With her extensive knowledge of mental institutions and mental illnesses, Susan Vaught draws readers to her completely creepy and fascinating novel Insanity intertwining the accounts of four young people who find themselves tormented beyond their imagination in the Lincoln Hospital. It is a place where the living and the dead cannot find peace. Forest, an 18-year-old girl, works the graveyard shift at Lincoln Hospital, her colleagues and herself knew this when she asked for the job. Lincoln is a large state mental institution, a great place for Forest to earn some money to pay her college tuition. Along with hundreds of extremely unstable patients, it also has hidden underground tunnels, bell towers that ring surprisingly, and a closet that carries more than donated clothes. A dead husband of one of Forest's patients shows up late one night apparently accompanied by an advocate of the Devil, Forest drops all sense of reality and all judgment of time. Horrified, she understands she has a role to play, and when she does so, she discovers a heritage that she never anticipated. In his paper, I will take an in-depth look into five archetypes: the journey, the task, the orphan, the fairy god mother and the quest in Vaught’s work. The Task Forest has just grown out of …show more content…
It involves too much fighting from one viewpoint to another. The bad guys were impressive, and the fight placements were excellent but there was too much. Forest cares about her friends to a point of putting herself at risk to keep them safe. Forest even cares for the spirits and souls that she supports, as long as they are not evil. If they are evil, she does everything in her power to stop them; she is very powerful. The whole novel is all about fighting spiritual ghosts after spiritual ghosts. When the characters defeated one spirit, another spirit pops up that they have to
Ken Kesey’s One Flew Over the Cuckoo’s Nest explores the dysfunctions and struggles of life for the patients in a matriarch ruled mental hospital. As told by a schizophrenic Native American named Chief Bromden, the novel focuses primarily on Randle McMurphy, a boisterous new patient introduced into the ward, and his constant war with the Big Nurse Ratched, the emasculating authoritarian ruler of the ward. Constricted by the austere ward policy and the callous Big Nurse, the patients are intimidated into passivity. Feeling less like patients and more like inmates of a prison, the men surrender themselves to a life of submissiveness-- until McMurphy arrives. With his defiant, fearless and humorous presence, he instills a certain sense of rebellion within all of the other patients. Before long, McMurphy has the majority of the Acutes on the ward following him and looking to him as though he is a hero. His reputation quickly escalates into something Christ-like as he challenges the nurse repeatedly, showing the other men through his battle and his humor that one must never be afraid to go against an authority that favors conformity and efficiency over individual people and their needs. McMurphy’s ruthless behavior and seemingly unwavering will to protest ward policy and exhaust Nurse Ratched’s placidity not only serves to inspire other characters in the novel, but also brings the Kesey’s central theme into focus: the struggle of the individual against the manipulation of authoritarian conformists. The asylum itself is but a microcosm of society in 1950’s America, therefore the patients represent the individuals within a conformist nation and the Big Nurse is a symbol of the authority and the force of the Combine she represents--all...
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
Forcing someone to take medication or be hospitalized against their will seems contrary to an individual’s right to refuse medical treatment, however, the issue becomes complicated when it involves individuals suffering from a mental illness. What should be done when a person has lost their grasp on reality, or if they are at a risk of harming themselves or others? Would that justify denying individuals the right to refuse treatment and issuing involuntary treatment? Numerous books and articles have been written which debates this issue and presents the recommendations of assorted experts.
There is a fine line between sanity and insanity, a line that can be crossed or purposefully avoided. The books The Things They Carried and Slaughterhouse-Five both explore the space around this line as their characters confront war. While O’Brien and Vonnegut both use repetition to emphasize acceptance of fate, their characters’ psychological and internal responses to war differ significantly. In The Things They Carried, the narrator and Norman Bowker carry guilt as evidence of sanity. In Slaughterhouse-Five, Billy Pilgrim and the innkeepers carry on with life in order to perpetuate sanity. Both authors develop a distinct theme of responding in the face of the insanity of war.
Schizophrenia in The Yellow Wallpaper. Charlotte Perkins Gilman’s "The Yellow Wall-Paper," does more than just tell the story of a woman who suffers at the hands of 19th century quack medicine. Gilman created a protagonist with real emotions and a real psych that can be examined and analyzed in the context of modern psychology. In fact, understanding the psychology of the unnamed protagonist is well on the way to understanding the story itself. " The Yellow Wall-Paper," written in first-person narrative, charts the psychological state of the protagonist as she slowly deteriorates into schizophrenia (a disintegration of the personality).
The two texts emphasized in this essay include Elyn R. Saks’ The Center Cannot Hold : My Journey Through Madness and Joseph Campbell’s The Hero With A Thousand Faces. “There were many days when I believed I was nothing more than the Lady of Charts - a crazy woman who’d faked her way into a teaching job and would soon be discovered for what she really was and put where she really belonged - in a mental hospital” (Saks 263). Saks entire life was a struggle because of the mental illness she had since a young age, schizophrenia. Most of her younger years were lived being misunderstood by her parents and peers alike. She turned to options like substance abuse and self harm to cope with her deteriorating situation in life. There came a point where she realized that she was better than her illness and was able to overcome it with the help and guidance of a few mentors. Now, Saks is a very successful assistant dean, as well as a professor of law, psychology, psychiatry, and behavioral sciences at the University of Southern California Gould Law School. Saks also went on to receive the award for MacArthur Foundation Fellowship and write her book. Joseph Campbell was also very successful in the same way because he wrote a book that is very complex and still relevant in this day and age. Campbell made the mold and Saks’ life fits it
The media effects coupled with predisposers, precipitants and facilitators can have dire consequences on their own, but the last subject for mass murderer that demands attention is mental illness. In order to distinguish between the various kinds of mental illness and criminal culpability, this paper will analyze the criteria for ‘insanity’ developed by Cohen and Coffin. The victim is innocent and there is no reasonable way the perpetrator should consider them an enemy. The motive is unintelligible, delusional, unrealistic, and inappropriate for the nature of the murder. The method is ill-planned and often requires a situational weapon such as a blunt or sharp object. No attempt for secrecy, concealment, to avoid guilt, or to evade capture. And there should be queer behaviour illustrated before and after the fact such as depression, suicide attempts, etc. This point does not mean to convey that mass murderers and serial killers are insane by the same definition for they are usually calculating, patient, pursue the most prolific and in some cases sadistic methods, and realize their actions are wrong. However, it is important to recognize that they are clearly exploring sociological deviance and their mental instability is a contributing part. Teams of socio-scientists researching Jonesboro and Paducah cases found the shooters were: socially marginalized from bullying/teasing, had family problems, failed to attract attention from authority figures, had an availability of guns, and suffered from mental illnesses making them more vulnerable than other youths. Perhaps the media would not have such a far reaching and tight grip on people’s lives if it were not for the culture where children are reared. The weapons that are ...
The struggles of mental illness can be located anywhere, at any time. The short story ‘’Man From the South’ ’ definitely demonstrates insanity throughout its whole plot. The author Roal Dahl is excellent for disturbing the reader’s mind with his highly creative imagination. Generally, this story that is taking place in Jamaica is about an elderly man questioning another one about his abilities to use a lighter. Consequently, the man comes up with a bet. This crazy bet consists of going up to his hotel room and to watch the young man light his lighter ten times. If the young man succeeds, he wins a brand new Cadillac, but if he doesn’t, the man must condemn his left pinky immediately. In this short story, there are many indicators that the elderly man has some kind of mental issues.
In the early 1960’s, Ken Kesey worked in the psych ward in a veterans hospital as an aide. During the course of his job, Kesey realized the administrators were giving patients experimental LSD to cope with their mental illnesses. After seeing this being done, he started to wonder, who is mentally stable and what classifies a person as insane (Kesey)? With this in mind Ken Kesey wrote, One Flew Over the Cuckoo’s Nest. This classic novel depicts the image of a psych ward under control by the manipulative, Nurse Ratched. The patients on the ward are lifeless; every waking moment is scheduled and controlled, until one day when a new patient, Patrick McMurphy arrives. Patrick McMurphy brings life back into the patients and helps them push the boundaries. With McMurphy on the ward there becomes a new normal. When answering the question of what normalcy is, Kesey uses character development, symbols, and motifs to give insight of the psychological well-being of others and how it shifts with positive and negative changes.
Within the novel “Delirium” written by Lauren Oliver, there was a girl by the name of Magdalena (Lena) Haloway. She existed within a society where love was considered a deadly disease, and upon reaching the age of 18 it was mandatory you were ‘cured’ of it. Most accepted this fate, as it guaranteed you a life without the inconvenience love may bring. But those with the illness did not want to live without it. Despite their wishes, not a single citizen had a choice in the matter. Each and every citizen was forced to receive “The Cure”.
The next most pivotal stage in Susanna Kaysen’s hero’s journey is the call to adventure. This is when she first admits herself into McLean mental hospital. This introduction to a new world and and environment is a transition that is not easy for Susanna. Ultimately, the choice was hers to enroll to the mental hospital, but she was heavily encouraged by her psychologist to go. “‘I’ve got a bed for you,’ he said. “It’ll be a rest. Just for a couple weeks, okay?’” (Kaysen 8). Susanna agrees to go at the end of the week, on Friday, but he immediately he snaps back with “No. You go now,” (8). The
Insane. What comes to mind when someone is thought to be insane? Many may think that an insane person is anyone who is in a mental hospital. This is not always true though, as being “insane” is defined as, “being in a state of mind that prevents normal perception, behavior, or social interaction, seriously mentally ill”(Define Google). In the book One Flew Over the Cuckoo’s Nest by Ken Kesey, the theme of insane is shown throughout the book, while at the same time, it points out that not all are insane.
The sheer number of portrayals of mental illness in fictional films, television programs and, in this case, literature is substantial and has been primarily responsible for perpetuating certain myths and stereotypes about mental illness. In most cases, people who are portrayed with mental illnesses are commonly exhibited as being violent and/or aggressive, but are also frequently depicted as eccentrics, seductresses (in the case of women), self-obsessives, objects for scientific observation, simpletons and/or failures. One or more of these such labels can be applied to the characters examined in both The Beauty Queen of Leenane and The Holy
One of the main causes for her insanity is the treatment she is receiving by her husband. Right when the story begins the narrator moves into a home with her husband and new born child to stay for a few
The basis of insanity is upon M’Nagten Rules (1843) which set forward the principles of a defence when the “defendant had a defect of reason” or a “disease of the mind” and was not able to understand the nature of the act they did or did not know what they were doing was wrong. These three conditions must be proved for the defence of insanity to become available. Insanity is available for the all cases that require mens rea except for strict liability cases.