters, Makepeace manages hold on to humanity and continues to see the beauty around her. In the novel, Far North, I believe the protagonist’s desires were driven by her female gender, and the author used Makepeace to portray the differences between men and women.
At birth, we are a blank slate, regardless of gender. We are introduced into a world that wrongly believes gender defines who we are and what we shall be. Everything we see, hear, taste, smell, and feel impacts our minds and how we react. Therefore, behaviors between the sexes are learned from our interactions with the opposite sex and how we, as individuals, see our world. In the literary piece, The Distrust between the Sexes, Karen Horney asks this question: “…What special factors in human development lead to the discrepancy between expectations and fulfillment and what causes them to be of special significance in particular cases” (Horney)?
As seen in “The Kingdom of this World,” a connection with nature is a result of someone’s masculinity. This ideal is readily adopted here, pushing the notion that “The General” is the epitome of masculinity. Serving as another testament to “The General’s” masculinity-- his ability to conceive seven-monthers, children that are precocious as a result of their father’s virility. This could also be perceived as attesting to the General’s sexual rapacity. Shortly after the General’s masculinity is displayed to the reader, Benedicion Alvarado, his mother, makes a statement that is seemingly weary of her son’s ability to lead: “if I’d known my son was going to be president of the republic I’d have sent him to school.” (45-46) Though lack of schooling doesn’t preclude the General from having wisdom, it does call into question what warranted his rise to power other than his perceived masculinity. But perhaps this is the point-- by introducing the General as a masculine figure, and by making the General’s masculinity preeminent to his being, Marquez presents a basal idea that dictates masculinity is the driver of leadership. There is nothing to indicate whether or not this is something that should be accepted, after all, it was “read from a text.” This quote is important because it gives us a better understanding of what the perceived importance of masculinity is. This allows us
Protection – she could never offer protection to the creature she loved: Could you marry me, Stephen? She could neither protect nor defend nor honour by loving; her hands were completely empty. She who would gladly have given her life, must go empty – handed to love, like a beggar. She could only debase what she longed to exalt, defile what she longed to keep pure and untarnished. ( Hall 2978)
Gender Matters is a collection of various essays on feminist linguistic texts analysis, by Sara Mills. Mills develops methods of analyzing literary and non-literary texts, in addition to conversational analysis based on a feminist approach. The author draws on data from her collection of essays gathered over the last two decades on feminism during the 1990s. The essays focus on gender issues, the representation of gender in reading, writing, and in public speaking. Furthermore, it highlights the importance of feminists’ analysis of sexism in literature and the relation between gender and politeness. The article is informative for my research paper, as my topic is going to cover language analysis of the text and who women reading and writing differs according to the discourse analysis within linguistic, psychology, case studies audiences and surveys. The book would be helpful, particularly the last three essays that discusses gender, public speaking, the question of politeness and impoliteness in public speaking. Mills’ analysis is not complete without including the idea of global notions of both women and men, to see whether women and men write and read in the same way globally. Therefore, an update would enrich the book’s discussion section. Although, Mills addresses the class and race theme in language and public speaking, I will only look into the role of language that plays a part in doing or reducing gender in literary, non-literary texts and in conversation.
If I was holding a family meeting on women’s issues I would have those who attend read “The Social Construction of Gender” by Judith Lorber (1994). I selected this reading because I feel gender is one of the most important topics that should be discussed when talking about women’s issues, especially in a room with both men and women. My goal would be to get my family members not only to understand, but also see how gender is continuously created by society every day.
In Gabriel Garcia Marquez's book “One Hundred Years of Solitude”, the characteristics of each family member resemble another. They may start differently, but their fates follow the same tragic conclusion. The Buendia men suffer from their own macho pride and recklessness. The women are subjected to the will of the men, and are burdened with tragedy that follows them. This book is locked in a time circle for 100 years, doomed to repeat the mistakes of their ancestors. The Buendia family all share unifying facts that tie them together creating their own solitude. Marquez describes the life and fate of the Buendia's struggle with madness, incest, and 100 years of solitude that is wiped out in he end of the book.
The treatment of women, women’s roles, and the portrayal of those roles in public spaces and publications is an issue that has changed and evolved over time. The shift often occurs during times of cultural change, revolution, or war and has significant effects on women of the area or time period. These shifts, their consequences, and their causes will be examined through the novel A Thousand Splendid Suns, through the Russian Revolution, and through changes in the portrayal of women in art, specifically in advertisements from the U.S. during the World War II period. Women’s rights and roles change during periods of war and political turmoil or revolution as a result of the chaos and conflict
During an in class discussion of the book 100 Years of Solitude, a fellow student suggested the women characters seem to be much more stable than the male characters. She stated that, “the women are the ones who take care of the house while the men go off and fight their silly wars.” She continued to note that the men seem to constantly immerse themselves in useless projects while the women are forced to take care of the home and dissuade their husbands’ irrational need for adventure and change. She was making the observation that the women behaved as the rational ones in the city of Macondo while the men took interest in shiny trinkets and inventions and left all care taking to the women.
Thelma & Louise’s wide appeal among women spectators is due to the use of the female gaze. The female gaze is presented from a female perspective and reflects female attitudes. It is often used because of the creators gender or because it is aimed at a female audience. The female gaze uses mockery as a device to illustrate the sexism of the male gaze. Stereotyping, depicting men as spectacles, and celebrating female friendships are the ways that Thelma & Louise utilizes mockery. This mockery opens the audience’s eyes to the idea of feminism. Geena Davis and Susan Sarandon play Thelma and Louise, two working-class friends who together have planned a weekend getaway from the men in their lives. Though the road trip starts out as a good time, the pair eventually finds themselves at a bar. After a tipsy Thelma ends up in the parking lot of the bar with a would-be rapist that Louise shoots, the two decide that they have no choice but to go on the run. The pair is pursued by a police officer sympathetic toward their plight. He chases them to the Grand Canyon, where the women make a fateful decision about their lives. Thelma & Louise resists patriarchal construction by representing the female gaze and because of this representation the film is often viewed as anti-male.
The social construction of gender can be identified in Matthew Lewis’ The Monk, which plays a critical role in the establishment and perpetuation of system sustaining phallocentric power. Lewis destroys the concept of gender being a biological attritute and plays with the idea of learned “rules” of society that individual must follow in order to gain recognition and respect with a specific culture. As gender models “progressed” throughout the years, the social classes that differentiated gender began to coalesce in a homogenous notion of normalcy Matilda/Rosario’s gender-bending showcases the fluidity of gender and the performativity of the cultural constructs Transgendering in the work disrupts the ordered binary of traditional roles and defines a new space—a third space.
Born in Jackson, Mississippi in 1909 Eudora Welty was clearly influenced both by her mother’s love of reading and her father’s interest in photography. By 1931, when her father died of leukaemia, she had obtained her Bachelor of Arts degree from the University of Wisconsin and then attended Columbia University Graduate School of Business where she focused on advertising. Returning to Jackson she worked for Jackson’s first radio station followed by the Works Progress Administration. On her web site Margret Bing outlines the key activities of the WPA in 1935 as a Federal initiative to provide work for both blue and white collar workers. In the case of white collar workers this was particularly in the field of public art, music, theatre and writing (Bing). At this time Welty was engaged in taking photographs of Mississippi people. A collection of these photographs was published in 1971 in One Time One Place: Mississippi in the Depression: a Snapshot Album. In the introduction to the 1996 edition William Maxwell when commenting on her work quotes a sentence from her novel, The Optimist’s Daughter: “The mystery of how little we know of people is no greater than the mystery of how much” (5), which captures the lightness of touch she employs to signify the essence of the characters in Ladies in Spring. Welty went on to right a range of short stories and novels receiving recognition both in America and Europe until her death in 2001.
Stephen Morton in his Gayatri Spivak promotes Simone de Beauvoir’s saying, therefore he point outs,
It will be one of the luckiest things in the world if people could just do what they love in their careers, and pursue their dreams without any fears or worries about how society and others judge them. However, women in this society do not obtain the same rights that men own; many inequalities hinder women to live and work. From this class, I learned a lot about gender affects work, and women and men’ roles can be very different in the work. In many industries, even though women get same education and professional degrees as men do, they are hired at lower rates than men are. Many women meet glass ceilings and find it is hard to attain the highest status in the profession, and this causes the society locks women out of higher level