Trayvon Banks
AP English IV-4A
Mrs. Dershem C9
Tuesday February 11, 2014
The motifs of The Inferno
The Inferno: Dante’s immortal drama of a journey through Hell, written by Dante Alighieri, who illustrates his own perception of Hell and it's well organized inner-dimensions as an act of rebellion toward the Catholic Church in the 1300s. As Alighieri envisions his journey through Hell, he implants numerous obscene elements of mother nature along Dante and Virgil’s travel. These oddities of mother nature in Hell establish a connection between Earth and Hell, not only through the people themselves but through the harshness of Mother nature as well. These connections are most evident in the vestib Limbo, the Forest of Suicides, and the Burning Sands as they all display Earthly characteristics within Hell.
Alighieri divides the realms of Hell by the seven deadly sins, which derives from the Catholic religion. Each Circle is expresses the personality of each individual that He and Virgil encounter through each sinners perceptions of their moral and ethical belief. When Dante and Virgil ...
Dante’s concept of sin and punishment conflicts with the modern American idea of morality. Not only sequence and grouping but also the punishments of sin in the original Circle of Hell are much different of that in a modern American version.
In the Inferno we follow the journey of Dante as he wanders off the path of moral truth and into Hell. The Virgin Mary and Santa Lucia ask Beatrice, Dante’s deceased love, to send some help. Thus, Virgil comes to the rescue and essentially guides Dante through Hell and back to the mortal world from which he came. However, things begin to seem kind of odd. When reading the Inferno one may begin to question the way Dante describes Hell and the things that occur within, or even the things we have always believed about Hell. Despite the way it is described and well known in western civilization, Hell is not at all how we expect it to be because of Dante's use of irony throughout this poetic masterpiece.
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
Inferno is the first and most famous of a three part series by Dante Alighieri known as the Divine Comedy that describes his journey to God through the levels of Hell, Purgatory, and Paradise written in the early fourteenth century. Scholars spanning over nearly seven centuries have praised its beauty and complexity, unmatched by any other medieval poem. Patrick Hunt’s review, “On the Inferno,” states, “Dante’s extensive use of symbolism and prolific use of allegory— even in incredible anatomical detail—have been often plumbed as scholars have explored the gamut of his work’s classical, biblical, historical, and contemporary political significance” (9). In the story, each of the three main characters, Dante, Virgil, and Beatrice, represent
Dante Alighieri's The Inferno is a poem written in first person that tells a story of Dante’s journey through the nine circles of Hell after he strays from the rightful path. Each circle of Hell contains sinners who have committed different sins during their lifetime and are punished based on the severity of their sins. When taking into the beliefs and moral teachings of the Catholic Church into consideration, these punishments seem especially unfair and extreme.
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
In conclusion, a great deal of tension and contrast between “dark” and “light” in The Inferno helps us to explore Dante’s self portrait—he fears dangerous desires and sinful darkness, but shows much courage and hope towards life since he nevertheless follows his guide Virgil to dive into horrible Hell. As shown in Canto I, such emotional reaction to dark and light symbols lays a great foundation for developing Dante’s broad and universal traits as his journey progresses.
Dante feels hell is a necessary, painful first step in any man’s spiritual journey, and the path to the blessed after-life awaits anyone who seeks to find it, and through a screen of perseverance, one will find the face of God. Nonetheless, Dante aspires to heaven in an optimistic process, to find salvation in God, despite the merciless torture chamber he has to travel through. As Dante attempts to find God in his life, those sentenced to punishment in hell hinder him from the true path, as the city of hell in Inferno represents the negative consequences of sinful actions and desires. Though the punishments invariably fit the crimes of the sinners and retributive justice reigns, the palpable emphasis of fear and pity that Dante imbues on the transgressors illustrates his human tendency to feel sympathy towards one who is suffering. For example, when Dante approaches the gat...
Dante Alighieri presents a vivid and awakening view of the depths of Hell in the first book of his Divine Comedy, the Inferno. The reader is allowed to contemplate the state of his own soul as Dante "visits" and views the state of the souls of those eternally assigned to Hell's hallows. While any one of the cantos written in Inferno will offer an excellent description of the suffering and justice of hell, Canto V offers a poignant view of the assignment of punishment based on the committed sin. Through this close reading, we will examine three distinct areas of Dante's hell: the geography and punishment the sinner is restricted to, the character of the sinner, and the "fairness" or justice of the punishment in relation to the sin. Dante's Inferno is an ordered and descriptive journey that allows the reader the chance to see his own shortcomings in the sinners presented in the text.
...he Inferno or the story of Hell, another one being the symbols of human’s sins which reinforce the poet Dante’s allegory.
Dante begins The Inferno by embarking on a journey to Hell with his poet guide, Virgil. Along the voyage, the reader gets a taste of the gruesome imagery and depictions of the punishments for the different levels of sinner. Throughout this journey Dante encounters many sinners whom he knew or knew of in the real world, and in the beginning the sinners wanted their name to be spread in the world when Dante got out of Hell. But, as Dante explored further and further into the underworld, the sinners got less and less enthusiastic about themselves, which eventually turned into outright shame among the sinners in the lower depths of hell. Dante uses over the top examples of punishments for sins committed and the differing levels of shame the sinners feel to cause the reader to reevaluate his or her own life in the context of religious wrongdoings. The over the top punishments and shame are needed in this work of art to relay the predominant meaning.
Justice is one of the major building block that society is built upon. It gives people a sense of retribution when they have been wronged. In Dante’s Inferno, justice is served in the supernatural realm. Throughout this play, the reader is exposed to the inner working of hell and the nine circles of specialized punishment it is composed of. Justice, in Dante’s Inferno, differs from justice in the mortal world in that it is decided, not by humans, but by God. However, it is not God’s justice that is portrayed in this divine comedy. While this divine comedy depicts justice coming from God, the justice in the Inferno is based on Dante’s personal views of the severity of the sin and the sinner. This paper will examine this issue by looking into the life of Dante and the potential reasons for his rankings of the sin pertaining to specific circles of hell.
sun, and that they now live sullen forever.” Dante and Virgil are now happy that they finally where able to get out of the marsh and come to a high tower that had no name (Hero).
The Inferno was written by Dante Alighieri around 1314 and depicts the poet’s imaginary journey through Hell. Dante spent his life traveling from court to court both lecturing and writing down his experiences. His Divine Comedy – the three-part epic poem consisting of Inferno, Purgatorio, and Paradiso (Hell, Purgatory and Heaven)– is generally regarded as one of the greatest poetic feats ever accomplished. All three parts are incredible literary feats with symbolism so complex and beautiful that scholars are still unraveling all the details today. However, this essay will focus on the first part of Dante’s work, Inferno, which consists of 34 cantos. Dante’s Inferno is a masterpiece of allegorical imagery where Virgil represents human reason, Beatrice love and hope, and Dante mankind on the journey of the human soul through life to reach salvation.