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Recommended: Music in society
In today’s world us American’s live in a culture that is still to some to be so called racist towards groups and minorities other’s call it justice, but everyone has different opinions that can be discussed thoroughly and find incroptonizing information to argue against each other. Atlanta native and world renown 21 Savages raps about how he feels Atlanta citizens are being treated with injustice, discrimination and below the law because of the color skin they have while being encountered by the police. Nothin New, The song that debuted in his recent album Issa Album is a song of a different genre of rap for 21 Savage who usually raps about his struggles of a rough childhood growing up in rural parts of Atlanta, Georgia and also he life as …show more content…
The song starts off by a preview of interviews from football star Colin Kaepernick, to LeBron James and also from President Obama where they are discussing political differences that are country current politicians are deemed to being “openly racist” . This automatically sets the mood that the song is going to be an informative piece, not a song that is used to party and dance too. When 21 Savages starts rapping he starts off by being very descriptive that he isn’t going to be rapping about his usual stuff but, this time about a problem that his people are facing in our culture. The melody of the song is a full cadence because 21 Savage doesn’t really break up his rap into verses in this song, it is like a short story. The harmony of the song is a drone, the beat was made by Metro Boomin and the beat is continuous throughout the whole song. The texture of the song is polyphony because there are many sounds throughout the beat of the song. The rhythm of the song is beat because every sound to every lyric of the song is continuous all the way to end of the
The theme of lines 1-5 in, ¨Untitled 1¨ by Tupac Shakur is that African Americans have been oppressed, over many generations. He describes the world, ¨as a ghetto, that they cannot leave,¨ referring to ghettos such as
In one of the chapters, ‘Where Did Our Love Go?’ the author reveals how blacks in America use the music to express their anger and commitment to emerge as great people in an unfair community. Most songs are written to educate the society on the negative effects of racism. They encourage the society to love one another and embrace unity. The human nature is founded through a social platform where philosophers claim that people were created to love one another and live with peace and unity. Through this book, it is clear that the blacks in the hip-hop generation are money minded. However, this is expected in a world where the economy is tough. The author claims that the youth are the people who are majorly affected by racism. Many of them have been arrested for pity mistakes which are magnified in the courts due to the impression that the society has on the black people. They engage in dirty activities like drug dealings that that put them on the wrong side of the
In a reputable rap album an artist must tell a real-life story. The following three artist come from different but similar backgrounds. One artist from Detroit, one from Compton, another from Brooklyn. Sada Baby along with other Detroit rappers share their experiences living in different parts of the city. Throughout D.O.N. by Sada Baby, he references a lot of weapon use, gang activity, and drug use in his neighborhood. The songs on this album go into so much detail about these things, because this was the life he was born into. This is what he knows first hand. In Sada Baby’s song, ‘Guatemalan’, he goes through the steps of his daily life and even goes on to justify why he is the way that he is based off his experiences.
During the 80s a controversial group of rappers came together and changed the game of Hip Hop for generations to come. Niggas with Attitude, otherwise known as N.W.A, was comprised of the rappers; Ice Cube, MC Ren, Easy E, Yella, and Dr. Dre. Theses rappers spoke the truth about life in the streets; the hustling, the trapping, the sexual encounters, the gang life, and the most important, the racism. They shined a light on these issues in a violent, sexually explicit, yet intelligent and revolutionary way. The Facebook page, *N.W.A* creates an environment that connects people of all races, backgrounds, and ages; with the goal of immortalizing, and spreading the original message of the group.
Rap started as a social movement during the mid-1970’s, once the 80’s arrived it started expanding dramatically, and became popular among white suburban youth. During the late 1980s and early 1990s rap became overtly political with its messages, which expanded its popularity further. Unfortunately, political rap lost its popularity in the mid-1990s; regardless of this artists and their voices have been marginalized because of corporate control. Although there does not seem to be a direct connection between rap music and its whitening, the author claims that it is not coincidental. Despite the political messages within the genre, rap has been viewed through a racist
One of Williams main topics of concerns is the wrong messages that “public airwaves” are sending to their listeners and followers. Williams claims rap and other medias are representing and sending the wrong message about African American communities. She mentions that rap music once held a positive message but now rap music is bombarding the public with the use of profanity, violence, and obscenity throughout their lyrics and music
It is a day in the summer of 1974 on the block of 1520 Sedgwick Avenue, Bronx, NY. The grass is blazing, the air is fresh, and the kids are shrieking with joy. This is where it happened. DJ Kool Herc popped in his new record playing smooth rhythms of jazz and blues with the integration of Jamaican sound creating a new genre that would soon sweep the nation. He called it Hip-Hop. Some would call it “black noise”, but to urban African Americans it was music they could own; music they could learn to appreciate and adore. As they faced afflictions like racism, oppression, drugs, and much more, they used this new found hip- hop to express their thoughts and feelings. Today, we try to understand where this passion and substance in rap has escaped; if it was left to wither in the blazing grass, or blow away in the fresh air. Today, we try to understand what is hip hop, and why it’s becoming the “black noise” we once denied it to be. Ever since rap officially emerged in the 1970s, critics had a negative reaction; even when rap had meaning and substance and consisted of people telling their stories. Now that rap has become more contemptuous, critics have began to question what rap is really about. It is clear themes have changed: But at what point? And how? Furthermore, how has this impacted blacks and their image, who dominate the rap industry. Conclusively, while themes in mid 20th century rap have been known to revolve around aspects like politics and unity, currently rap has underwent a dramatic change now producing themes that promote violence, among many other things, and has ultimately painted a negative image of African Americans.
Rap is about giving voice to a black community otherwise underrepresented, if not silent, in the mass media. It has always been and remains … directly connected to the streets from which it came. (144)
The choreographer uses rhythmic patterns of the music as an element of time. A rhythm pattern is a repetitive pattern of beats. The rhythmic patterns of the music in the video are fast, but remains the same throughout. The choreographer uses the fun upbeat to convert the dance into a story. Another example of time that is used is stillness.
As Kendrick entered the stage shackled to his black comrades with a soulful saxophone playing in the background, it is obvious that the imagery of imprisonment was a commentary on incarceration in America and its similarities with slavery. By amplifying this modern twist on slavery, Kendrick provokes American viewers to reflect on the struggles that black Americans still go through today. At the start of his performance he goes on to rap “I’m African-American — I’m African” as if he was correcting himself. This isn’t surprising as black identity is hard to establish in a country that implicitly detests you, but explicitly fetishizes your culture. Stuart Hall discusses this in his text when he states, “’the primitive is a modern problem, a crisis in cultural identity’…the modernist construction of primitivism, the fetishistic recognition and disavowal of the primitive difference” (Hall 125). There is no wonder why Kendrick, like many African-Americans, finds comfort in placing his identity with the mother land rather than his true country of origin. How can the black multitude stand in solidarity with a country who will continuously praise black culture but refuse to recognize the black struggle? Kendrick Lamar then conjures imagery of Africa, where he danced and rapped in front of a raging bonfire, one of the most powerful imagery included in his entire performance. One can interpret
The texture is polyphonic. It has a slow tempo and there is no presence of accelerando or ritardando. Harmony is a consonant of the word. Melody is conjunct and peaceful. Has a lot of repetition.
The texture of the piece is often include such element such a polyphony melisma and a varied range of dynamics. Usually Gospel music has rhythms related to rock and roll rather than modern sanctified music. This is added effect apparent in the backbeat-strong rhythms of modern rhythm and blues. Also, the textures of each piece of music are actual similar. Modern rhythm and blues originates a highly polyphonic sound related to gospel, this means there are multiple melodies occurring synchronized In regard to harmony, the leading seventh chords and complex vocal backings have been conveyed to rhythm and blues styles.
This violent theme continues to be prevalent within rap music because just recently have white capitalists overtaken ownership of many of these artist’s recording labels, thus selfishly dictating how the music must be portrayed in order to produce revenue. Within this rhythmic poetry, artists will assume hyper-masculine roles in demands of a respected reputation and an attempt to disrupt peace solidified and enjoyed by the racially privileged. This only reinforces and attempts to justify institutional interventions, such as racial policing, police brutality, and high incarceration rates, in which Rebollo Gil and Moras refer to as “hip hop in crisis” (2012, pg. 120). Today, rap music continues these same narratives, while other musical genres, such as heavy metal group, Metallica, have also became more active in describing violence through song lyrics, although they experience far less criticism and branding from audiences when doing so. There is an assumed exception among white critics and white artists themselves who deem their expression of violence as more appropriate than rap’s, simply because they lack imposing stigmas attached to their race and
The terms homophony and polyphony are both musical voices. The former can be defined as one sound or line of melody at a time that is played by multiple instruments at the same time, while the latter is any music with two or more independent melodic parts sounded together. Homophony music is one melodic line at a time, the other voices or parts serving as accompaniment. Polyphony music, on the other hand, is combined with several lines of a similar, rhythmically identical design. The terms homophony and polyphonic are types of a musical texture as well. The most common definition of texture, in a general sense, is the visual or tactile surface characteristics and appearance of something. The following qualifiers "rough", "smooth", "coarse", "silken", "thin" and "thick" are mostly accompany the term to describe certain characteristics of textiles. Its definition as a musical term is the overall quality of a sound of a piece, most often indicated by the number of voices in the music as well as the interaction of melodies and harmonies within a song. Homophonic texture can be found in the most popular music styles, such as folk, rock, country, jazz, etc. and also can be accompanied with a vocal music. Polyphonic, in contrast, described as thicker or
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .