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Dealing with obsessive-compulsive disorder
Dealing with obsessive-compulsive disorder
Dealing with obsessive-compulsive disorder
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Because of the main idea is show the obsessive-compulsive disorder, so basically, the jacket use white and gray, and for the right back it can see-though. For the top, I use curves with pink. For the skirt, different part has different colors that I want to show the whole look are mess up. For this look, I want to mix up the feature of obsessive-compulsive disorder: clear, mess and irregular. So for the top I use curves with irregular color at waist. White represent clear so the whole loose pants are white. This look I want to represent the color of sea food. Basically, the biggest layer I use gradual change of gray to red, in case to show the process of cooking shrimp,crab. I also use blue and yellow to represent sea and beach. The whole dress will look lightly all the shapes and curves are freely which I want to …show more content…
For the top part I designed as fish eyes and there are a short skirt, which I want to show the outlines of shell. Finally, there has fish tail skirt for bottom. I chose blu and orange because I know there are contrasting colors. The main idea is I want to show the outline of sea food’s body part. The main idea of this look is gradual change. Because of I hate sea food was attributed to I have seen the process of cooking shrimp. I use much gray on dress in order to show that I think gray color could make me goose bumps. Moreover, the shape of dress is freely like sea waves, and the curve for top is irregular. I will use red because the final sea food color is red, I want to use this two color to show the point I diss like sea food. The main idea for this look is I want to show the texture of sea food. Firstly, the shape for this dress is kind of stiff, I got this aide from crab,so you can see the bottom part is very expand. Next, those red lines are the texture of sea food. I also make one shoulder more expand. And I use red in order to make the whole dress more
The group chose a black dress with an A-line silhouette along with sheer bell sleeves. The MSK dress was constructed of 96% polyester, 4% spandex, and the sleeves were 100% polyester. The black dress can be easily
The two focal figures are illustrated with complementary colors, the woman 's dress being orange, and the man’s pants being blue. Benton uses these colors to bring life into the painting. The background is made up mostly of earthy colors like, greens, browns, and greys and a light blue for the sky. Benton seems to add white to every color he uses, which gives the painting an opaque look. The deepest hues found in this painting are the blue one the man’s pants and the orange on the woman’s dress, everything else around them looks washed out and Benton does this to emphasize his focal points
The right side is almost purely white, with blue and gray shadows; the rest of the body is black, dark brown, and navy. The profile of a white woman obscures the left half of the black face, facing to the right of the piece; her hair is in a large braid and she wears a simple pearl earring. The black woman has long, flowing, bright blue hair, as well as full red lips. The black woman’s body has a rose over it, and the white woman is wearing what looks like a straw bikini; the figure is wrapped in a thick rope from the waist down. The stark contrast between the white and black meet with a definitive line; there is no blending between the two colors, which amplifies the feelings of separation and difference between the two halves of the woman’s
My greatest attention grabber from this figure is the color; vibrant bluish tones remind me of the ocean. The use of cool colors on the whole figure creates unity. The surface color is mostly in the cool hues of blue, but not in its normal value; it may have some green mixed in with it. Furthermore, the bluish shade symbolizes the color of Nile
The colours used in the artwork are earthy tones with various browns, greens, yellows, blues and some violet. These colours create a sense of harmony on the...
Through the use of complementary colors, she achieves great contrast. Contrasting hues develop a theme of light vs. dark, or in Liu’s case, expectations vs. reality. Dark colors are used to suggest the harsh, chaotic conditions experienced by the workers; while light, less saturated colors illustrate the calm passivity of traditional Chinese customs and ideas. The sky surrounding the stylized women contrasts greatly with the surroundings of the exhausted men. The dark hues establish heavy visual weight below the figures and the light tones of the sky create a sensation of weightlessness and help to further distinguish the fantasy like qualities. Liu also includes the application of analogous colors, primarily to make the traditional figures less dramatic and to help unify the surrounding
It is important to have a quick distinction between characters, or the audience will be confused. Therefore, the people will not be able to focus on and understand the plot. It is easy to realize that Zoser and his men wear red and black. Whereas, the slaves wear earthy colors such as brown dresses, or in Nehebka’s case a dark red and green dress. However, Aida wore a bright purple dress. It is interesting how Aida wears a colorful dress because all the royal characters wear vibrant colors. For example, Amneris wears a bright green dress, a ruby robe, and a gold and white wedding dress. In addition, her bridesmaids all wear light blue
Even though I draw like a four-year-old. In my first picture I drew Antigone and Ismene’s bedroom for the first scene. The rectangle is the window Antigone climbs through when she is about to go and bury her brother. The brown vanity is where Ismene was when Antigone asks her to come and help. In front of the Vanity is a chair and I used brown, because I feel like these things would be wooden. On the vanity there is a hair brush, and I tried to make it look like old copper. Because the ancient Greeks and Egyptians used copper, silver and wood for hair brushes. The bed is the color it is because of a picture I used in my scenic imagery. The bed is made from red wood, and if I could draw better, it would have rounded pillows that surround the whole bed.
Character three, the rectilinear lines are in the top, the sleeves, and the shorts. If you add a more curvilinear line the sleeves wouldn't be as form fitting, the shorts and the top wouldn't be as form fitting either. The curvilinear lines that I see are in the top and shorts because there's a natural curve around the chest and the butt, and in the skirt with its flow as it moves tours the ground. If you added rectilinear lines, then the shirt and shorts wouldn’t shoe the natural curve of the body and it would look too much like a square. The skirt move at a different type of flow.
She captured herself in beautiful low-cut blue satin dress and the students in working dresses. The dress was painted in great detail and captured both the sheen and fluidity of satin. This was achieved by using shading and li...
I find the color element to be the most prominent because of the well done contrasting of colors. The lightness of the model’s skin contrasts to the slightly darkened background to almost give her an otherworldly or angelic glow. The green in the background contrasts greatly with the russet brown of the mountain like trail that seems to be right behind the woman. Even her clothes show contrast because the sleeves are the same russet brown but the rest of her outfit is darker. Those darker colors make her skin tone seem lighter than normal and help to create that luminous or radiant color that seems to radiate from her. The principle that I think stands out the most is emphasis because while more emphasis is put on the model so she is the focal point, the background is also very interesting and not overshadowed by the model. Both of them complement each other with the contrasting light of the girl and the darker background. The viewer’s eyes will immediately go to the lighter section in the middle but will stray to the darker part because neither are forcefully dominating or fighting attention. The color contrast and light contrast aren’t at war with each other; rather they are more like two halves of a whole that perfectly fit each other in a way not commonly
A woman describes that she has an intense fear of germs. She constantly gets random thoughts about developing an illness or disease by touching things around her. As a result, she washes her hands repeatedly because it reduces the anxiety that she feels about her fear. After a while, her fear comes back and she starts her ritual of washing her hands repeatedly again. This person is most likely affected by OCD. Obsessive compulsive disorder, OCD, is an anxiety disorder characterized by unwanted and uncontrollable thoughts (obsessions) and/or repeating certain behaviors over and over again (compulsions) (Baldridge). OCD affects both men and women equally and it affects about two percent of the population (Britannica.com). Living with OCD is challenging and it affects the life of the person who is suffering, their family, and even their friends.
This piece contains darker shades of blue to create a dark, shadowy effect over the ballerinas. Even so, there are bright highlights on the dancers to enhance the sharpness and contrast of their figures. Colors like orange and peach are also highlight colors for the background behind the dancers. The main subjects of the artwork are wearing bright blue and white outfits to contrast with the more subdued greens and oranges of the background. Behind the dancers, Degas puts layers upon layers of pastel to create a realistic depth of color like that which one might experience in real life. The effect of this is quite stunning and adds a richness and intenseness to this piece.
Kuczynski concentrates in using a specific color scheme composed of blue, brown, gray, and yellow that helps to form the unity. For instance, the background is made through different shades of brown, gray, and a bit of blue. The use of vibrant yellow for Pikachu makes a huge contrast with the other sections of the art because the young man and the background have more of a dull color. The dull colors on the background and boy set a fairly depressing mood about the seriousness of the problem. This contrast helps to emphasize the focal point, Pikachu. The value assists to produce an illusion of depth utilizing the darker values to make the boy look more three-dimensional than two-dimensional by having the highlight on the arm then to a transitional light to the core of the shadow reflected by the light. The texture of the shirt is displayed through the darker part which means that the cloth is soft and it indents at those certain darker value parts. The visual texture of the skin is smooth since no wrinkles are shown, clarifies the that it is a young character. There is movement in the artwork, in which Kuczynski created a path to indicate where the viewer’s eye should move. The area that the audience will look at first is the Pikachu due to the sharp color around the dull color and then it moves along the curve of the long neck reaching the arm
middle of paper ... ... It also analyzed the influences of modern dresses. As Palmer and Clark (2005) mentioned earlier, both decades are the classic era in fashion history.