Lorraine Hansberry's A Raisin In The Sun

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In Lorraine Hansberry’s play, "A Raisin in the Sun,” she uses the youngers family as individuals to portray different aspects of black culture, social dynamics and the importance of community. Essentially one could say that this is the story of Walter Lee Younger a man desperate, impoverished but living with a powerful dream. A dream quintessential to the black power movement in the era. Margaret B Wilkersons author of "A Raisin in the Sun": Anniversary of an American Classic writes. "Black Militancy born out of anger, frustration, and deffered dreams was captured in the explosive and desperate Walter Lee".(444) This deep frustration within the black community can be seen through the explosive nature of Walter Lee, he constantly surges in …show more content…

Wilkerson affirms this Matriarchal archetype of Lena Younger by assessing the image of Mama. Wilkerson states "The Black matriarch incarnate:The bulwark of the Negro family since slavery; the embodiment of the Negro will to transcendence" (447) This matriarchal part of Lena Younger can be seen when is addressing Walter Lee. "Son – you – you understand what I done, don’t you? (The purchase of the house)I – I just seen my family falling apart today . . . just falling to pieces in front of my eyes . . . We couldn’t of gone on like we was today. We was going backwards ‘stead of forwards – talking ‘bout killing babies and wishing each other was dead" Lena was more than just the bulwark for the family she was the vanguard. In the midst of her family torn asunder she took it upon herself to guide and direct the family down a better path as she iterates shortly after addressing Walter Lee. "When it gets like that in life – you just got to do something different, push on out and do something bigger" Wilkerson also assesses that Lena Younger was framed by Hansberry to act against political issues affecting African-Americans in her time stating that. "It is she who, while seeming to cling to traditional restraints, drives the young on into the fire hoses and one day simply refuses to move to the back of the bus in Montgomery" (447) Despite mamas portrayal as the arch-typical traditionalist character who clings to the old ways. She shows that she is socially aware of the plights of African-American community. This is shown with her short interaction with Mrs. Johnson. Despite the evident threat of being 'bombed' as Mrs. Johnson puts it. Lena Younger does not seem phased by the looming threat to her family. ((Insert conclusion

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