Mis barrios de El Paso y Ciudad Juárez I grew up in El Paso while going to visit family in Jáurez every weekend. Reflecting on both of the neighborhood I grew up in I now notice many differences between my grandmother’s neighborhood and the one my family lived in in America. The changes were really that of going from one country to another. My grandmother lived in a poor area, in El Paso we live in a middle class neighborhood. In Juárez, my grandmother lived on an interesting street that I absolutely loved. She lived right on the corner of her street. Her house (like many of the others in her neighborhood) were one story houses with no garages. They weren’t in the best condition as many had paint chipping off and trash was often on the floor outside these houses but I always felt safe there. Every time I would go outside and see another person they would greet me and some would even ask how my grandmother was doing. There was also at least one paletero man who would go by the house everyday. Across the street (the end of the street by my grandmother’s house is a T stop) there was a small convenience store. The …show more content…
Going down the street (past my house) about two-thirds of the way is the middle school I attended, continuing to the very end is a high school that I almost went to (I went to high school in another part of town. As a consequence of living near so many schools you can see children ages 5 to 18 walking down the street in the mornings, afternoons and evenings going to or away from school. Usually most kids talk at a normal volume but some can be loud and is usually when you hear many dogs barking. Unfortunately, there has also been some vandalism in my neighborhood especially near the schools. We have also had our car broken into and some of our neighbors have had their cars damaged. I also know of an instance in which one neighbor broke into another’s house and stole some
The Carrillo Adobe is in a dire situation. It has not only fallen into disrepair from the many years of weather and use by so many individuals, but by visitors and citizens have been less that kind and considerate of its age and the prominence that it deserves. After Carrillo’s death her house was given to three of her daughters, Marta, Juana, and Felicidad. Then her belongings were distributed between all of her children. In the first decade after her death her different children each occupied the house at different times. One of her daughters, Juana and her husband ran the home as a tavern. They then converted the adobe into the first post office in the town of Santa Rosa. After her daughters no longer had a need for the adobe it was turned into a trading post where numerous individuals...
When Gloria Anzaldua writes in The Homeland Aztlan “this land was Mexican once, was Indian always and is and will be again” one can assume or conclude that she recognizes that the land was taken away from the Indians by Americans. Therefore, you can say that she catecterize the border as Indian Land. To my way of thinking,Gloria Anzaldua blends poetry, personal narrative and history to present the view and experiences of people affected by living in the borderlands and to establish credibility to the poem. On the other hand, this chapter and the two poems present a connection because the three of them express the drwabacks of being Mexican- American.
Through the study of the Peruvian society using articles like “The “Problem of the Indian...” and the Problem of the Land” by Jose Carlos Mariátegui and the Peruvian film La Boca del Lobo directed by Francisco Lombardi, it is learned that the identity of Peru is expressed through the Spanish descendants that live in cities or urban areas of Peru. In his essay, Mariátegui expresses that the creation of modern Peru was due to the tenure system in Peru and its Indigenous population. With the analyzation of La Boca del Lobo we will describe the native identity in Peru due to the Spanish treatment of Indians, power in the tenure system of Peru, the Indian Problem expressed by Mariátegui, and the implementation of Benedict Andersons “Imagined Communities”.
El Norte and My Family, Mi Familia, films directed by Gregory Nava, depict how Latino-Americans migrate from their native countries to the United States, challenges they face through their journeys, and the time they spend in America. Some critics say that El Norte is a stronger film politically in comparison to My Family, Mi Familia because of how El Norte keeps the journey raw and emotional. Through the trials Enrique and Rosa face as they travel from Guatemala to California, the viewer gains sympathy for them and rejoices with them when they reach Los Angeles; however, as the protagonists live in Los Angeles, we as the viewer learn through their failure to assimilate to America’s lifestyle, they will never reach their ultimate goal, the
When I was little I remember driving across country, going to Florida, and past neighborhoods that were anything but mine. They had old houses that looked like they were going to fall down any minute, real trashy looking. In Colorado, my house was nice and always kept up. I sat in the car wondering what kind of people lived in those run down places and what they were like. The answers came to me years later when I read the book, Famous All Over Town, by Danny Santiago. The main character, Chato, is a young Hispanic boy living in a neighborhood like the ones I saw when I was little. After reading the book, although I never thought I would have anything in common with people who lived like that, I learned that Chato and I have do have similarities, but we have more differences.
Chavez Ravine was a self-sufficient and tight-knit community, a rare example of small town life within a large urban metropolis, but no matter how much the inhabitants loved thei...
Esperanza was able to provide the audience with an image that was vivid of her surroundings through her diction and tone. Esperanza presents a series of stories that she deals with in her neighborhood as she grows up. Esperanza arose from poverty and always dreamt of having a house of her own. Sandra Cisneros' strong cultural and gender values have a tremendous influence on The House on Mango Street. Cisneros feels that the Mexican-American community is very abusive towards the treatment of women because men are seen as the powerful, strong figure.
A growing affluent class called upon the Diaz regime and imported architects to construct buildings in the Zocalo to reflect a “proper” image that drew on influences from Europe and the United States. Johns recognizes the architectural dependence of the influential Mexicans constructing Mexico City when he states, “Mexican architecture, on the other hand, was an expression of a city run by a people who were looking to create their own culture while entirely dependent on the industry and ideas of Europe and America” (22). The same construction that the elite felt was a celebration of a newfound dignity in the Mexican people was criticized, by visitors and locals alike, as grandiose and a futile effort to shield the native roots of a circle of imposters. Johns’s argues that the “Mexicans knew little of their adopted European tradition, had acquired even less of its taste, and enjoyed none of its tranquility” (23). While the influence on the Westside led to development, the squalor and lack of authority of the peasants on the Eastside created mesones, or as Johns described them, “…a little more than ‘a bare spot to lie down in, a grass mat, company with (the) vermin that squalor breeds…’” (48). Politics on the Westside of the Zocalo were concerned little with the living conditions of the majority. No one would undertake the unglamorous task of assisting the poor, but rather they attempted to veil the masses in the shadow of their refined buildings and recent assumption of culture.
In the first short story The House on Mango Street, Esperanza is outside her apartment building where she lives with her siblings and parents. They six were Mama, Papa, Carlos, Kiki, Nenny, and Esperanza. She describes the place they were living in by saying that it was on the third floor of an old building and as well said " The water pipes broke and the landlord wouldn't fix them because the house was too old...We were using the washroom next door and carrying water over in empty milk gallons" (Cisneros 4). Esperanza and her family are going through hardships because of the landlord, even when they are paying their rent. She describes the apartment building as old and useless to the owner, this means that the building has to be very torn down for someone who owns it not to care about it. Esperanza begins to experience difficulties at a young age by having to shower with water from the washroom, they did not even use buckets which can indicate that they did not own one. Usually it is minorities who as well recycle the bottles they buy to give them...
One can draw many parallels from Garcia’s book; at the end of Reconstruction in the United States, many African-Americans, left the South, as home rule, and Jim Crow became part of it many, left for the north, especially Chicago. Thus, making El Paso somewhat of a Chicago for the Mexicans –as many Mexicans were fleeing the many deplorable conditions of a México under the rule of Dictator Porfirio Díaz, an era that came to be known as ...
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).
Who does not want a home? A shelter to sleep and a roof to dine under. Of course no one wanted to stay home forever, but once in awhile and even when far away, they will long to return to that sacred place, the place where they grew up and the place they have left behind, home. The desire for a home (or house to be precise, though there was not much of a different for this case) was realistically reflected through a fiction work of Sandra Cisneros, a Mexican American write, a story called The House on Mango Street, where we shall discuss about its setting, plot and character.
“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and how we grow through our life experiences. In her personal, Cisneros depicts Esperanza Cordero’s coming-of-age through a series of vignettes about her family, neighborhood, and personalized dreams. Although the novel does not follow a traditional chronological pattern, a story emerges, nevertheless, of Esperanza’s search to discover the meaning of her life and her personal identity. The novel begins when the Cordero family moves into a new house, the first they have ever owned, on Mango Street in the Latino section of Chicago. Esperanza is disappointed by the “small and red” house “with tight steps in front and bricks crumbling in places” (5). It is not at all the dream-house her parents had always talked about, nor is it the house on a hill that Esperanza vows to one day own for herself. Despite its location in a rough neighborhood and difficult lifestyle, Mango Street is the place with which she identifies at this time in her life.
The issue of school safety has become a controversial topic in the United States, due to tragic acts of violence occurring on a daily basis. American citizens should never have to cope with the negative impact of school violence, no matter how often they hear about the tragedies (Jones, "Parents" 1). In the past, schools were viewed as a safe place for children to get an education. Recently, the concern over violence in schools has taken a toll on many parents, school administrators, and legislatures (Eckland 1). Studies have shown that there are over 3 million acts of violence in American public schools each year. Not all occurrences are serious and deadly, but they occur on a daily basis throughout our country (Jones, “School” 6). This has caused many parents to worry about the well-being of their children while they are in class. This has also led to an increase in questions and concerns by parents and guardians. Many people have asked, “What are you doing about safety and security on my child’s campus” (Schimke 2). School violence is the cause of elevated worry and fear for their children, and school districts should enforce better security.
The two neighborhoods that I chose to use for this assignment are vastly different. The main reason is because they are on opposite sides of the country. The first neighborhood that I visited is the one that I grew up in. This neighborhood is in Connecticut, on the East Coast, all the way across the country from the neighborhood that I currently live in here in West Hollywood. Most of my family lives in Connecticut and Massachusetts and I’m the only one who lives on the West Coast. A big difference is that the neighborhood in Connecticut has houses that are more spaced out, have larger lawns, and very many more trees. There are very few apartments there, unlike where I live now where my entire street is almost all apartment buildings.