Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Introduction of christopher marlowe essay
Introduction of christopher marlowe essay
Introduction of christopher marlowe essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Introduction of christopher marlowe essay
Raymond Chandler’s well known detective, Philip Marlowe, is classically synonymous with the subgenre of hard-boiled fiction. Marlowe is an independent private investigator hired to “snoop” for wealthy clients such as the Sternwood family in The Big Sleep. Chandler explores more of the psychological side of mystery, often leaving the active details out, to let the reader in as Marlowe walks through a case he is presented. In The Big Sleep, General Sternwood hires Marlowe to settle gambling debts accrued by his daughter, Carmen, but the General’s older daughter, Vivian, suspects her father truly hired Marlowe to find Sean “Rusty” Reagan, an ex-bootlegger the General took under his wing, after he mysteriously disappeared a month before the novel …show more content…
The Big Sleep captures the elaborate essence of hard-boiled fiction, featuring graphic violence, “slangy dialogue”, and intimate references throughout the book. These intimate references are quite prevalent from the start of the novel, including Sternwood’s daughter Vivian’s first encounter with Mr. Marlowe. “She was stretched out on a modernistic chaise-lounge with her slippers off, so I stared at her legs in the sheerest silk stockings. They seemed to be arranged to stare at” (Chandler ch. 3). Although Marlowe goes into detail about how Mrs. Reagan seems to present herself, he maintains his cold presence in his responses to her approaches. Marlowe continues to present himself as a hard-boiled detective by simply answering any questions she has about his being there. His clever avoidance reveals one of his inspirations to solve these outlandish crimes. Throughout the novel, Marlowe successfully looks at the Sternwood case from multiple angles and perspectives, while being approached by multiple women, including both Sternwood …show more content…
Marlowe is a memorable character, and he is often paired with a drink that can be seen as his “crutch”, just as James Bond is known for his high-tech gadgets. “I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark blue clocks on them. I was neat, clean, shaved and sober, and I didn’t care who knew it. I was everything the well-dressed private detective ought to be” (Chandler ch. 1). Chandler opens the novel with Marlowe confidently describing his appearance, and this begins the adventure in the reader’s mind with a confident, slightly arrogant private detective beginning a new case. Marlowe continues to describe himself throughout the novel, never letting the reader forget his dominating presence. As Marlowe works through the case, he is presented with multiple mysteries intertwined, with multiple characters making their presence known. As stated before, the novel ends with the discovery of Carmen Sternwood murdering her sister’s husband, Rusty. Carmen successfully embodies an outstanding opponent because as she ingratiates herself in his case, she veers the attention away from her crime. Her clever tactic was not enough to stump Marlowe for good, but it was enough to lead him away on multiple occasions throughout the story. Although the
Nathaniel Hawthorne’s “Young Goodman Brown,” and Edgar Allan Poe’s “The Cask of Amontillado” utilize character responsibilities to create a sinister plot. For Hawthorne, protagonist Young Goodman Brown must leave his wife at home while he partakes in a night journey. For Poe, ancillary Fortunato covets a pretentious manner towards his wine tasting skills, and after being ‘challenged’ decides to prove his expertise by sampling Amontillado. Hawthorne and Poe showcase a theme of darkness but differ in their approach to the setting, characters, and fate of entrapment.
Film Noir is a genre of distinct and unique characteristics. Mostly prominent in the 40s and 50s, the genre rarely skewed from the skeletal plot to which all Film Noir pictures follow. The most famous of these films is The Big Sleep (1946) directed by Howard Hawks. This film is the go to when it comes to all the genre’s clichés. This formula for film is so well known and deeply understood that it is often a target for satire. This is what the Coen brothers did with 1998’s The Big Lebowski. This film follows to the T what Film Noir stands for.
The character Philip Marlowe from the novel, The Big Sleep by Raymond Chandler, is without a doubt the popular representation of the 1930s private investigator/detective. This character delivers his inner cynical monologue describing to the audience what he is doing and feeling throughout the novel. Marlowe’s inner mood creates a portrait of an outcast protagonist who wishes only to deliver results to the clients who hired him. While it is obvious that Philip Marlowe is portrayed as an outsider within his field and community, his relationships and actions would prove otherwise.
Raymond Chandler’s novel, The Big Sleep, is well-versed in descriptive language and makes one feel as though they are experiencing the occurred events firsthand. Through Philip Marlowe’s perspective the novel progresses in a manner that answers some questions of the mystery; however, as the truth unravels one realizes that not everything will be completely resolved. Through the usage of imagery, euphemism, and symbolism Chandler crafts an ending that solves the mystery, but creates a whole new one.
How can I humble myself? I can write about Raymond Chandler's style. I am amazed that someone can write with a style that appears to be almost effortless. No, it seems completely effortless. Breezing through this book is very easy. There are no seams. Chandler's "no buts about it," "hard-boiled" style, characters and story are completely cohesive. All elements seem perfectly placed. The narrator and interesting use of figurative language contribute to the unity in the text.
On first inspection of Raymond Chandler's novel, The Big Sleep, the reader discovers that the story unravels quickly through the narrative voice of Philip Marlowe, the detective hired by the Sternwood family of Los Angeles to solve a mystery for them. The mystery concerns the General Sternwood's young daughter, and a one Mr. A. G. Geiger. Upon digging for the answer to this puzzle placed before Marlowe for a mere fee of $25 dollars a day plus expenses, Marlowe soon finds layers upon layers of mystifying events tangled in the already mysterious web of lies and deception concerning the Sternwood family, especially the two young daughters.
The Big Sleep has a plot saturated with blackmail, threats, and murder that stem from the sexual actions of Carmen. This sex is the main contributing factor to the darkness that Marlowe finds. However, it is not just sex alone that is the nightmare; but sex used as an instrumental good of exchange. Through comparing the characterizations of Vivian, Carmen, and Mona and the resolution of the plot for characters that engage in this darkness, we can see how using sex as a mode of exchange is different than sex as an act of love for Marlowe. By creating this nightmare about sex as a means to gain wealth, Chandler is playing into his society’s fears of oversexualization of women.
Money talks, sex talks, and lots of violence.. When someone tells you to think of the present world they really don 't think about what Raymond Chandler brings up in the big sleep. The values and believes in 1930 or completely different than our present-day values beliefs and attitudes. Yes there might be a slight similarity but for the most part there is many differences in our time today. Into his book the big sleep many different types of themes are brought up. Wealth, violence, sexuality, and much more. Yes we do live in a time of wealth, violence, and a world with sexuality. The difference here between present day and passed in 1930, is that back then it was a whole different type of principles put into it. So that being said, in 1930
Sleep-over by Bonnie Jo Campbell is more than the usual teenager maturity story; between the lines, and behind the symbolism there is an underlying meaning. I believe the author is speaking from experience when telling this story. This story may be the authors depiction of the event of how she remembers it. From the title to the last sentence, Campbell expresses literary devices, natural languages, and involves her personal life into the story making it more than a teenage tale.
In “The Big Sleep”, Marlowe told Sternwood that he “refused payment for an unsatisfactory job” (Chandler, 210). Marlowe refusing a payment, gives the impression that he felt he did not do a good enough job or finished the job for Sternwood. Since his motivation was more about satisfaction, this gave Marlowe the characteristic that he would work hard for his client and find the truth no matter what it took. For example, Marlowe was in many situations where weapons were present. Marlowe would get information that he needed or go find more if necessary to make his job be
is able to do this without regret is a hint into Marlow's personal life. He
Mystery and Suspense Writers: The Literature of Crime, Detection, and Espionage. 2 vols. Edited by Robin W. Winks. Charles Scribner's Sons, 1998.
Marino was at her office on a Thursday evening all alone finishing paper work when her office door open and it was Ramona Millicent Hunnicut who is a wealthy business woman who came to seek for Marino’s legal help. “The two-piece lamb’s wool suit smelled new and expensive” (473). Here is noticeable how detective Marino noticed her future client wealth by the lamb suit she was wearing. The way Ramona carries herself, with confidence, and smell nice, gives Marino a sense of expensiveness. On the other hand, Angie Marino is in debt by living a glamour life relying only in her credit line. Meanwhile Marino’s client Ramona is a married woman to whom Marino seem to be attractive since the minute Ramona walked into Marino’s law office. Marino implies that Ramona is attractive to
Mrs Callaghan discourages and harnesses Isobel’s creativity by saying things such as “you are not to take grown-up books without permission”. Although this may seem like an act of a responsible parent, this is the masked version of the cold-hearted torment Isobel deals with and a complete front put on for the dinner guest. Witting’s intention is to demonstrate Mrs Callaghan’s manipulation on Isobel and how she twists ‘the rules’ constantly. Witting ironically features that the very book Mrs Callaghan is rebuking Isobel for is ‘Sherlock Holmes: The Case of Identity’. The significance of this feature is that the book is a literary allusion and clearly symbolises Isobel’s identity and her mother is interrupting her from revealing its true form. Mrs Callaghan's wicked manipulation continues throughout I for Isobel, Isobel sees a fireball but her mother quickly remarks ‘thought you saw’ and adds ‘you don't know whether you’re telling the truth’, distinctively labelling Isobel as a liar. Isobel begins to believe Mrs Callaghan and accepts herself as ‘a hopeless born liar’. Witting intends to show a clear division of when Isobel begins to lose trust for herself, this being paired with her already existing distrust for others, all this caused by her mother’s callous mistreatment. Isobel protects herself from her mother’s manipulative words by adopting a state of
Boyle, Ted E. "Marlow's 'Lie' in 'Heart of Darkness.'" Studies in Short Fiction 1 (1964): 159-163.