Jackie Kay created a novel with the motif of searching for Joss Moody’s identity through context and different perspectives as the entire book is written from post mortem. Kay is particularly clever in allowing the reader to have a combination of ‘readerly’ and ‘writerly’ perspectives using first and third person narratives. In respect of this it seems that she is pulling the focal lens towards the characters before quickly backtracking, giving a sense of intersubjectivity. In the courtship between Millie and Joss there in an increasing sense of innocence between the two, such as the kissing on Millie’s cheek after three months. It is clear from this assumption that the reader and Millie are both unaware of the difficulties Joss would had endured throughout his life. When Millie questioned him about his history he was aloof, she says, ‘he tells me his name is Joss Moody and I ask him …show more content…
he is offended’ (Kay,2011:13). It is not until he exposes himself to Millie after ‘unwrapping endless rolls of bandages’(2011:21) That we realise alongside Millie’s memory that Joss was biologically female. In todays society he would be a transgender male. The significance of ‘bandages’ is symbolic for protection as for Joss, the bandages disguise his breasts and protect him from a society that would not understand his desires to be male not female. In Trumpet, Kay makes both the reader and her characters question widely-accepted customs, including prominent ideologies in categorising and codifying gender. The funeral director’s being at a loss after seeing the female body of Joss is an example to this: “All his working life he has assumed that what made a man a man and a woman a woman was the differing sexual organs. Yet today, he had a woman who persuaded him, even dead, that he was a man, once he had his clothes on” (2011:115). Both the doctor and the undertaker are critical and malicious when they discover that Joss is in
Scene: Janie’s loneliness, desire for marriage and naive nature leads her to an ill-advised, and as a result brief, marriage to an older man named Logan Killicks. This demonstrates both her love longing and her lack of experience with love. Still, terrible as the marriage is, it is a learning experience.
For both Janie and Arvay, inner turmoil is quelled into a role that reconciles both themselves and their relationship with their men. And, perhaps most remarkably, this idealization of their partners persists despite – indeed, is even enhanced by – the fact that both women see their former love interests, those who came before Tea Cake and Jim, as now standing on cracked or even shattered pedestals. Both Janie and Arvay in the end take comfort in their new-found roles and those men who best compel them to adopt these roles.
“And maybe, if I had been destined to it or called to it strongly enough, it might have been for me.” Jayber was hoping that aunt Cordie and uncle Othy did not die during the winter season but there was nothing he could do when they got but take care of them both. “ By “bachelor” I mean, as was generally meant, a man old enough to be married who was not married and who had no visible chance to get married.” He wanted to marry Mattie Chatham, but she was married to Troy, and she thought Troy was the one that made her dreams come true. “ Maybe they had taken notice of my habit of keeping the shop open at night as long as people was there.” As long as people stayed at the shop after closing, hoping Jayber wanted them to stay for company. When everybody left Jayber, he was hoping for an impel and to start his own family. Jayber was looking to start a fresh new way, but he could not because he want to live the rest of his life with her. He moved along the riverside bank to be to himself, in a house that a friend had gave him with no rent. Being left alone, with nowhere to call home was the saddest thing could happen to anyone. “ By then I had no living relative, or none who was known of me.” In Port William, Jayber did not have a family because they all had died during the winter season. Jayber had taught himself how to do everything he needs to know to survive, therefore he taught himself how to be a
As Jacqueline got to the age where her grandparents home was just a constant routine, never seen as anything but a cycle, her mother takes her and the family to New York for “new opportunities”. Jackie thinks of the idea as an adventure till she sees the pale grey streets
Janie marries three different men over the course of Their Eyes Were Watching God: Logan Killicks, Joe (Jody) Stark, and Tea Cake. Janie is able to preserve her agency in these marriages via an internal rebellion, she uses her thoughts to remain happy and outside the world her husband’s create. It is often the case that husbands expects a marriage where the female is subordinate to them and even Janie’s grandmother suggests Janie should abide by this expectation. However, Janie creates a space in her mind for an idealistic relationship and a place that her husband’s cannot touch. This ...
Janie who continually finds her being defined by other people rather than by herself never feels loved, either by her parents or by anybody else. Her mother abandoned her shortly after giving birth to her. All she had was her grandmother, Nanny, who protected and looked after her when she was a child. But that was it. She was even unaware that she is black until, at age six, she saw a photograph of herself. Her Nanny who was enslaved most of her lifetime only told her that a woman can only be happy when she marries someone who can provide wealth, property, and security to his wife. Nanny knew nothing about love since she never experienced it. She regarded that matter as unnecessary for her as well as for Janie. And for that reason, when Janie was about to enter her womanhood in searching for that love, Nanny forced her to marry Mr. Logan Killicks, a much older man that can offer Janie the protection and security, plus a sixty-acre potato farm. Although Janie in her heart never approves what her Nanny forced her to do, she did it anyway. She convinced herself that by the time she became Mrs. Killick, she would get that love, which turned out to be wrong.
Jim’s feeling of loneliness has a big impact on his view of Alena. If Jim met another girl that day on the beach, and who was not as attractive he would have acted very different. Jim was very vulnerable at that moment and needed som...
The beginning of Janie’s marriage to Joe shows promise and adventure, something that young Janie is quickly attracted to. She longs to get out of her loveless marriage to Logan Killicks and Joe’s big dreams captivate Janie. Once again she hopes to find the true love she’s always dreamed of. Joe and Janie’s life is first blissful. He gives her whatever she wants and after he becomes the mayor of a small African American town called Eatonville, they are the most respected couple in town. Joe uses his newfound power to control Janie. When she is asked to make a speech at a town event, she can’t even get out a word before Joe denies her the privilege. He starts making her work in the store he opens and punishes her for any mistakes she makes. He enjoys the power and respect her gets when o...
As the novel begins, Janie walks into her former hometown quietly and bravely. She is not the same woman who left; she is not afraid of judgment or envy. Full of “self-revelation”, she begins telling her tale to her best friend, Phoeby, by looking back at her former self with the kind of wistfulness everyone expresses when they remember a time of childlike naïveté. She tries to express her wonderment and innocence by describing a blossoming peach tree that she loved, and in doing so also reveals her blossoming sexuality. To deter Janie from any trouble she might find herself in, she was made to marry an older man named Logan Killicks at the age of 16. In her naïveté, she expected to feel love eventually for this man. Instead, however, his love for her fades and she beco...
Since Ma’s kidnapping, seven years prior, she has survived in the shed of her capturer’s backyard. This novel contains literary elements that are not only crucial to the story, but give significance as well. The point-of-view brings a powerful perspective for the audience, while the setting and atmosphere not only affect the characters but evokes emotion and gives the reader a mental picture of their lives, and the impacting theme along-side conflict, both internal and external, are shown throughout the novel. The author chooses to write the novel through the eyes of the main character and narrator, Jack. Jack’s perception of the world is confined to an eleven foot square room.
Janie’s first attempt at love does not turn out quite like she hopes. Her grandmother forces her into marrying Logan Killicks. As the year passes, Janie grows unhappy and miserable. By pure fate, Janie meets Joe Starks and immediately lusts after him. With the knowledge of being wrong and expecting to be ridiculed, she leaves Logan and runs off with Joe to start a new marriage. This is the first time that Janie does what she wants in her search of happiness: “Even if Joe was not waiting for her, the change was bound to do her good…From now on until death she was going to have flower dust and springtime sprinkled over everything” (32). Janie’s new outlook on life, although somewhat shadowed by blind love, will keep her satisfied momentarily, but soon she will return to the loneliness she is running from.
Jody was born biologically with male genitals and he was brought up as a boy. Unlike his more gender-typical older brother, Jody’s childhood behavior was considered “sissy”. Jody genetically preferred the company of girls compared to boys during childhood. Jody considered herself a bisexual male until the age of 19. At 19 years of age, she became involved with a man, and her identity would be transgender, meaning that Jody was unhappy with her gender of birth and seeks a change from male to female. It would seem that there was some late-onset dissatisfaction, and late-onset is linked to attraction to women; in comparison to early childhood-onset, which are attracted to men. Jody identified herself as bisexual. The relationship with the man ended; nevertheless, Jody’s desire to become a woman consumed her, and Jody feels that’s he was born in the
Millhone’s personality is “free spirit” and a tomboy type of character in this novel. She tends to avoid the typical female gender orientation by wearing mostly jeans, shorts, and, most importantly, turtleneck sweaters as a normal part of clothing attire when she begins her day with a morning jog: “A pair of shorts and an old cotton turtleneck. I’m really not a physical fitness advocate” (Grafton 67). In this manner, Millhone is not a woman that is overly concerned with her appearance, which gives her a carefree quality in her behaviors. This aspect of Millhone’s character defines a tomboy personality that cares very little for the traditional “feminine” gender role.
By unveiling her pond drop by drop, memory by memory, Morrison allows us to travel down the paths that converged together to create the story of Beloved. When an author uses a direct path to a story the readers tend to dismiss the unknown past of the characters, focusing instead on their forthcoming depicted futures. In Beloved however, the reader is forced to take trips back to the past, which help tie together the relationships of today. The repetitive nature of the narration also allows the reader to assimilate portions of the text that were inevidently connected to form an entwined net of relationships. For example, each time a new character is introduced, you are brought back into the memory of another character, to identify the new comers’ relationship to the story. In most text, a new character would be simply introduced with their importance to the here and now of a story, instead of the shared history amongst other characters. Most history that is shared between characters in mos...
Peter and Clarissa’s memories of the days spent at Bourton have a profound effect on them both and are still very much a part of them. These images of their younger selves are not broad, all-encompassing mental pictures, but rather the bits and pieces of life that create personality and identity. Peter remembers various idiosyncracies about Clarissa, and she does the same about him. They remember each other by “the colours, salts, tones of existence,” the very essence that makes human beings original and unique: the fabric of their true identities (30). Clarissa Dalloway is content with her life with Richard, is content to give her party on a beautiful June evening, but she does regret at times that she can’t “have her life over again” (10).