4 December 2002. http://www.trill-home.com/rushdie/uc_maps.html. Nietzsche, Friedrich. ‘The Will to Power’. The Theory of Criticism. Ed.
The trials are an opportunity for Ann Putnam to seek vengeance against Rebecca for having healthy children and grandchild... ... middle of paper ... ... life and goes back to these girls who turned on her in an instant. Others even confess to witchcraft because, once accused, it is the only way to get out of being hanged. The confessions and the hangings actually promote the trials because they assure townsfolk that God?s work is being done. Fear for their own lives and for the lives of their loved ones drives the townspeople to say and do anything. In The Crucible, Arthur Miller shows that the tragedy of the Salem Witch Trials stems from human failings, particularly the need for vengeance, greed, and fear.
Upper Saddle River: Prentice Hall, 2000. Epictetus. "Encheiridion." Ancient Philosophy. 31 Ed.
Mussolini and Ralph Waldo Emerson. http://www.brainyquote.com/quotes/quotes/b/q128369.htm (6 May, 2003). Kishlansky, Mark A., Patrick Geary, and Patricia O'Brien. Civilization in the West 4th ed. Addison-Wesley Educational Publishers Inc., 2001.
Being in the town of Salem, surrounded by people judging and others and condemning them for crimes, forced Reverend Hale to do things he wasn’t comfortable with. So, what would stop the town of Salem from doing the same thing to Abigail Williams, who is still a child with an easily impressionable mind? In conclusion I ask this again: how can a girl who condemned seventy two to a death sentence and drank a charm to kill a man’s wife, a man she slept with on more than one occasion, be the victim? Abigail is truly a victim just as much as one of those she condemned to death, because of Salem’s judgemental, self-concerned and oppressive views and beliefs led her to it.
Works Cited Guralnik, David, ed. Webster's New World Dictionary. New York: Simon and Shuster, 1987. 340. Wilkie, Brian, and James Hurt.
This leads to innocent people being accused of a crime they did not commit, which leads them to possibly facing a death sentence all because of Abigail. She puts harmless people in danger all for her selfish reasons. She even accuses John’s wife, Elizabeth of witchcraft hence putting her in danger of getting hanged, which will leave her three young sons without a mother. She would go as far as killing people for love. Even though she did not hang the accused herself, she is still responsible for their deaths and their blood is on her hands.
Works Cited Euripides. Medea. Trans. Diane Svarlien. The Norton Anthology of Western Literature.
Later in the same scene... ... middle of paper ... ... the brains out” of her own child as “it was smiling in [her] face” than break such strong a promise. Macbeth then worries that the plan will fail, but Lady Macbeth strongly convinces him that if he is courageous enough, they can’t fail. By manipulating her husband with such intent, Lady Macbeth further proved herself to be responsible for King Duncan’s death. Lady Macbeth is the most responsible for the death of King Duncan. While the witches in the play provide the motivation for Duncan’s betrayal, they never instruct Macbeth to take his cousin’s life, yet Lady Macbeth does.
Dostoevsky and Nietzsche's Overman The definition of übermensch, or overman, in Barron's Concise Student's Encyclopedia makes anyone who has read Nietzsche's Zarathustra - even aphoristically, as I tried to do at first - cringe. Barron's Encyclopedia defines an overman as someone who "has his act together and gets things done." Of course, considering that this is a summary of one part of Nietzsche's ideas, and that the encyclopedia reduces his entire philosophy to one short paragraph, this is not a poor definition. But it eliminates parts of Nietzsche's concept of the overman, or superman, which are essential to an understanding of this idea. Walter Kaufmann provides a detailed analysis of Nietzsche's philosophy in his work Nietzsche: Philosopher, Psychologist, Antichrist, a book which Thomas Mann called "a work of great superiority over everything previously achieved in Nietzsche criticism and interpretation."