1. Nick Paumgarten, the writer of “We Are a Camera”, brings a few flaws of the GoPro to light. A few of these flaws are in the tedious design, but one major risks of the GoPro are the intent of what it’s commonly used for and the people using the GoPro. In the design of the GoPro Paumgarten explains, “It has no display, so you can’t see what’s in the frame.” (332) This could be annoying because the user may need some experience with the GoPro camera lens to know how broad the vision is on the device. The user could also be flustered by the editing and broadcasting software. Paumgarten explains the editing software, “As Schmidt has said, you don’t hunt shots, you capture them. (This approach requires lots of work in the cutting room, or what Surfing called ‘a time-warping pain in the edit-ass.’)” (333). Paumgarten also expresses his view towards the broadcasting software, “As for broadcasting applications, we are still in a relatively primitive stage.” (334). The design issues and software may be of annoyance to some users, but they do not outweigh the benefits of the GoPro because of these reasons: after …show more content…
The GoPro had all the factors (cultural, economic, and technological) working in its favor to success. Paumgarten explains these factors in, “We are a Camera.” One example he gives for its cultural success is, “GoPro footage is related to the selfie, in its “Here I am” (or “was”) ethos, and its wide view and variety of mounts often allow the filmmaker to include himself, or some part of himself, in the shot.” The GoPro also expressed a new way of showing off one’s life outside of a selfie, as Paumgarten further explains, “But because it primarily points outward it’s a record of what an experience looks like, rather than what the person who had the experience looked like when he stopped afterward and arranged his features into his pretested photo face.” (333-334) The user has their own little attention grabber for social media or any other form of
What if all of a sudden your life changed and the next thing you know you find out you have magic in you. What would you do? who would you trust? This is what happens to a fourteen year old boy named Zachary Harriman in Hero by Mike lupica. Hero by Mike lupica is full of twists and turns and is a really good book. It all starts when Zach’s dad dies in a mysterious plane crash. Zach begins to investigate about his dad’s mysterious death because even though the police have concluded it was an accident he thinks otherwise. Throughout this book Zach learns a lot and overcomes and fails some challenges but is stronger in the end. Hero by Mike lupica is a really great book because of three things
A video is put on, and in the beginning of this video your told to count how many times the people in the white shirts pass the ball. By the time the scene is over, most of the people watching the video have a number in their head. What these people missed was the gorilla walking through as they were so focused on counting the number of passes between the white team. Would you have noticed the gorilla? According to Cathy Davidson this is called attention blindness. As said by Davidson, "Attention blindness is the key to everything we do as individuals, from how we work in groups to what we value in our classrooms, at work, and in ourselves (Davidson, 2011, pg.4)." Davidson served as the vice provost for interdisciplinary studies at Duke University helping to create the Program in Science and Information Studies and the Center of Cognitive Neuroscience. She also holds highly distinguished chairs in English and Interdisciplinary Studies at Duke and has written a dozen different books. By the end of the introduction Davidson poses five different questions to the general population. Davidson's questions include, "Where do our patterns of attention come from? How can what we know about attention help us change how we teach and learn? How can the science of attention alter our ideas about how we test and what we measure? How can we work better with others with different skills and expertise in order to see what we're missing in a complicated and interdependent world? How does attention change as we age, and how can understanding the science of attention actually help us along the way? (Davidson, 2011, p.19-20)." Although Davidson hits many good points in Now You See It, overall the book isn't valid. She doesn't exactly provide answers ...
Justin Torres Novel We the Animals is a story about three brothers who lived a harassed childhood life. There parents are both young and have no permanent jobs to support their family. The narrator and his brothers are delinquents who are mostly outside, causing trouble, causing and getting involved in a lot of problems and barely attending school, which their parents allowed them to do. The narrator and his brothers were physically abused by their father, leading them to become more violent to one another and others, drinking alcohol and dropping out of school. Physical abuse is an abuse involving one person’s intention to cause feelings of pain, injury and other physical suffering and bodily harm to the victim. Children are more sensitive to physical abuse, they show symptoms of physical abuse in short run and more effects in the long run. Children who sustain physical abuse grow up with severely damaged of sense of self and inability. The narrator and his brothers were physically abused by their father and showed long run symptoms of Antisocial behaviors, drinking problems and most importantly they becoming more violent themselves. Many psychological and sociological studies such as “Childhood history of abuse and child abuse potential: role of parent’s gender and timing of childhood abuse” and “school factors as moderators of the relationship between physical child abuse and pathways of antisocial behavior can be used to prove the argument that children who sustain physical abuse grow up with criminal and antisocial behaviors.
John Hollander’s poem, “By the Sound,” emulates the description Strand and Boland set forth to classify a villanelle poem. Besides following the strict structural guidelines of the villanelle, the content of “By the Sound” also follows the villanelle standard. Strand and Boland explain, “…the form refuses to tell a story. It circles around and around, refusing to go forward in any kind of linear development” (8). When “By the Sound” is examined in regards to a story, the poem’s linear development does not get beyond the setting. …” The poem starts: “Dawn rolled up slowly what the night unwound” (Hollander 1). The reader learns the time of the poem’s story is dawn. The last line of the first stanza provides place: “That was when I was living by the sound” (3). It establishes time and place in the first stanza, but like the circular motion of a villanelle, each stanza never moves beyond morning time at the sound but only conveys a little more about “dawn.” The first stanza comments on the sound of dawn with “…gulls shrieked violently…” (2). The second stanza explains the ref...
During the opening six minutes of Nicholas Roeg’s film Don’t Look Now, the viewer experiences a dynamic mixture of film techniques that form the first part of the narrative. Using metaphor and imagery, Roeg constructs a vivid and unique portrayal of his parallel storyline. The opening six minutes help set up a distinct stylistic premise. In contrast to a novel or play, the sequence in Don’t Look Now is only accessible through cinema because it allows the viewer to interact with the medium and follow along with the different camera angles. The cinematography and music also guide the viewer along, and help project the characters’ emotions onto the audience because they change frequently. The film techniques and choppy editing style used in Don’t Look Now convey a sense of control of the director over the audience and put us entirely at his mercy, because we have to experience time and space as he wants us to as opposed to in an entirely serial manner.
have stopped to consider the possible impacts these cameras have on our lives. And it is
In the essay “Everything Now” Signs of Life in the USA: Readings on Popular Culture for Writers, author Steve McKevitt blames our unhappiness on having everything we need and want, given to us now. While his writing is compelling, he changes his main point as his conclusion doesn’t match his introduction. He uses “want versus need” (145) as a main point, but doesn’t agree what needs or wants are, and uses a psychological theory that is criticized for being simplistic and incomplete. McKevitt’s use of humor later in the essay doesn’t fit with the subject of the article and comes across almost satirical. Ultimately, this essay is ineffective because the author’s main point is inconsistent and poorly conveyed.
In the poem pride, Dahlia Ravikovitch uses many poetic devices. She uses an analogy for the poem as a whole, and a few metaphors inside it, such as, “the rock has an open wound.” Ravikovitch also uses personification multiple times, for example: “Years pass over them as they wait.” and, “the seaweed whips around, the sea bursts forth and rolls back--” Ravikovitch also uses inclusive language such as when she says: “I’m telling you,” and “I told you.” She uses these phrases to make the reader feel apart of the poem, and to draw the reader in. She also uses repetition, for example, repetition of the word years.
In the novel “Hunger” by Knut Hamsun, the novel’s narrator is unfortunate enough to go through delusions and pains that are caused by what many people cannot experience in the modern days; state of being hungry. As the novel progresses narrator becomes more intoxicated into state of delusion as the hunger deepens. In many scenes of the novel, narrator relates to God many times. Narrator blames, thanks, and even to talk one-sided dialogues with his imaginary God. While many can think that God doesn’t take key parts in novel and let it slip as just another symptom of narrator’s delusion, the scenes with God being a part reveals that God plays both scapegoat and a person of gratitude for narrator’s outcome for every action he takes. From the passages it can be deducted that both narrator and Hamsun have attitude that God is ominous and act as catalyst in everyday life.
The popular American Poet, Billy Collins, is playing a significant role in the evolution of poetry. His writing style evokes an array of emotions for the reader. Every stanza in his poetry passes the satirical standard that he generated for himself over his career. Collins swiftly captivates his readers through his diverse use of figurative language. More specifically, his use of vivid imagery paired with humorous personification and extended metaphors create his unique style of satirical poetry. This developed form of writing appeals to a large crowd of people because the generally accessible topics that he discusses are fairly easy to resonate for the common man. However, his poetry offers an interesting perspective on what otherwise would be simplistic ideas. The main themes and concepts that are being presented in each of his writings are revered and coveted by the general population. An appealing aspect of his writing is his ability to directly convey the main idea within the poem. As a result, the reader can understand the meaning of his work with ease. The typical beginning of his work gives the reader a slight taste of what is to come. Billy Collins’ unique writing style and various trademarks directly influenced by his ability to propagate an array of emotions for the reader, his humorous tone, and the accessibility of the topics he describes within his poetry.
In this text Mohanty argues that contemporary western feminist writing on Third World women contributes to the reproduction of colonial discourses where women in the South are represented as an undifferentiated “other”. Mohanty examines how liberal and socialist feminist scholarship use analytics strategies that creates an essentialist construction of the category woman, universalist assumptions of sexist oppression and how this contributes to the perpetuation of colonialist relations between the north and south(Mohanty 1991:55). She criticises Western feminist discourse for constructing “the third world woman” as a homogeneous “powerless” and vulnerable group, while women in the North still represent the modern and liberated woman (Mohanty 1991:56).
Animals can be a man's best friend; however, they can also be ones worst enemy after passing certain boundaries. Peter Singer who wrote Animal Liberation gave valid points in my opinion because animals do have a right to live and we should give them their space. Humans take everything for granted and never seem to learn until it too late. Today slaughterhouses are abusing animals in disturbing ways which has to change. I will agree with Singers concepts on animals because they have a right to live a peaceful life like humans; they have a life ahead of them once they are born. Singer argues that animals should have their interests considered throughout their lives. Singer wants to eliminate speciesism from our thoughts which is, a human discriminatory belief that all other animals are not as good as them therefore they do not have rights and we could do what we want to them. We should not be the only types of "animals" in this earth who has a set of rights we should abide.
Kodak is the world’s foremost imaging innovator. George Eastman put the first simple camera into the hands of a world of consumers in 1888. In so doing, he made a cumbersome and complicated process easy to use and accessible to nearly everyone. Since that time, the Eastman Kodak Company has led the way with an abundance of new products and processes to make photography simpler, more useful and more enjoyable. With sales of $13.3 billion in 2006, the company is committed to a digitally oriented growth strategy focused on helping people better use meaningful images and information in their life and work. (Kodak, 2007)
· Technology- GoPro has been able to produce a digital waterproof camera which is relatively advanced compared to others
There are many kinds of cameras available today, but not all cameras are created equal.