Literary Analysis Of Rappaccini's Daughter

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The Negative Symbol of “Rappiccini’s Daughter” Authors often use stories to tell the reader what they believe, what is going on in the world, and as an expression of feelings. Nathaniel Hawthorne’s “Rappiccini’s Daughter” was originally published in 1844 and lets the reader into his mind and what was going on in society when he wrote it. In “Rappaccini’s Daughter”, Hawthorne uses Beatrice as a symbol to show the reader society’s negative view of women in that era. Hawthorne uses Beatrice as an example of women to express how they were viewed to care more for colors and smells than for knowledge. This is seen when Giovanni is speaking with Beatrice and asks her if she is skilled in the knowledge of the plants like her father. In response, …show more content…

One example of this is when Giovanni asks the question “was this garden, then, the Eden of the present world” (232). He again references to it as the “Eden of poisonous flowers” (245). This exemplifies the idea that Rappaccini’s garden is, in its own like, the Garden of Eden. This allusion furthers through the way that Hawthorne writes “Rappaccini’s Daughter” making it a retelling of the third chapter of Genesis–the Fall of Adam and Eve. In this retelling, he reassigned the roles of Adam and Eve to Beatrice and Giovanni while Rappaccini is, in a sense, God, the creator of the Garden of Eden. This makes Baglioni, from this view, the snake-figure or Satan. These characters play out their roles to a tee. Beatrice is Adam in the sense that she was in the Garden first and Rappaccini, God, gives her a companion, Giovanni or Eve. Rappaccini shares that she is “no longer lonely in the world” (253). This is similar to when God took one of Adam’s ribs in Genesis and created Eve from it. In this scenario, he took the same poison that ran through her and instilled this poison into him so that he is now made in her likeness. Just like the Eve in the Garden of Eden, Giovanni was tempted by a part of the garden. In this case, he was tempted Beatrice. Giovanni’s interest in her is described to “have grown morbid’ (233). This interest lures him into the garden. Beatrice and Giovanni fall in love throughout their many visits. Baglioni, being the Devil’s advocate, tells Giovanni that she is as “poisonous as she is beautiful”, but he has a way to “possibly…succeed in bringing back this miserable child” (247) with an antidote. Giovanni gave this antidote to Beatrice in hopes that they’d be able to be normal again together, but, instead, “the powerful antidote was death” (253). This is similar to when Eve gave Adam the apple in the Garden

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