Iago's Manipulation of Characters in William Shakespeare's Othello
Introduction
The play 'Othello' was created by William Shakespeare. Othello is a
tale set in Venice at the time when adultery was a hanging offence. It
is a tale all about jealousy and manipulation by one of the main
characters, Iago. It was originally created by Giraldi Cinthio and was
titled: 'The Story of Disdemona of Venice and the Moorish Captain'
Shakespeare created his play by taking the characters and location and
then adapting it to his own style for effect.
Iago manipulates the characters by revealing and exploiting their
fatal flaws to bring about their downfall. Iago uses Othello's
jealousy of Cassio to make Othello believe he is having an affair with
Desdemona. Iago uses Desdemona's trust and love for Othello to bring
about her downfall. Iago even uses his wife's trust to make her not
notice his schemes. Iago also uses Cassio's fatal flaw, trust. Cassio
is in love with Desdemona. Iago has his own weakness too, greed. He is
greedy for power and is jealous of Cassio for being promoted above
him, and will do anything to stop Othello and Cassio.
In act 1 scene 1, Iago starts to manipulate Othello straight away.
Iago is speaking to Roderigo about how he despises Othello and wants
revenge. Iago refers to Othello as 'it' or 'him' never speaking his
name, this is used to make Iago sound more devious, and to give more
effect to the scene. Iago carries on and says that he also hates
Cassio for getting 'his job' by being promoted to lieutenant ahead of
him, a promotion, Iago feels, should have belonged to him. Iago vows
that he will get revenge upon Othel...
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... realising until the damage had been done.
Iago managed this by using rhetoric in his manipulation. He uses Ethos
- the use of an authority or educator to break up arguments - and he
uses Pathos - the use of emotive language and imagery to add dramatic
effect - and finally Logos - the use of logic, data and statistics. He
carefully uses all of these on all characters throughout the play to
bring about their deaths.
An example of Ethos was when Iago talks to Montano about Othello and
Cassio's drink problem, an example of Pathos is when Iago talks to
Brabantio about Othello and Desdemona's marriage, and an example of
Logos is when Bianca is seen with the handkerchief by Othello. All of
this clever and sly manipulation leads to the downfall of several
characters, and the imprisonment of himself, (which was unplanned).
Iago’s Use of Rhetorical Strategies to Manipulate Othello in Shakespeare’s Othello. Rhetorical strategies are continually used to get a point across, or to manipulate another. Iago uses many devices to put false accusations into Othello’s head. In lines 330-447 in Act 3 scene 3, Iago uses rhetorical questioning, imagery, and sarcasm.
The play Othello by William Shakespeare has been argued to have been given the wrong name. The focus of the play is on Iago and the numerous tricks he employs to exact his revenge. Although Othello is a powerful and significant character, Iago is unparalleled in his manipulative nature, causing devastation to the lives of those who trust him. The hatred and jealousy Iago harbors towards Othello leads to the ruin of key characters. How does Iago manage to manipulate so many people in Othello?
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance.
Manipulation is viewed in a negative light in society, but if used correctly, such as advertisement, can be quite effective. Despite the fact that Iago is considered to be Othello’s right-hand man, he uses conniving and manipulation to get revenge, shaping every odd occurrence and event to his own cowardly schemes. Iago gets inside of Othello’s mind and uses his jealousy and persecution as the Moor against him. He controls Rodrigo and ultimately destroys his reputation as well as influences Cassio when he is depressed. Iago figures out ways to manipulate multiple characters in Shakespeare’s play Othello using their faults - jealousy, control, and pride – to obtain his wants and desires.
manipulates people about Othello and his wife Desdemona. Iago starts manipulating people by hinting that Desdemona is having an affair with Cassio, and so in Act 3 scene 3 Iago puts his plans into action. starts manipulating people. Iago’s manipulation of Othello is admirable. Iago starts off very subtle.
Since the dawn of time, people have always manipulated others for their self-absorbed needs. Some did it to gain wealth, fame, or power and some for the sake of doing it. In William Shakespeare’s play, “Othello”, a character named Iago manipulates the people surrounding him for his twisted purposes of gaining higher status and for entertainment. He tries to convince Othello that his wife is cheating behind his back; he brands Cassio as the cheater, fools Roderigo into believing him, which leads to his death and finally, kills his own wife, Emilia. Iago’s motive for controlling these people is to plot out revenge for the enjoyment of doing so, making him a schadenfreude, and also to gain higher status.
This paper will prove that Iago has one clear motive and reason for his madness. Iago is not looking for justification that causes him to act the way he does. There is much more to Iago. He is not a man of only excuses, he has goals with his motives, which causes him to act the way he does. As early as the first scene of the play, Iago shows us strong motives for his actions.
Iago is a man wronged by Othello in the fact that he was not chosen to be Othello’s lieutenant, which is what put the dastardly idea into Iago’s head to trick them all and bring them to their knees. As Iago tells Roderigo within the first act and scene of “Othello”, Despise me if I do not. Three great ones of the city,/ In personal suit to make me his lieutenant,... ... middle of paper ... ... n the end of the play.
Iago would most commonly be referred to as dishonest, however beyond that he is also downright amoral and uses other’s weaknesses to manipulate them into doing what he pleases. From the very beginning we see how Iago manipulates Roderigo by pretending he is looking out for his best interests in the matter of Othello’s elopement with Desdemona. He makes Barbantio angry with Othello and Desdemona by telling him about their elopement then lying about the consummation of their relationship. He then leaves Roderigo to take responsibility for his (Iago’s) actions. In the meantime he goes off to inform Othello that Roderigo is accountable for telling Barbantio about the relationship and saying horrible things about Othello. Iago later brings Roderigo back into his quest for revenge when he tries to get Cassio fired from the position that Iago originally wished to obtain. Although Cassio knows it is against his better judgement to drink, Iago manipulates him into getting drunk then stages a fight between Roderigo and Cassio. He even goes as far as to try to make Cassio look bad by telling Montano that he gets drunk regularly. Upon Iago’s explanation of the situation Othello promptly fires Cassio from his position and Iago becomes more respected in Othello’s eyes. Roderigo is a prime example of how Iago uses people to fulfil his desires. Iago convinces Roderigo that he could win Desdemona’s love away from Othello and the only man that stands in the way is Cassio. In this way when he plans to humiliate Cassio it seems as if he is doing it to help out Roderigo when, in actuality, he is seeking revenge on Cassio for taking his position.
Iago intends to orchestrate the demise of Cassio and Othello. On the surface, winning a promotion was the catalyst for Iago’s rage but bringing down only Cassio does not satisfy his bloodthirsty rage. Although Iago is cunning and ruthless in his pursuit to ruin Othello, the plot spins out of his control and only gains traction when his wife, Emilia unknowingly helps him. At this point Iago is poised to fail but the possession of Desdemona’s handkerchief provides a key piece of “ocular proof (Shakespeare)” that Othello requires to be convinced of Desdemona’s infidelity. Iago loses control of the situation. His stated purpose is to suppl...
Everyone at some point in their lives attempts to convince someone to behave certain ways and to do specific things that ultimately will only benefit the person doing the convincing. Throughout the entire book, Othello, Iago attempts to convince numerous people in order to in the end only benefit and help himself. In this scene, Roderigo is explaining to Iago how he no longer wants to love because he is without Desdemona’s love. Iago then focuses on convincing Roderigo not only out of suicide, but also into getting Desdemona back. If Iago was unable to encourage Roderigo to go back after Desdemona, his plans would have been ruined. In lines 296-395, Iago uses many different uses of language in order to convince Roderigo to do what he wants him to do.
Shakespeare develops the character Iago into an instigator and evil man. Iago attempts and succeeds to convince Othello that his wife has had an affair with his friend Cassio. We see Iago beginning his plans at the very start of the play. “But I will wear my heart upon my sleeve for daws to peck at, I am not what I am.”(Oth 1:1:64-65) He immediately tries to start trouble with Brabantio and Othello over the marriage to Desdemona. Iago want to get in Othello’s way because he was passed over for general and Cassio was chosen instead. We see from the start how he plots against Othello and he involves several characters in his plans. “And what’s he then that says I play the villain? When this advice is free. I give and honest, probal to thinking, and indeed the course to win the Moor again? For tis easy Th’ inclining Desdemona to subdue in any honest suit; she’s framed as fruitful…”(2:3:295-300).
The events that occur in the first half of Act 1 are all in anticipation of the lead character Othello who we are not immediately introduced too. We learn Iago’s name in the second line of the play and Roderigo’s soon after, but Othello is not mentioned by his name once. Instead he is referred to as ‘he’, ‘him’ and is frequently described as ‘the moor’ (1.1.58) he is also described as having ‘thick lips’ (1.1.67) and later as being a ‘Barbary horse’ (1.1.111) is continuously described by his critics, mainly Iago, as a ‘moor’, demonstrating Iago’s frequently concerning nature of race and also portraying Othello as something of an alien. From this reference we are able to immediately understand Iago’s true feelings and motives for Othello.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Shakespeare uses Iago and Othello as the main characters of the play, showing how Iago manipulates Othello into believing his wife is cheating on him. Iago, or “honest Iago”, the villain of the play, a perfectionist at manipulation, that manages to influence people into thinking his deceitfulness is an act of honesty. He spends all of his time plotting against Othello and Desdemona, eventually convincing Othello that his wife has been cheating, despite the fact that Desdemona has been completely faithful. Othello, Venice’s most competent general, and the protagonist of the play. He was a noble and respected war hero, and a loving husband, however he was the target of Iago’s atrocities, which lead him to become an irrational, violent, and insanely jealous husband who murders his own wife at the end of the play.