Macbeth: A Warrior Hero

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Macbeth is introduced in the play as a warrior hero, whose fame on the battlefield wins him great honor from the king. Essentially, though, he is a human being whose private ambitions are made clear to the audience through his asides and soliloquies. A key theme in this play is whether or not the audience feels sorry for Macbeth, considering that he has been declared a noble and well-respected man, who is brave, loyal and courageous in battle by respectable characters like the Sergeant and King Duncan. He is shown to be ambitious, but only through the actions of an evil woman (or women if the witches are taken into account). Ultimately, his demise, or tragic flaw, as coined by Aristotle, is that he pushes this ambition too far, sees the error …show more content…

First, he believes he has "murder'd sleep." Sleep, he argues, ought to bring physical calm in the same way that prayer soothes the spirit. But in his case, the ability both to pray and to sleep has been cancelled. Macbeth is haunted by the knowledge that he will never again rest easy in his own bed: "Glamis hath murdered sleep, and therefore Cawdor / Shall sleep no more, Macbeth shall sleep no more!" Lady Macbeth, refusing to accept such "brainsickly" thoughts, reminds Macbeth of the familiar comparison that there in pictures, the sleeping and the dead look alike. References to sleeplessness recur later in the play, as when Lady Macbeth says, "You lack the season of all natures, …show more content…

His ambition now begins to spur him toward further terrible deeds, and he starts to disregard and even to challenge Fate and Fortune. Although he had spent the entirety of Act 1 and a scene in Act 2 to actually commit King Duncan’s murder, having constantly debated the consequences for doing so, Macbeth is shown deliberating only the reasons of why he must kill Banquo for only one scene, following through with the deed in the next. This shows his decline in character. Each successive murder reduces his human characteristics still further, until he appears to be the more dominant partner in the marriage. However, Macbeth’s guilty conscience is continued to be displayed through the appearance of Banquo’s ghost in Act 3, Scene 4. Again this takes a visual form, as he imagines the ghost of Banquo returned to accuse him: "Thou canst not say I did it. Never shake thy gory locks at me!". This is a particularly important scene when discussing Macbeth’s guilt because both the Elizabethans and Jacobeans believed that the appearance of a ghost to a particular person is a sign of their

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