Broadway Musical Theatre Analysis

1142 Words3 Pages

Musical theatre is an art form of theatrical performance that has graced the stages of Broadway for close to two centuries, combining songs, spoken dialogue, acting, and dance to create a versatile performance art that has stunned people all over the world. Humor, pathos, love, anger is all communicated through movement and music as an integrated whole to create visual and aural masterpiece. “Broadway is Taking Leaps Towards a Sustainable Future.” (Hagiwara, 2011) implies that Broadway Musical theatre is implementing steps to secure its long term sustainability along the great white way. Looking at the eco-systems of music as a tool for sustainability, this essay will touch on three of the five domains of music, regulations and infrastructure, musicians and communities and …show more content…

Many other experts have debated over Sondheim’s views, all coming to the same conclusion that while the great American musical may no longer be sustained, there is a significant amount of change that has occurred in Broadway Musical Theatre since the golden age. This is evident in shows such as, The Full Monty, The Producers, Urinetown, Thoroughly Modern Millie and Hairspray that all broke the social constructs of what a musical should and could be. Many of them contain traditional Broadway musical elements but have been adapted from movies, taking on an original spoof, turning void hopes into filled theater seats – the ultimate sign of a successful theatrical trend. These shows also tacked their topics in ways unimaginable in the golden age of Musical Theatre, including interracial romance, male strippers and singing Nazis. Proving that through reincarnation and recognition Broadway has engaged the community in New York with newfangled takes on the classic Broadway musical and adapted it for modern audiences, keeping Broadway musical theatre alive and

Show More
Related

  • Crititque of The Produciton The Fantasticks

    996 Words  | 2 Pages

    If there is truly tradition to be found among the great theatres both on and off Broadway, then certainly the Sullivan Street Playhouse and its long running production of The Fantasticks rates as one of the most celebrated of New York theatrical traditions. Maintaining its place as the longest running production Off Broadway, The Fantasticks remains an enchanting and insightful tale of both young love and bitter disillusionment. It also reminds one, in this age of spectacle and the mega-musical, how powerful and truly inspiring theatre itself can be. Clearly, one of the great strengths of this production and a large part of its appeal for audiences over the last four decades lies in the fact that both the story and the style of presentation compliment each other so completely. Here we find the non-essentials are stripped away, and we are left to rely simply on the imagination of both the audience and the performers to create a magical evening.

    Read More

  • Showboat: A Revolutionary Production

    1767 Words  | 4 Pages

    Kislan, Richard. The Musical: A Look at the American Musical Theater. New Jersey: Prentice-Hall, 1980. 84, 110, 116-121, 125-127, 128, 134, 163, 195, 201, 209. Print.

    Read More

  • He was Bound to Love You, When He Heard You Sing

    752 Words  | 2 Pages

    Ever heard of a story that sings of the “Angel of Music” and the “Phantom of the Opera”? A tale that once you have listened to the sweet melody that you will realized that you've pasted the “Point of No Return”? This love triangle has captivated multitudes ever since the 1910 original Phantom of the Opera was published in France by Monsieur Leroux, although most story lovers recall the musical of the same name by Andrew Lloyd Webber or the motion picture adaption. Although this story has been entertaining people for over a century, in this new era have prerecorded voices and movements begun to overshadow the talented performers of live theater? Although “The lavish screen adaptation of Andrew Lloyd Webber's Phantom of the Opera (2005) only deepened the damage” of the dislike of musicals made into film “with non-stars in the leads and an unimaginative production,”(Musical),which version, the live performance or the film, makes the story more attractive? To answer these questions, permit this essay to analyze two methods of storytelling: 2011 live performance Andrew Lloyd Webber's The Phantom of the Opera at the Royal Albert Hall and the 2005 film, and decide if music and story lovers everywhere have too “turned from true beauty”.

    Read More

  • College Essay About Musical Theatre

    606 Words  | 2 Pages

    People have dreams of what they want to do or accomplish in life, but usually musical theatre is just pushed into the non-realistic void. It isn’t a dream for me. In the past four years, musical theatre has been clarified as my reality. Musical theatre has been the only thing I have seen myself wanting to do. My first love was The Phantom of the Opera, seeing how I watched it almost every day and it was one of the first shows I saw. Of course, I started doing all of those cute shows in middle school and making a huge deal about it to my family and friends, but I have never felt so passionate about something. The minute I get up on that stage I throw away Riley for two and a half hours and it’s the most amazing feeling! Being able to tell a story

    Read More

  • Annie Get Your Gun Analysis

    923 Words  | 2 Pages

    Motion pictures from Hollywood had taken Broadway’s place as the king of entertainment. The main reason behind this was that because it was culturally relevant and coming out with new flashy techniques such as Todd-AO and Cinerama.

    Read More

  • Essay On Vaudeville And Burlesque

    1058 Words  | 3 Pages

    Since theatre was established as an art form, it has constantly been changing and developing as new methods of theatre styles came to light. This is also true with how musical theatre developed into how we know it today. Vaudeville and burlesque were forms of theatre in the late 1800’s and early 1900’s that forged the way for the American musical to emerge. The elements that writers used from vaudeville allowed for not just musical acts to be performed during the course of the story, but eventually became a way for the story to further be told. The American musical was not always as big as it is today, and vaudeville and burlesque acts made it possible for such a type of performance style to develop. Musical writers used multiple elements, not just the song element, in their stories. This change did not just happen overnight. The evolution from vaudeville and burlesque was a gradual one, taking years to further develop the performance styles into the Broadway musical we can see today.

    Read More

  • A Closer Look at the Musical, Chicago

    1744 Words  | 4 Pages

    Chicago is an American musical with music by John Kander, lyrics by Fred Ebb and a book by Ebb and Bob Fosse. Set in Prohibition-era Chicago, the musical is based on a 1926 play of the same name by reporter Maurine Dallas Watkins about actual criminals and crimes she reported on. The story is a satire on corruption in the administration of criminal justice and the concept of the "celebrity criminal." Fred Ebb explains: “So I made it [Chicago] a vaudeville based on the idea that the characters were performers. Every musical moment in the show was loosely modeled on someone else: Roxie was Helen Morgan, Velma was Texas Guinan, Billy Flynn was Ted Lewis, Mama Morton was Sophie Tucker,” (Kander, Ebb, and Lawrence 127). Velma indeed is a reincarnation of Texas Guinan who “acted as hostess…for the entertainment…she was also a born press agent, constantly inventing stories and promoting herself,” (Slide 218). Roxie’s “Funny Honey” Amos is eerily reminiscent of Helen Morgan’s “Bill” from Kern and Hammerstein’s 1927 classic Showboat. Amos, too, in his “Mr. Cellophane” number, imitates Ziegfeld Follies star Bert Williams’ iconic hit “Nobody” “right down to Williams’ famous costume of oversized clothes and white gloves,” (Miller).

    Read More

  • West Side Story by Leonard Bernstein and Stephen Sondheim

    1475 Words  | 3 Pages

    Musical theatre is a type of theatrical performance combining music, dance, acting and spoken dialogue. Written by Leonard Bernstein and Stephen Sondheim, ‘West Side Story’ is a classic American musical based on William Shakespeare’s ‘Romeo and Juliet’. The through-composed score and lyrics are used to portray different characters and their cultures, the rivalry between the Jets and Sharks, and the emotions felt as the story progresses. This essay will be exploring the music and how effective the score is in realising the world and characters of the musical. Furthermore, it will discuss how Bernstein and Sondheim relate characters’ diverse ethnicities to particular musical ideas and motifs.

    Read More

  • How Did The Swing Era Impact Society

    1252 Words  | 3 Pages

    Music’s role on society has changed drastically through the course of its history as it has become ever so increasingly expansive. Many of the previous musical movements were only for the wealthy as entertainment

    Read More

  • Biography of Irving Berlin

    1097 Words  | 3 Pages

    Kenrick, John. Musical Theatre A History. New York: The Continuum International Publishing Group, 2008. Print.

    Read More

  • Essay On West Side Story

    666 Words  | 2 Pages

    Most of all, those values that the American musical celebrated — and that is those values of American life, American philosophy, American belief — what we find is by the mid-1960s all of those beliefs, all of those philosophies, are being challenged, are being upset. As in all genres, the musical has had its share of failures. Some worthy dramas have been pressed into service and musicalized and sometimes butchered in the process, and audiences have had to watch a fine play diluted into a mediocre musical. But the successes have been many and spectacular, and they have left a long lasting effect on the American art and culture.

    Read More

  • Chicago

    1659 Words  | 4 Pages

    When I first watched Chicago at the movie theater, I was not fully satisfied. I wanted more, so I went back to get some and watched it six more times with different friends and family members! Last summer during a visit to my native Mexico City, I had the opportunity to watch drag queens perform several numbers from the movie-musical. They did an amazing job, without surpassing the outstanding performances of the actors in the film. Last year, I visited NYC for the first time and indulged in the rows of the Ambassador theatre experiencing Chicago, the Broadway musical, and because I had seen the movie many times before, I knew all the songs and dances by heart. I loved it, but it was actually the movie that influenced me to become a “Chicago fan.” The movie is based on the 1996 Chicago revival of the original musical version of 1975. It was thrilling knowing that the making of the musical into a mainstream production would increase its accessibility and widen its distribution into all the corners of the world; now there is no excuse for people not to experience Chicago, and though not everyone can go to Broadway to see it, just about anyone can indulge themselves in this dazzling movie in the comfort of their homes. In addition to a fantasy world of singing, dancing and Vaudeville, the film also provides a narrative that is explicitly presented through Roxie’s point of view, creating a counter human side to Roxie’s fantasy world so that the audience can easily identify and engage. Chicago is a must see film for anyone who likes to spoil themselves with an outstanding award-winning musical composed of a catchy plot, truly superb acting, commendable direction, and a clever soundtrack.

    Read More

  • An Examination of the Music of Garth Brooks

    2026 Words  | 5 Pages

    Shusterman, Richard. "Moving Truth: Affect and Authenticity in Country Musicals." Journal of Aesthetics and Art Criticism 57.2 (1999): 221-33. EBSCO Host. Web. 12 May 2014.

    Read More

  • Musical Theatre Essay

    1096 Words  | 3 Pages

    Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding

    Read More

  • Applied Theatre Essay

    830 Words  | 2 Pages

    In this paper, I will be focusing briefly on my knowledge and understanding of the concept of Applied theatre and one of its theatre form, which is Theatre in Education. The term Applied Theatre is a broad range of dramatic activity carried out by a crowd of diverse bodies and groups.

    Read More

More about Broadway Musical Theatre Analysis

Open Document