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Mercutio's Death in William Shakespeare's Romeo and Juliet In 'Romeo and Juliet' Mercutio is the faithful friend of Romeo. His death comes as a huge shock to the audience, in Act three, Scene one, when he is brutally murdered by Tybalt, the violent cousin of Juliet. To understand the rest of the statement, one also has to look at the difference between a comedy and a tragedy. Shakespeare's plays can be separated into three different categories, the comedy, tragedy and the history. The comedy included amusing characters, with a familiar style of writing, humorous incidents and most importantly a happy ending. In contrast, the tragedy used serious or unhappy characters, a more serious, unnatural style of language, terrible and sad incidents and a sorrowful and sometimes horrific ending to the plot. In 'Romeo and Juliet' there are both comical and tragic moments and characters, however the play most definitely ends tragically. Before Mercutio's death, in Acts one and two there are many cases of comedy. In Act one, Sampson and Gregory, joke with puns and innuendoes. These jokes, like ''Tis well thou art not fish; if thou hadst, thou hadst been poor-John,' were necessary as although the play was a tragedy, comedy was needed so that the play did not become boring or too depressing for the expectant Elizabethan audience. The puns and innuendoes of the first scene are also necessary to attract the often rowdy audience's attention. The next comical scene includes the Nurse, in Act one, Scene three. This part is humorous because the Nurse is embarrassing Juliet, by talking about her childhood, she even talks of weaning her, '…for I ... ... middle of paper ... ... dashing it, keeping the audience constantly intrigued to the very end. I believe that Mercutio is 'comedy personified' as he is a character who uses language, puns and innuendoes, for example, to form a comical script very affectively. Mercutio's death most certainly changes a lot of things in the play, from different languages used to different character personalities. Before Mercutio's death there are many cases of comedy and a few bits of comedy, but in stark contrast, after Mercutio's death there is much more tragedy and hardly any comedy at all. Therefore, I definitely believe that his death creates many language changes, personality changes and occurrences change from being, 'laughable incidents' to 'terrible or sorrowful events.' Consequently, Mercutio's 'death marks a shift from the comic to the tragic.'
Throughout the speech, he frequently adds a sort of flare to the way he speaks; for example, he uses over ten lines(in the text)to simply describe the size of Queen Mab. The manner in which he speaks is loud, confident, and stylish; therefore, he attracts attention. He also manages to subtly mock Romeo when speaking about how those who are in love dream of love; this is to add a comedic flare, even though that is what he is. Mercutio’s entertainer like personality is due to the fact that he is amusing. In this tragic and serious play, he is the obnoxious character that breaks the seriousness for a while with a witty remark.It also explains why he is the dramatic foil to Romeo. This goes along with his flamboyant attitude. Nevertheless, he is also vulgar at times, which adds to his loud personality. Now, brown represents Earth and reliability, and Mercutio, in his own way, represents
He is often up and happy, which immediately turns to serious brooding. The best example of this comes at his death. He has been stabbed through by Tybalt’s cruel blade and the killer has flown. All his fellows gather around laughing when Mercutio yells that he is injured. After sending for a surgeon he stumbles about saying, “No, ‘tis not so deep as a well, nor so wide as a church door; but ‘tis enough, twill serve: ask for me tomorrow and you shall find me a grave man. I am peppered I warrant for this world. A plague o’ both your houses! Zounds, a dog, a rat, a mouse, a cat to scratch a man to death” (III.i.94-99). In this quote Mercutio seems to go from cracking jokes and making puns to all seriousness, screaming plague upon the quarrel between the two houses. This was very serious considering the plague was running rampant at that time, killing thousands of people. To wish plague on someone is to wish the most feared thing of their age on them and their family. This is not the only example of such emotional instability as he often ranges from very high to very low, creating quite the dramatic and loud character. Mercutio’s characteristics are wide and varied, making him into an extremely complex, extremely prominent character. Shakespeare places this persona of varying emotions who may not be thinking exactly what he seems to be into the story of Romeo and Juliet, a stage full of such
In a story of unorthodox love, family feuding, and violence, many are at blame for the deaths. One of the people I think is responsible for Romeo and Juliet’s death is Mercutio. Mercutio had evoked a fight with his enemy Tybalt. In Act 1 Scene 1 lines 228-229 Benvolio tells Romeo “By giving liberty unto thine eyes.
It is human nature to place blame and point fingers at someone, but it is a lot less common to take responsibility for your own actions. Sometimes, we put ourselves in positions that are detrimental to our lives or well-being. Even though we are responsible, it is likely that we will place the blame elsewhere. In Shakespeare’s Romeo and Juliet, Mercutio found himself with a similar conflict. Tybalt, Juliet's cousin, killed Mercutio during a fight in the town square. It would be easy to say that Tybalt caused Mercutio’s death since it was his sword that killed him, but that is simply false. Mercutio ignored many warnings and continued to antagonize the fight that lead to his death. The character ultimately responsible for Mercutio’s death is
In the play Romeo and Juliet by William Shakespeare, Mercutio, a friend of Romeo plays a deep role within the play. Many characters in Romeo and Juliet can represent the masculine or feminine spaces. The masculine space is chaotic and more towards the sexual and material side of the play, which have more of a tragic potential. While the feminine space is peaceful, more romantic and spiritual in giving a better chance for the comic potential. Mercutio represents the masculine space while Romeo prefers the peacefulness of the feminine space. Mercutio tells Romeo to be rough with love, he tries to keep him within the masculine space after the ball, and he fools with the Juliet’s nurse because of his actions he pushes Romeo towards tragedy.
This shows that the Nurse is following orders from Juliet, because she thinks it will make Juliet happy. Although she does, she does not seem to be bothered about the damage she could cause in the future. This is one reason why the Nurse could be to blame for the deaths of Romeo and Juliet. Another point in the play where the Nurse contributes to the deaths of Romeo and Juliet is when the proposal of Paris comes along. At this stage in the play, Romeo has been banished.
clever punning - 'If love be rough with you, be rough with love' and '
Mercutio can be blamed for Romeo and Juliet’s peril because he initiated the fight with Tybalt and forced Romeo to go to the Capulet’s party. At the beginning of the play, Romeo gets invited to the Capulet’s party by a servant, unless he was a Montague. At first, Romeo did not want to go, but Mercutio eventually convinced him under the pretext that Rosaline, Romeo’s love, was going to be there. The next day, Tybalt, a Capulet, went looking for Romeo because he knew that Romeo was at the Capulet party. Instead, he stumbled upon Mercutio and Benvolio and asked them where he could find Romeo. However, Mercutio did not want to tell him and insisted on having a duel. Tybalt killed Mercutio during the fight, and Romeo kills Tybalt because he has the need to avenge his friend. Unfortunately, Prince Escalus punished Romeo by banishing him from Verona. This made Romeo and Juliet’s love
leads her to Friar Laurence to ask for help for a way out of the
Mercutio, though a minor character, had and enormous impact on the outcome of the play. Before the Capulet Ball, Romeo had been debating whether to go or not. Mercutio persuaded him to go by giving a big speech to him about a dream he had. This makes him partially responsible because the Ball is where Romeo first met Juliet. Mercutio also caused Romeo to be banished from Verona. Mercutio got in a fight with Tybalt and ended up dead. His death enraged Romeo enough to make him kill Tybalt in revenge. When the Prince saw what happened, he sent Romeo into exile. Romeo's banishment to Mantua made it near impossible for Romeo and Juliet to see each other. Mercutio was to blame, though only partially for the deaths of Romeo and Juliet.
O there dramatic ironies included when Romeo falls in love with Juliet, Mercutio imagines he is still in love with Rosaline. “Ah that same pale hard-hearted wench, that torments him so that he will sure run mad. '; (Act II, Scene IV, Line 4). All the dramatic ironies caused a very lively presence throughout the play and has caught the eye of many readers.
The story of Romeo and Juliet had many tragic, yet meaningful events that somewhat constructed what we know today as, “The tragic love story of Romeo and Juliet.” In fact, all of those ‘tragic yet meaningful events’ are all the deaths of Mercutio, Tybalt, Romeo, and Juliet. All of the tragic, meaningful events show what theme the story portrays. Romeo and Juliet itself is a well-known so called ‘love’ play/story, but when you really ‘dig deeper’ into it you will soon come to realize that it is more of a death play than a love play. Romeo and Juliet could be considered more of a death play than a love play because, majority of the events that happened were violent and the violence resulted in death; the only two people who showed ‘love’ throughout the story was Romeo and Juliet. It is clearly shown that death brought nothing but sorrow, sadness, and problems to Romeo and Juliet from beginning to end. Analyzing the story, it is obviously shown that death is written all over Romeo and Juliet, and that all the deaths of certain characters formed Romeo and Juliet itself. Therefore, with that being said, the theme that will be most strongly portrayed is death.
(CLOSING STATEMENTS) With his audacious nature, Romeo kills Tybalt in a challenge and later kills himself, which causes significant problems in the plot. Unfortunately, as a result of Romeo’s actions, Juliet stabs herself with his dagger because she no longer wants to live in a world without him. Along with Romeo, Mercutio is another character who makes poor decisions based on his overdramatic personality and tendency to disagree with Benvolio's way of thinking. These two choices cause characters around Mercutio to not take him seriously, and for this reason, he later dies in the play. Although Mercutio’s actions impact the storyline, Friar Laurence’s choices primarily cause the play to become such a tragedy. For instance, his poor decisions to marry Romeo and Juliet and flee Juliet’s tomb eventually cause the couple’s love for one another to become inseparable, and they take their lives at the end of the plot. (CLINCHER) As the readers delve deeper into Romeo and Juliet and unravel what went wrong, they will begin to realize that the decisions made by the characters created catastrophic
The most famous foil character in ''Romeo and Juliet'' is Mercutio. He is known for his sharp wit and quick, often ribald, humor and is considered a foil to Romeo. He lacks Romeo's effusive romance, his adoration and almost courtly approach to the idea of love. He often urges Romeo to just find a woman to sleep with and stop worrying about the ephemeral, yet all consuming, love Romeo is desperate to achieve. Mercutio warns Romeo to be skeptical of love and not to rush ahead, but Romeo is all rush, no
The second being through the actions. of characters and by their behaviour and the third by the incidents of the play. I will be there. Shakespeare uses characters like Mercutio and the Nurse to bring out the comical element of the play, and each character does this in a different way of doing things. & nbsp; One of Shakespeare's tools used to evoke humour is the mockery that is aimed at a particular character. Some of the funniest moments are when one character is sarcastic to another.