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Comparison and contrast the passionate shepherd to his
Compare&contrast between "the passionate shepherd to his love "by christopher marlowe and "the nymph's reply to the shepherd" by sir walter raleigh
Comparison and contrast the passionate shepherd to his
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Love comes in many shapes and forms; it can arise abruptly or creep up slowly over the passing years. For some people, it comes effortlessly; others, strenuously. Likewise, people often react to this commanding emotion in different ways. Many become so enamored with the immediate idea of love that they wander day to day in a dream-like state, completely filled with romantic notions and consumed by the present. Such is the case for the shepherd in “The Passionate Shepherd to His Love,” by Christopher Marlowe. In this poem, a shepherd reaches out to his love through a pastoral ballad in attempt to woo her. In the companion poem, “The Nymph’s Reply to the Shepherd,” Sir Walter Raleigh writes a well-written and witty response to Marlowe’s shepherd. Despite the fact that both poems share similar structure and use of imagery, each provide a specific and contradictory point of view on the nature of love.
Since Raleigh’s poem is a direct reply to Marlowe’s poem, it is no coincidence that the two poems have identical structure: both contain six stanzas in length consisting of four lines each and nearly every line has eight syllables. Similarly, a simple rhyme scheme of couplets is incorporated into these poems. If one didn’t know the authors of the poems, he or she might think the poems were written by the same person because the structures of the poems reflect each other so precisely. This of course was Raleigh’s intent. He wished to make certain that there could be absolutely no doubt that the nymph in his poem was responding to Marlowe’s shepherd. Another association between these two authors is their use of alliteration. Both exhibit the same alliteration; however, there is a difference in the sounds. Marlowe gives his poem more of ...
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...thy love. (21-24)
Though Sir Walter Raleigh modeled his poem to mirror Christopher Marlowe’s in many ways such as: structure, images, and use of literary techniques; it is very clear that the characters show differing perspectives on what love means. Raleigh’s reply astutely bends the ideas and images that Marlowe presented into a more mature outlook than the fanciful passion of the shepherd. The idealistic world that the shepherd dreamed of may have seemed wonderful, but it was only that— a dream.
Works Cited
Marlowe, Christopher. “The Passionate Shepherd to His Love.” Literature and the Writing Process. Ed. Elizabeth McMahan et al. 9th ed. Upper Saddle River: Pearson, 2010. 3-7. Print.
Raleigh, Sir Walter. “The Nymph’s Reply to the Shepherd.” Literature and the Writing Process. Ed. Elizabeth McMahan et al. 9th ed. Upper Saddle River: Pearson, 2010. 3-7. Print.
Glaspell, Susan. Trifles. Literature and the Writing Process. Eds. Elizabeth McMahan, Susan X. Day, and Robert Funk. 4th Ed. Upper Saddle River: Prentice, 1996. 999-1008.
Hansberry, Lorraine. A Raisin in the Sun. Literature and the Writing Process. Elizabeth McMahan, Susan X. Day, and Robert Funk. 6th ed. Upper Saddle River: Prentice, 2002.
The Nymphs Reply to the Shepard is set out in six stanzas. each composed of four lines of similar length. This is a mimic of the layout used by Marlowe, here this gives prominence to the similarity. of the two poems,. Added to this both poems have a similar rhyme scheme.
Perfect Companions - “The Passionate Shepherd to His Love” by Christopher Marlowe, and “The Nymph’s Reply to the Shepherd” by Sir Walter Raleigh
Hansberry, Lorraine. A Raisin in the Sun. Literature and Its Writers: An Introduction to Fiction, Poetry, and Drama. Eds. Ann Charters and Samuel Charters. Boston: Bedford Books, 1997. 1829-96.
The concept of love has long been the preferred topic of conversation among prominent male poets. Towards the closing of the sixteenth century, however, the emerging of the female poet took place. With the introduction of Queen Elizabeth, an initial path was now cleared for future women poets to share their views on the acclaimed topic of love. Due to this clashing of ideas, the conflicting views of two exceedingly different sexes could manifest itself. Who better to discuss the topic of love then Elizabeth Barrett Browning, who expresses her ideas with intelligence comparable to the best male poets, and Emerson, world renowned for his poignant opinions? In accordance with the long history of conflict between males and females, both Emerson’s "Give All to Love" and Browning’s "Sonnet 43" convey the pleasure love brings, but while Emerson’s poem urges the retention of individualism in a relationship, Browning pleads for a complete surrender to love.
Marvell, Andrew. “To His Coy Mistresss.” The Norton Anthology of English Literature. Ed. Stephen Greernblatt. New York: New York, 2006. 1703-1704. Print.
Glaspell, Susan. Trifles. Literature and the Writing Process. Elizabeth Mahan, Susan X Day, and Robert Funk. 6th ed. Upper Saddle River, NJ: Prentice, 2002. 977-986
English Literature, 2nd Ed., Edited by D.L. Kirkpatrick, Vol.3, St. James Press, 1991, pp. 1554-55
Marvell, Andrew. "To His Coy Mistress." Literature: An Introduction to Poetry, Fiction, and Drama. Ed. X. J. Kennedy and Dana Gioia. 6th ed. New York: HarperCollins, 1995. 826-827.
"The Nymph's Reply to the Shepherd" is Sir Walter Raleigh's poem of compassionate rejection in response to Christopher Marlowe's poem "The Passionate Shepherd to His Love." The reasons the nymph gives for her rejection are just excuses; her real reason for turning the shepherd down is her lack of love for him.
These two poems are alike and different in their own way. The Passionate Shepherd to His Love and The Nymphs Reply to the Shepherd are both trying to mirror each other on their structure of the poems. Both Christopher Marlowe and Sir Walter Raleigh had a very unique way of writing and making these poems so similar, but throwing in different types of love and view points.
In the fourteen-century literatures, Romance was considered as one of the most popular literary genres. In accordance with the expectation, the Canterbury Prologue, also puts close attention on the theme about the pervasiveness of courtly love. Such motif first appears on the character of squire. Though born
Christopher Marlowe and Sir Walter Raleigh both create speakers who disagree about the nature of romantic love. The titles of the twin poems, “The Passionate Shepherd to His Love,” by Marlowe, and “The Nymph’s Reply to the Shepherd,” by Raleigh, show that they are two sides of a rhetorical exchange. The poems’ structures are identical; each of the shepherd’s optimistic requests has a corresponding refusal from the nymph. Although the word choice and meters are similar in the two poems, the shepherd uses an optimistic tone while the nymph uses a pessimistic one. While both speakers are addressing the concept of love, their distinct uses of diction and imagery underscore how the shepherd’s optimism conflicts with the nymph’s skepticism.
Christopher Marlowe’s The Passionate Shepherd to His Love is, on the surface, a romantic poem told from the perspective of a shepherd calling out to a nymph who he hopes will be enticed to living with him. He sets forth an image of crystilline tranquilty, a paradise frozen in amber where the two will be happy for the rest of the foreseeable future.