Madness depicted in Thanh differs in comparison to Charles, and western ways of coping with trauma. This is because Western society emphasizes that the patient ought to express how they feel, or what they are thinking to enable themselves to be cathartic and seek further aid. This is demonstrated when Charles speaks to his psychiatrist, yet those sessions failed. He then went on to speaking to his veteran peers to find communal guidance, and understanding for a mental state no one else could understand. As it is depicted in the novel, the effects of PTSD can only be fully understood from people who endured similar events. This is demonstrated when Charles’ colleague Jimmy, recommended him to read “In The Dark Woods”, because It the madness he would understand (78). …show more content…
However, in Thanhs story, there is a significant tension between Thanh (the presumed rational) and his old companion Hien (the depicted irrational). Thanh’s method of survival is through obedience, as he states “to behave is to survive”. However, Hien acted disobediently, and rebelled when the South Vietnamese flag was used a broom. Additionally, Hien attempted to consume his own hand, and denies any food Thanh manages to come across. Lastly the physical symptoms of bodily deterioration as “His teeth were falling out, his hair was thing, his knees were bigger than his hips” (114). Significantly, Hien is depicted as insane, however this is questionable, because Thanh questions whether he, or Hien is insane (113). The argument for Hiens rationality is that he chose to act disobedient, which enabled him to reclaim his agency. However, he knew he was going to perform his rebellious action “in a moment a of clarity” (114). Additionally, when he chose to react against the northern communist Vietnamese, it was towards someone who was using the south Vietnamese flag as a
...ut perfect warrior; "he did not feel a sense of vengeance... [he] did not even feel angry... [he] did not feel anything at all." The Vietcong loses his compassion; they want to take his life by any means necessary and to that end, he reciprocates.
“The ones who are insane enough to think that they can rule the world are always the ones who do.”- Stefan Molyneux. Insanity is an inherently foreign but ancient concept, it can be defined as when the mental processes of a person functions out of the social norm. An example of a person with such a mental state is Crake from Margaret Atwood’s book, “Oryx and Crake”. Crake is a mature and brilliant but unhinged person, who is responsible for the destruction of mankind, who believes that the root of all problems in the world is man himself. This could define Crake as a psychopath, with an askewed moral compass, as he knows what his actions are wrong but he continues with them. In the tale, the main character, Jimmy/Snowman, recounts his past
From the contrast of the slums of Hanoi and the breathtaking beauty of a natural vista, Huong has revealed the impact of this disparity on her protagonist. The author utilises the connection between the land and the villagers of Que’s birthplace to emphasise the steadiness and support the landscape gives, in times of upheaval, illuminating that it is possible to recover from disaster. Despite Huong’s criticism of Vietnam, she emphasises the resilience of the people of Vietnam and the ability for beauty and hope to flourish through oppression.
Fantasies, which are defined as fanciful or extravagant notions, ideas, or suppositions are things he often does while on his mission to victory. During the late afternoon hours, he would frequently climb into his foxhole and read his received letters from a girl named, Martha, that he absolutely adores. She sent him letters that he guarded with his dear life and kept secretly hidden from the other men. They weren’t by any means “love” letters, but he often imagined they were just for the spite of things. Jimmy read those letters every day and every night, paying no attention to what was going on around him, just focusing on Martha. Although, letters were the main source of his absence from the world around him, he would often imagine romantically, trips into the white mountains of New Hampshire while holding the letters in his hand. He would sometimes taste the flaps, knowing her tongue had been there (Obrein, “Carried” 272). Jimmy began to pass his days more quickly by trying to keep up his hope, while thinking about being with Martha, somewhere in a beautiful place, alone, with nothing to worry about. Meanwhile, Jimmy received a pebble in one of the letters from Martha, which she picked up off the Jersey Shoreline just for Jimmy as a good luck charm. He carried the pebble in his mouth most of the time. While on other occasions, he would often slip away into daydreams, just pretending, walking barefoot along, the shoreline, with Martha, carrying nothing (O’brien, “Carried” 275). He fantasized daily about Martha; He wondered who she was with, and what she was doing. Although, Jimmy carried Martha’s pebble with him continuously, he began to carry much more than just a pebble in his mouth.
The story focuses on her great-grandfather, who was in disapproval of the French occupation of Vietnam, but still excelled at his job as a Mandarin under the puppet imperial court, fearing persecution of his family if he were to resign. In this section, the author also mentions more about the how the values of confusion had influenced the Vietnamese people in attempts to justify her great grandfather’s
Misery, trauma, and isolation all have connections to the war time settings in “The Thing in the Forest.” In the short story, A.S. Byatt depicts elements captured from both fairy tale and horror genres in war times. During World War II, the two young girls Penny and Primrose endure the 1940s Blitz together but in different psychological ways. In their childhood, they learn how to use gas masks and carry their belongings in oversized suitcases. Both Penny and Primrose suffer psychologically effects by being isolated from their families’ before and after the war. Byatt depicts haunting effects in her short story by placing graphic details on the girls’ childhood experiences. Maria Margaronis, an author of a critical essay entitled “Where the Wild Things Are,” states that “Byatt’s tales of the supernatural depend on an almost hallucinatory precision for their haunting effects.” The hallucinatory details Byatt displays in her story have an almost unbelievable psychological reality for the girls. Penny and Primrose endure the psychological consequences and horrifying times during the Blitz along with the magical ideas they encounter as children. As adults they must return to the forest of their childhood and as individuals and take separate paths to confront the Thing, acknowledge its significance in their childhoods, and release themselves from the grip of the psychological trauma of war.
Madness: A History, a film by the Films Media Group, is the final installment of a five part series, Kill or Cure: A History of Medical Treatment. It presents a history of the medical science community and it’s relationship with those who suffer from mental illness. The program uses original manuscripts, photos, testimonials, and video footage from medical archives, detailing the historical progression of doctors and scientists’ understanding and treatment of mental illness. The film compares and contrasts the techniques utilized today, with the methods of the past. The film offers an often grim and disturbing recounting of the road we’ve taken from madness to illness.
...ss. Psychiatrists during World War I, including Rivers and Yealland, aim to achieve, either directly or indirectly, the curing of their patients to the degree necessary in order to justify their return to the battlefield; not for the sake of their mental stability. Both Rivers and Yealland are also very similar in terms of the degree of control and influence they have over their respective patients. While Yealland’s treatments are extremely radical, and Rivers’s are more conventional, they do necessarily achieve the same thing through the great amount of power they have. Chapter 22 gives readers important insight on what Rivers, Yealland, and other psychiatrists actually, instead of superficially, accomplish, as well as affiliating Rivers with Yealland; two characters that might appear to be polarized initially, that actually have more similarities than differences.
"Into The Woods," is a mixture of Cinderella, Little Red Ridinghood, Jack In The Bean Stalk, Rapunzel, and The Baker and The Baker's Wife. It was held at the Springfield Theatre on Lawrence Street, on the eighth day of the tenth month of the year 2000. The plays were not separated in their own section the whole time. They mixed them all together most of the time. It was very interesting and entertaining. This musical was set in the woods (the whole time). Every skit was just like the original ones, but they put a little twist to them to make them funnier.
The thirty years the Vietnamese spent fighting the war destroyed the value system of Vietnam culture. The war devastated the country, villages, and families. After the war, the Vietnamese began reconstructing their way of life. The character of Kien, in The Sorrow of War, shows the plight of the people of Vietnam before, during, and after the Vietnam War.
...reader to gain inside thought into how bad the mental condition is affecting him as his behavior allows for further indication of craziness as a result from the schizophrenia. The evidence presented in this play for the scientific explanation of this literary classic is quite prominent as it gives an insight into what a schizophrenic acts, thinks, and behaves like.
Herring begins his account with a summary of the First Indochina War. He reports that the Vietnamese resisted French imperialism as persistently as they had Chinese. French colonial policies had transformed the Vietnamese economic and social systems, giving rise to an urban middle class, however; the exploitation of the country and its people stimulated more radical revolutionary activity. Herring states that the revolution of 1945 was almost entirely the personal creation of the charismatic leader Ho Chi Minh. Minh is described as a frail and gentle man who radiated warmth and serenity, however; beneath this mild exterior existed a determined revolutionary who was willing to employ the most cold- blooded methods in the cause to which he dedicated his life. With the guidance of Minh, the Vietminh launched as a response to the favorable circumstances of World War II. By the spring of 1945, Minh mobilized a base of great support. When Japan surrendered in 1945, the Vietminh filled the vacuum. France and the Vietminh attempted to negotiate an agreement, but their goals were irreconcilable.
It is not just Kien whose life is destroyed by the war. Kien tells of a driver Vuong who, before the war, drank very little and was kind a timid. Vuong disappears for many months and when he returns his life has collapsed. “I’ve given up driving, fellas. Now alcohol drives me,” Voung states (Ninh, 152). Kien tou...
...le to concisely communicate their feelings to another party. While there are individuals who have trouble communicating there are individuals like John Nash who have power to communicate but are troubled with other symptoms of schizophrenia such as persecutory delusions. In short I have learned that mental disorders are complex; therapists must approach every disorder with the same amount of seriousness so that they can be helpful to their patients. Also the restrictions for each disorder must be specific and narrow so that it is possible to accurately diagnose a patient and avoid a misdiagnosis. By learning about the ridged qualifications for different illnesses I have gained a greater grasp on the biological aspect of mental disorders, and how different medication can interact internally within different chemical imbalances in the body.
Being in a state of emotional discomfort is almost like being insane. For the person in this discomfort they feel deranged and confused and for onlookers they look as if they have escaped a mental hospital. On The first page of chapter fifteen in the novel Invisible Man by Ralph Ellison, the main character is in a state of total discomfort and feels as if he is going mad. From the reader’s perspective it seems as if he is totally out of control of his body. This portrayal of the narrator is to express how torn he is between his two selves. He does not know how to tell Mary, the woman who saved him and has been like a mother to him, that he is leaving her for a new job, nor does he know if he wants to. His conflicting thoughts cause him to feel and seem a little mad. The author purposefully uses the narrator’s divergent feelings to make portray him as someone uncomfortable in is own skin. This tone is portrayed using intense diction, syntax, and extended metaphors.