Lack Of Human Control In Slaughterhouse Five

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A man aspiring to be an optometrist is given his own practice and works hard until World War II breaks out and he is drafted. At one point he is fighting in the war and at another, his is back at home in New York mourning the death of his wife. On the other hand, the allied powers are advancing their technology understandings and planning their attack on Germany using their incendiary bombs. Vonnegut captures both sides, combining them to make a story about the war and the lack of control humans have in society. In the novel, Slaughterhouse-Five, Kurt Vonnegut condemns the brutality of war and argues that the modern, callous, man-made, technological world renders human beings helpless.
Vonnegut condemns war due to its brutality. In the …show more content…

Vonnegut, throughout the novel, “repeatedly demonstrates the human aptitude for cruelty” (Brucker 3898). One of the examples is when Pilgrim “was in Dresden” (Vonnegut 193) while “the city, a cultural center of no military values, was destroyed by Allied incendiary bombs” (Brucker 3898). With the creation of the incendiary bombs, the Allied countries were able to “destroy 135,000 people in two hours” (Brucker 3898). Due to the city having no military value or causing any threat, there was no need for the bombing of Dresden. The allied forces presented a lack of control by dropping the bomb on an innocent city. Vonnegut, having the strong feeling he does about war, explains the lack of human …show more content…

Another example is when Vonnegut reveals, “I have told my sons that they are not under any circumstances to take part in massacres, and that the news of massacres of enemies is not to fill them with satisfaction or glee” (Vonnegut 19). Vonnegut knows that finding joy in killing enemies is a part of the war experience and does not allow his sons to subject themselves to that option and, in turn, lose their sense of control. Throughout the novel, the lack of human control plays a major role in the development of the

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