Throughout the Great Books pantheon we have read and discussed the works of various individuals who aim to answer important questions such as, how should one live a life of virtue, what does the most functional society look like, is there any meaning to life at all?, and as students we have been challenged to do more than to take each of these works at face value. In reading any book, it is important to evaluate the content so that the author’s purpose in writing is properly ascertained and so that we may add our own knowledge and opinions to the work, essentially creating and solidifying our own ideals subsequently crafting within ourselves an analytical mind. Thus the Great Books program mandates from its students, the same thing that Socrates suggests when he asserts, “Employ your time in improving yourself by other men’s writings so that you shall come easily by what others have labored hard for”. We as human beings are easily described as meaning makers because of our ever growing penchant for finding order in even the most random of occurrences. Throughout the course of the great books program we are challenged to come face to face with our own constructs of value, virtues and vices thereby furthering our own understanding of ourselves, of others, and of the world around us. Thus, in ending with Albert Camus’ The Stranger we as great books students receive yet another important question to come to grips with and it allows us to recognize that the ultimate conclusion of the author or character, though crucial, is less important than allowing ourselves to contemplate the question primarily posed. Socrates, the father of Philosophy, is perhaps one of the best examples of the importance of questioning human constructs. In Meno, ... ... middle of paper ... ... of the readers to another way of thinking. Whether discussing virtue, honor or the meaning of life on the whole great books demands of its students an open yet critical mind. Every book discussed deepens our understanding of the world around us and life itself and whether or not we come to the conclusion that nothing has meaning the way Meursualt did or that everything has meaning but we have not yet recollected the truth as Socrates posits, it is the responsibility of the great books student to ask questions and grapple with each text and question in order to strengthen our own constructs. Thus in ending with The Stranger we are offered one more unique and challenging perspective. Works Cited Camus, Albert. The Stranger. 1st ed. New York: Random House, Inc, 1942. Print. Cervantes, Miguel de. Don Quixote. eBook. Plato. Meno. Trans. J. Holbo and B Waring. Web.
Thesis: Just as the characters in this novel are taught by only 2 books, doesn’t show that what they are taught is correct, especially in David’s case.
The Stranger by Albert Camus is a story of a sequence of events in one man's life that cause him to question the nature of the universe and his position in it. The book is written in two parts and each part seems to reflect in large degree the actions occurring in the other. There are curious parallels throughout the two parts that seem to indicate the emotional state of Meursault, the protagonist, and his view of the world.
“Albert Camus is one of the most likeable and approachable of the mid-twentieth-century French authors” (Brosman 10).This is quite a compliment for Camus, but most would agree. In France, Albert is known for his many books, two which have made the French best-sellers list. His works are often read and studied in French secondary-school class rooms, introducing a countless number of students to his pieces each year. Camus also holds the high honor of receiving the Nobel Prize for literature in 1957 (Boak 346). His wide popularity has made his name known in North America as well. Just what is Albert Camus so popular for one might ask? The answer would be his approach to his work— the underlying beliefs of Existentialism or the theory of the absurd that characterizes his pieces (Wyatt 1).1 All of Camus’ works incorporate this strong sense of the individual having freedom of choice, and thus complete control over his own outcome. He acknowledges no help or control from higher powers, just simply focuses on the individual; consequently, creating a sense of alienation. Albert Camus’ attraction to and his use of Existential beliefs began from his own life circumstances.
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
It is a random Thursday night on the first floor of Brewster Hall and the Campus of State University when a frazzled young girl wanders into the room of a fellow student inquiring about The Stranger by Albert Camus. She needs to have a three page paper completed by tomorrow and cannot find a kick start on the essay writing process. Since her peers are on the level of the common doormat concerning Camus, she was left without any further help. However, had she just typed “the stranger, camus” into Google, three of the first ten sites listed would have directed her to either free or paid essay sites.
The paradox arises due to a number of assumptions concerning knowledge, inquiry and definition made by both Socrates and Meno. The assumptions of Socrates are:
During this essay, the trail of Socrates found in the Apology of Plato will be reviewed. What will be looked at during this review is how well Socrates rebuts the charges made against him. We will also talk about if Socrates made the right decision to not escape prison with Crito. Socrates was a very intelligent man; this is why this review is so critical. In Plato’s Apology, it seems that overall Socrates did an effective job using the 3 acts of the mind.
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
Albert Camus is a widely renowned author and existentialist philosopher from the 1950s. He believed in a concept called “The Absurd” which he described as the notion that our universe is completely irrational, yet people continue to try and give order and meaning to it. For most normal human beings, this is an extremely difficult concept to accept, including the main character from the novel “The Stranger”, Meursault. Meursault does not express and ignores his emotions, even though it is evident in the book that he does experience them. However, once Meursault falls into a blind rage with the chaplain, the universe begins to make more sense to him. In order to come to an acceptance of the indifference of the universe, one must have an emotional breakthrough, which Camus shows through differences in sentence structure and elemental imagery between parts one and two.
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
In Albert Camus’s The Stranger, Meursault, the protagonist, could be seen as immoral if he were judged on the basis of his actions alone. However, through Camus’s use of a first person narrative, we begin to understand Meursault as not an immoral man, but simply an indifferent one. Meursault is a symbol of the universe, and so in understanding him we understand that the universe is also not evil, but instead a place of gentle indifference.
Have you ever wondered how we as a society and generation have come to know so much? We have so much knowledge not because of ourselves but by wisdom and knowledge passed down by generations. We learn very important values about life by the history of this world and by people. Values are considered a guiding principle or standard of conduct such as honesty or loyalty or responsibility for others welfare (Null). The values that have been passed down to us shape and make us into the people we are today. We learn from values such as honesty and loyalty but also learn valuable lessons such as hardships. We learn most value in life from people who have orally passed them down or they have been written out for us. There are three literary works from
Camus’s The Stranger takes the reader on an emotionally stunted journey through a number of normally emotional moments in life including funerals, relationships, violence trials, and facing one’s one mortality. None of these things elicit strong emotion from Camus’s protagonist, Meursault, until he explodes in anger at the presumptuous chaplain in the moments before dawn on the day of his execution. In that moment, Meursault embraces the benign indifference of the universe and on the heels of his anger, feels the first real happiness of the story.
Socrates is easily one of the most well known names in the history of philosophy. He is even portrayed via the magic of Hollywood time travel in the popular movie “Bill and Ted’s Excellent Adventure” and was more recently quoted inaccurately on a t-shirt as saying, “I drank what?” Despite his fame, Socrates was not the first philosopher by far, and certainly not the earliest to make meaningful contributions to the field of philosophy. Some of the great “Pre-Socratics” include Anaximenes, Parmenides, Xenophane, and Democritus. The philosophical issues of their days were significantly different from the popular discussions today, though no less relevant, and provide ample fodder for the cannon of philosophical consideration. The issues in consideration here that may benefit from discussion are the problem of the one and the many, the distinction between phusis and nomos as regards the nature of god(s), and distinction between appearance and reality. Appropriate and thorough discussion of these topics in the pre-Socratic context is certain to yield insight into the connection between these three issues.
In The Stranger, Albert Camus misleadingly portrays his existentialistic views of life, death, and the world. Camus portrays the world as absurd or without purpose Meaursalt, who, as a reflection of Camus, is foreign and indifferent to his own life and death. Meaursalt eventually senses guilt for his crime, not because of the remorse of taking someone else’s life, but because it means he would lose the little things that he considers important in his life. Meaursalt is a puzzling character, who leaves readers to be uncertain about Camus’ views of life.