O Brother Where Art Thou Essay

833 Words2 Pages

The image of a hillbilly transcends mere representations of Southern Appalachia & the Ozarks. Hillbillies are and are seen as “other” in the terms of American society. Hillbillies do not fit the mold, part of both minority and majority identities. Hillbillies are less a social group but an evolutionary group, a brutish predecessor to the middle-class suburbanite/urbanite. To further solidify the status of the middle class, hillbillies are constantly belittled and used as a source of humor in mass media. However, hillbillies as a people in time and place do not exist in the eyes of the media. Rather, hillbillies are seen as a specific evolutionary stage of humanity, the bridge between chaotic subsistence and organized society. This is best seen …show more content…

In the movie, the story of The Odyssey is retold through the antics of three escaped prison convicts during the Great Depression. The three main characters each represent a different stereotype of “hillbilly,” despite none of them being from a mountainous area themselves. Pete represents the ignorant & violent hillbilly, Delmar the comical & uneducated, and Everett the family-oriented & scheming mastermind. Throughout the movie, Everett is used as an example of the socially acceptable hillbilly: intelligent and functional within the constraints of society but steeped in backwards mannerisms that set him apart from the rest of “refined” society. For example, Everett is the breadwinner for his family, but instead of making his money as an honest businessman, he ended up in jail for practicing law without a license. This leads to Everett’s wife Penny leaving him as the campaign manager of a local politician. Everett spends the movie enacting a variety of schemes to win back his wife, but only does so when he successfully proves that he is beyond the brutish, uneducated actions of his past. The movie O Brother, Where Art Thou also promotes the false narrative of hillbillies and rednecks being …show more content…

Movies, whether pure fiction like O Brother, Where Art Thou or fictionalized truth like Hillbilly Elegy, both promote antiquated stereotypes regarding hillbillies to sell the most palatable, feel-good story. The average, middle-class consumer has evolved past their uneducated, impoverished hillbilly predecessors, but to see those predecessors in their “natural habitat” is a chance to gain a closer personal understanding of the past. That false sense of closeness also enables the average movie-goer to feel as if they themselves are the generation freshly graduated from the backwoods, only a step removed from the “American frontiersman.” While the hillbilly may largely be seen as a negative stereotype, there is a cultural fascination with their way of life. This fascination breeds a desire to feel closer, to feel connected with a simpler way of life, even if no self-respecting middle class movie-goer would ever truly want to truly live the life of a hillbilly.

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