Identifying a Comedy Film
There are many different ways in which I can identify a comedy film.
For instance, most comedy films would involve some other sort of genre
with it such as Horror or Romance, maybe involving both or more. These
genres also involve a story plot such as falling in love or an
ambition to do something.
Most comedy films usually end with a happy ending. It is unlikely that
a comedy film will end with an unhappy ending as a comedy film is
supposed to make the viewer enjoy themselves and have a laugh. No
matter what film it is, there will always be either physical or verbal
action or maybe both. This can involve using things like fake props
such as limbs with people taking them off in un-expecting places, or
maybe doing something out of the ordinary such as 'checking under the
hood' of an aeroplane where you see someone lift up a flap in front of
the cockpit.. Verbal action may use misunderstandings so this would
make somebody do something funny. Comedy films may also use comic
suspense and/or surprise which would mean then something would happen
without notice for instance, most people would associate girl guides
as being pleasant and polite, whereas they may turn nasty when doing
something. The generation of laughter is also used many times
throughout a film to help make the viewer laugh for no apparent reason
or something maybe be happening in the background or foreground.
Verisimilitude may also be associated with comedy films. This is where
a character speaks in to the camera so that they break the vision of
reality to either explain or do something.
Comedy films can usually be spotted either by the opening credits as
the film makers may decide to use a style of font that would be
irregular to the normal style. Another factor is the opening scenes,
and set on fire. It is complete rubbish, designed to strengthen his ethos as a comedian and make him the
My analysis is on the film The Goonies. While I view the movie and determine the various norms, behaviors, roles and interaction between group members, as well as individuals the examination within the realm of film can present many of the same components. Thus, our group selected this movie to analyze based on its formation of a cohesive problem-solving group full of unforgettable characters. The Goonies portray many different theories and aspects of small group communication.
Juror #1 originally thought that the boy was guilty. He was convinced that the evidence was concrete enough to convict the boy. He continued to think this until the jury voted the first time and saw that one of the jurors thought that the boy was innocent. Then throughout the movie, all of the jurors were slowly convinced that the boy was no guilty.
Manbearpig: Half Man, Half Bear, Half Pig, but All Global Warming? South Park is a popular animated comedy series written by Trey Parker and Matt Stone. While the episodes of South Park are always humorous on the surface, each show usually has a deeper, much more profound meaning and moral. One episode of South Park entitled Manbearpig, named after the monster in the episode, has a particularly potent deeper meaning. On the surface, the episode pokes fun at monster stories, politics, and specifically Al Gore. Deeper down, however, this monster story can be read as a national allegory alluding to the dangers of global warming, the problems with the politics behind global warming, and the eventual doom we will all face
Everyone says, everywhere you go, that everything is about sex. Wars and films were no different. The “screwball comedy” was a movie making style popular in the 1940’s. This style was created so filmmakers could put more risqué moments in their films while still abiding by the censorship laws. These movies were “sex comedies without the sex” (Andrew Sarria, film critic discussing screwball comedies). Stanley Kubrick used this idea to fuel a satire about the idealistic Cold War in 1964 to supposedly fight communism. Dr. Strangelove debunks the myth of American moral superiority through the constant sexual undertones and over masculinity throughout the film and instead portrays the Cold War as groups of testosterone fueled, sex driven men compensating for inferiority complexes.
Most of us have seen a movie that has made us almost cry from laughter. This is what comes to mind when we think of comedies. We are correct, comedies exist to entertain the audience. The film Nebraska does this, they engage their public. Nebraska captivates the viewers with its humor. The film makes the characters exaggerated and stereotypes to make it humorous. The soundtrack of the film is upbeat and cheerful to create a lighthearted atmosphere. Nebraska’s ending is happy enough to make the audience feel good about it. The film has enough elements of comedy to be considered a comedy film, yet it has enough drama to be consider a drama film.
This essay is going to discuss about racism in comedy and in addition to that it is also going to look at whether it is acceptable for comedians to use certain racial words for example when black comedians use the word “Nigger”. Also it is going to look at how different audience put up with this kind of material, but first of all it is going to look at the actual word itself and where in the blue marble that we call earth it originated from.
Parkland College has produced a new musical for the 2013-2014 season called Spamalot. The original of this play, Monty Python’s Spamalot is a musical comedy adapted form the film Monty Python and the Holy Grail. The plot of the show is a parody of Arthurian Legend and retails the legend of King Arthur and his Knights of the Round Table. The original 2005 broadway production, directed by Mike Nichols was a huge success. It won three Tony Awards, including the Best Musical for the season and received 14 Tony Award nominations. Moreover, during its initial run of over 1,500 performances, it grossed over $175 million with more than two million audience. The production in Parkland College was also very successful with the tickets being sold out for most of the shows.
The Fight Club, directed by David Fincher, constructs an underground world of men fighting with one and other to find the meaning to their lives. Ed Norton and Brad Pitt are the main characters who start the fight club. They make a set of rules in which everyone must follow.
The main themes of the story are loneliness, materialism, and freedom from society. Tyler was created because of the lack of connection the narrator had with the people around him. The narrator was lonely and attended so many support groups because of it. He was not rejected at the support groups because the members thought he was sick just like they were. Materialism is a reoccurring theme as the narrator mentions how he has worked his entire life for the Ikea items in his apartment. He tried to fill the void in his life by buying worthless, meaningless stuff. People spend too much time working for things they do not need. The narrator comes to the conclusion that, “You are not your job or your possessions.” Only once a person realizes that can he or she finally let go and start living. “It’s only after you’ve lost everything,” Tyler says, “that you’re free to do anything.” In order to be free, we must not care about the stuff we own. Our whole lives are spent working to pay for stuff. If we did not have stuff to pay for, we would not have to work as hard and our time could be spent doing something more meaningful.
In the novel No Country for Old Men by Cormac McCarthy, the increased brutality and violence along the Texas-Mexico border leads to various moral conflicts among the citizens as well as authority figures. Because of this ominous presence, the characters, especially the older men, are forced to combat such violence and brutality, with varying degrees of success. Although experience and ethical obligations can allow for some success, it is ultimately achieved by those that are able to conform to such brutality rather than fight it. In the novel, Anton Chigurh represents the new era of men in Texas through his defiance of law and justice whereas Sheriff Bell stands for the old values of the country and Llewelyn Moss holds a position in the world between the two ultimatums. Throughout the novel, the drastic societal alterations affect characters differently depending on their moral values and physical capabilities thus revealing how the country has become too violent and brutal for the men who rely on justice
Bitter about the evolution of the corruption of society, Sheriff Ed Tom Bell plays the official hero clinging to old traditions and reminiscing about the old days in No Country for Old Men by Cormac McCarthy. Delusions of a peaceful utopia during the time his grandpa Jack was a sheriff has left Bell looking at the world through hopeless eyes; a world on its knees with only one explanation for its demise: Satan. Not necessarily a religious man, Sheriff Bell, when asked if he believes in Satan, remarks: “He explains a lot of things that otherwise don’t have no explanation. Or not to me they don’t” (218). Throughout No County for Old Men, Sheriff Bell is determined to save Llewellyn Moss in order to prove that justice can be served in a world now drenched in decay. Throughout the book and the film adaptation, the audience can see Sheriff Bell, a tormented old man, sink deeper into his bitterness and his hope sizzle away in the Texas heat.
Like a contemporary Dorothy, Romancing the Stone's Joan Wilder must travel to Columbia and survive incredible adventures to learn that she had always been a capable and valuable person. Romancing the Stone (Robert Zemeckis, 1984) is part of a series of 1980s action comedies that disrupted previous expectations for female heroines. These female protagonists manage to subvert the standard action narrative and filmic gaze, learning to rescue themselves and to resist others' limited vision of them. Not only did these action comedies present strong female characters, they also offered a new filmic experience for female audiences. The commercial success of comic action heroines paved the way for women to appear in serious action roles--without the personal sacrifices required of Sigourney Weaver’s Ripley. Figures like Joan Wilder serve as an important link between previous strong yet feminine screen personas and current female stars.
Since the time of Aristotle, romantic comedies have sought to tell a story about two people, and questions whether or not they would end up together as Billy Mernit (author of Writing the Romantic Comedy)informs. They also make us question what it means to be in a relationship and tell us a little about ourselves. The romantic comedies were extremely popular with moviegoers during its Golden Age of the 1930’s as Daniel M. Kimmel (author of I’ll Have What She’s Having: Behind the Scenes of the Great Romantic Comedies) informs us. The good romantic comedies of this time were referred to as “weepies” or “three hanky pictures (Kimmel). Over time, though, the romantic comedies dwindled to the point where nowadays the romantic comedies seem to be dead (Mernit). Today, the romantic comedy is alive and well, but it goes unrecognized due to it adapting. The appearance of the romantic comedy may have changed, but the key elements have not changed. The key elements of any romantic comedy include two characters who will meet and fall in love with each other, a conflict that will tear the two of them apart, and an ending where love has changed the main characters and they will either accept or deny love such as the events of Philadelphia Story.
The Walt Disney Animation Studios film Zootopia is too humorous and heartwarming not to watch. The children 's movie, directed by Byron Howard, is an entertaining animation film made for all ages due to its characters, humor and life-lessons. The film is about a rabbit named Judy Hopps who wants to become police officer in Zootopia but is told she can 't because there are no rabbit police officers. She makes it through police training despite all the negativity and becomes the first rabbit to join the police force. She gets assigned to meter maid duty, not the job she was aiming for. Determined to prove she is just as good as any other officer, she takes the opportunity to solve a mysterious crime. Unfortunately Hopps ends up partnering with