experienced great commercial success. These rappers, unlike previous Latino rappers, rapped solely in English and focused on common hip-hop themes at the time. Whenever they did decide to use Spanish in their songs, it was limited to basic vocabulary. When they wanted to use more spanish, they created songs entirely in Spanish, such as “Latin Lingo” and “Tres Equis”. In their 1993 #1 Rap hit “Insane in the Brain”, B-Real, the head rapper of the group, starts off by saying: “Who you trying to get crazy with, ése? / Don't you know I'm loco?”. The trio recorded their greatest hits album in Spanish, titled “Los Grandes Exitos en Espanol.” B-Real states in a 1999 interview that “"It's always been a struggle for Latin artists within hip-hop...Even …show more content…
Although his career began when working with southern crunk producer Lil Jon, Pitbull soon branched out to working with more Spanish-speaking artists and introducing influences from the music of other nations. For example, in a review of Pitbull’s 2009 song” I Know You Want Me (Calle Ocho)”, Billboard writer Michael Menachem states “Pitbull delivers some Little Havana to the club scene with "I Know You Want Me (Calle Ocho)." The mix of reggaetón with Euro dance music signals what looks like a multiformat smash.” (Menachem). Pitbull’s nickname of “Mr. Worldwide” is particularly apt due to his international success, as he has scored several top charting songs in many different countries, and collaborating with a wide range of international stars, such as Marc Anthony, Jay Sean, and Enrique Inglesias. His song “We Are One (Ola Ola) featuring Jennifer Lopez and Brazilian artist Claudia Leitte was used in the 2014 FIFA World Cup, further serving as evidence for his global reach. Pitbull’s career trajectory from a southern crunk rapper to “Mr. Worldwide” shows that there is a considerable market that exists for party music that can appeal to both English and Spanish-speaking audiences. However,
Many of their fans have crossed the border illegally, or have relatives that have done so. The song goes into saying, “Mis hijos son grandes y no les entiendo-- no hablan español,” translating into “My children are grown but I do not understand them-- they do not speak Spanish,” (1:14). A study done by the Pew Research Center reveals that the number of Latinos in the United States that speak Spanish is slowly decreasing (Krogstad and Lopez), which shows that this is an all too real issue facing those among the Latino community. This particular occurrence is becoming too common for many families because as they push to fit into the American way of living, their roots may sometimes get lost in translation. It is one thing to not be able to properly communicate with your children, but it is another to not be able to talk to them because of a language
For me it all started out with Selena. I remember a boy in my middle school class dedicating me "Como La Flor" at one of our school dances in seventh grade. After that Tejano just sort of stuck in my head and all I ever thought of the song was that I had rejected that boy. Selena was quite a Tejana star at the time, and I was shocked with her murder two years later. She was a five star role model for Mexican-Americans to relate to and appreciate. Her songs live on in the Tejano world, as does her sprit and love for the music.
Hip-hop is a massive cultural movement originating in New York City in the 1970’s. According to Oxford English Dictionary, the four components of hip-hop are rapping, DJing, breakdancing, and graffiti writing. This culture is commonly associated with African-Americans and Latinos because they were the ones who pioneered this movement in the 70’s. If one were look back at some of the early hip-hop innovators, such as The Sugarhill Gang, Grand Master Flash and the Furious Five, and the much-loved Run DMC, one similarity that they all shared was their African ancestry. Because of this, hip-hop was identified as a purely African-American art form for a short while. However, as time progressed, by the 1980’s hip-hop was embraced more by the mainstream. As a result, musicians from other different races were trying their hand at hip-hop. Presently, it would not be accurate to say that hip-hop is an art form for black people by black people. However, as of today there is still no place for an Asian rapper in the archives of hip-hop history let alone in modern American mainstream media. Asian men are commonly emasculated in America by stereotypes. Hien Dang, a published Vietnamese writer, said in an article featured in the International Examiner that racial generalizations include, but are not limited to: Asians being very short, good at math, nerdy, bad at driving, and lame with women. Lastly, the most damning stereotype for Asian men is that they all have small penises. With an image like this, it’s no wonder why Asian men aren’t often accepted in the mainstream media unless they’re fighting dozens of men unarmed in movies like Jackie Chan or Jet Li. Asian rappers are currently overlooked in hip-hop primarily because of these stereotypes...
Hip-hop music is a popular type of music admired highly across the globe for its famous style, art and mode of expression. This highly admired music genre can include love, broken families, racism, hard times, sexism and adversity as its main theme. It has the power of evoking a different kind of mirth and sentiment in you. When it is sung at its full peach with a DJ, the listeners become ecstatic. If you are music lover or fond of pop song, you are sure to reach a different kind of state- a state of forgetfulness that is far ahead of the common ebullience of life and rustic mirth.
Cultural value orientations are the, “basic and core beliefs of a culture; that have to deal with one’s relationship with one another and the world” (McCarty & Hattwick, 1992). All cultures may encounter challenges with the media and society of how their beliefs and values are represented. There are several factors that resemble how cultural values influence a culture, more specifically the Hispanic culture in Yuma, AZ. Some of those factors are, the expression of their individual and collective identity through communication, cultures identity expressed though the mass media channels, examples of the value orientations that influence the groups communications behaviors, and one of the major events that challenged Hispanics identities.
Popular in the united states, the rhythmic music known as rap can be traced back generations to it’s ethnic origins. Centuries before hip hop music existed, the Tribes of West Africa were delivering stories rhythmically, over drums and sparse instrumentation. Connections between tribal story telling virtuals and rap music have been acknowledged by many modern day "tribes", spoken word artists, mainstream news sources, and academics. In the 21st century, rappers rap about their lives and how the place they grew up in was very hard and that is why many people think like rap music so much, because there are many connections rapper can relate to.
The Chicana/o identity is a composition of cultural pride, consciousness, and commitment to activism. Cultural pride in the Chicano social identity emphasizes mestizaje, which is the mixture of Spanish and indigenous races. Consciousness refers to Chicanos being aware of their unfair historical and contemporary treatment while being committed to bringing change to the Mexican-American people. The commitment to social activism is bringing change to the community through education, politics, and economics. According to Lopez, Chicano Rap is a “subgenre of Rap music as well as Latin Hip Hop.” It is used as a medium to communicate the hardships and barriers faced by the Mexican immigrant community (Lopez,
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
Martin Luther King Jr. once said, “The ultimate tragedy is not the oppression and cruelty by the bad people but the silence over that by the good people.” It is not a mystery that minorities were oppressed throughout the history of the United States. In 1990 70% of African Americans and Hispanics in their mid to late twenties held a high school diploma or higher compared to the 86% that their white counterparts achieved. The disparities were obvious throughout the decade. The hip-hop culture gave minorities a voice and a realm to express themselves. There were always minorities who experienced the same lives as the majority of America did, but hip hop mainly spoke to those minorities in urban neighborhoods who were entrapped by violence and negativity. Most of these minorities were young people who were reaching the peak of their adolescent years. Their attitudes could be seen in the lyrics of Notorious B.I.G. when he chants, “I don’t want to live no more. Sometimes I hear death knocking at my front door,” in the song “Everyday Struggle.” Without hip-hop music I believe there would be more minority violence because this was the only genre of music that spoke specifically to minorities, especially those in the inner cities. Hip hop was monumental because it did not apply to one group of minorities; every aspect of the minority population was represented by artists who presented different lyrical content and cultural messages. The genre also gave those who were not minorities a look into the insight of those who were being oppressed, ultimately creating some form of understanding. The majority population could never fully understand the minority population because they never would have the opportunity to experience ...
Mexico’s drugs wars as well as bloody drug cartels are echoed in a controversial folk music genre commonly known as narco corridos or simply as drug ballads. They tell the stories allied to shootouts, drug lords, betrayals including daring criminal operations. Narco corridos are not a new style in Mexican music, in fact, they have been around for years, and they are popular among the old and the young. This genre has evolved to be modern fugitive music that fuses the emotional responses of antique ballads with the tense gravel of mobster rap. From global idols to rural artists documenting their neighborhood current events in the regions subjugated by guerilla war, narco corridos provides the songwriters in their homes with unique but artistic superiority, investigating the heartland of the infamous Mexican drug trafficking as well as publicizing municipal midpoints such as Los Angeles, in addition to Mexico City.
The influence of Hip-Hop has never been as great as it is in this day and age. Often dismissed by a majority of America as simply a fad, hip hop has become a global phenomenon and has arguably been the most popular form of music for the past three decades. Hip-Hop has influenced art, language, fashion, culture, and sports. This music has been used to teach elementary level children, it has been taught in undergraduate universities and serves as a bridge for hundreds of philanthropies. The influence of Hip-Hop has also been felt in films. These films range from fictional works, documentaries, and autobiographies. A film known as, Something from Nothing by famous rapper Ice T sheds light on elements within Hip-Hop that have enabled the genre to reach millions of people.
Rap has been around since 1973, when Kool DJ Herc introduced this new mash of jazz, soul, gospel, and reggae. This culture has been focused around African Americans, and since has served as a voice for the underrepresented, that is spreading violence, alcohol, and drugs. In this genre the most popular and successful boast about who has murdered more foes as breezily as other artists sing about love. Rap music tells stories of drugs, violence, and alcohol. The youth of America is constantly exposed to this kind of music, and our teenagers are being desensitized to the effects of these stories.
Music is one of the most powerful and influential language which to many people in
People are surrounded by music every day of their lives. They hear it in their homes, on the radio on their way to work; some people have even caught themselves humming the tune of their favorite song to themselves. But how many people actually listen and not just hear the music they are listening to? Teens in particular don’t realize the message behind the music they are quoting the lyrics to, or the effect it has on them. In today’s culture where rap music has become increasingly popular, many teens aren’t realizing what they are listening to. A lot of teens would argue that the music they listen to has no effect on them, but they are wrong. Rap music, especially, has had a major impact on teenagers in today’s society.
The Latin American music scene is an amazingly diverse, engaging and entertaining music culture. Thomas (2011) explains, “…Latin American music has engaged in ongoing dialogue and cultural exchange that has profoundly affected music making in Europe and the United States and, more recently, in Africa and Asia as well”. This paper will be describing different aspects of the music culture from its musical features, to the historical aspect of this interesting music culture. Also, I will discuss a personal experience with Latin American music. After researching the music culture, I attended a concert performed by Boogat, an Emmy award nominated Latin American musician from Quebec who has toured all over North America. Latin American music culture