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Nature of shakespeare comedies
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How does Shakespeare create humour in act 5 scene1 in the play a ‘Midsummer Nights Dream’? William Shakespeare is the author of the comedy play ‘A Midsummer Nights Dream’. This play was written around 1595. In this essay I will be answering the question how does Shakespeare creates humour in act 5 scene 1. There are many reasons as to how the play was humorous; one of the main reasons was the staging you would have the real audience, the court on the stage and on the original stage you would have the mechanicals perform. The other reasons on how Shakespeare creates humour are with the characters (fairies, court and mechanicals) and the repetitive incorrect use of language and errors. An example of this could be when in act 5 scene 1 Bottom says ‘O grim looked night, O night ……. O night, O wall’. This shows how uneducated Bottom is and that he is awfully terrible at acting. This also shows haw fickle he is, one minute he saying ‘O wall’ and the next minute he says ‘O wall’( He changes his opinion very quickly this adds to the humour). The three sets of characters are the fa...
The Ways that Shakespeare Makes Act 1 Scene 5 of Romeo and Juliet Dramatically Effective
whether he was really in love with Rosaline, or did he just want to be
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
Shakespeare's comedies A Midsummers Night's Dream and Much Ado About Nothing have many parallels while Measure for Measure is a problem play with a completely different tone. Comparing and contrasting these three plays provides insights into the views of Shakespeare concerning comedy.
In I Henry IV and II Henry IV, William Shakespeare brings together drama and comedy to create two of the most compelling history plays ever written. Many of Shakespeare's other works are nearly absolute in their adherence to either the comic or tragic traditions, but in the two Henry IV plays Shakespeare combines comedy and drama in ways that seem to bring a certain realism to his characters, and thus the plays. The present essay is an examination of the various and significant effects that Shakespeare's comedic scenes have on I Henry IV and II Henry IV. The Diversity of Society
The Dramatic Effect of Act One Scene Five of William Shakespeare's Romeo and Juliet In this essay I will explain how Act 1, Scene 5 is dramatically effective. Act 1, Scene 5 is the most important scene in the play because it is the scene where Romeo and Juliet first meet. This play is essentially about two families that are enemies, The Capulet’s and the Montague’s, Juliet is the daughter of Capulet and Romeo son of Montague during the play they fall in love. Right from the beginning the prologue tells us this play is a tragedy.
Act one scene five is paramount to the play as a whole in creating dramatic effectiveness. Shakespeare has cleverly built up tensions in the initial scenes where he introduces the main themes which are love, hate and rivalry and he gives the audience an insight into the main characters developing intrigue and curiosity leaving the audience wanting to know more. It has become a world-wide story and is very successful, to the extent that it has become a popular play to study. Act one scene five is the most important scene and without it the play would not make any sense. The scenes prior to that are mostly a build up; even if a scene was taken out it would still make sense; but if scene five was taken out it the play would lose its effectiveness.
Throughout A Midsummer Night’s Dream by William Shakespeare, there are multiple analyses that one can follow in order to reach a conclusion about the overall meaning of the play. These conclusions are reached through analyzing the play’s setting, characterization, and tone. However, when one watches the production A Midsummer Night’s Dream directed by Michael Hoffman, a completely different approach is taken on these aspects, leading to a vastly different analysis of the work. Though there are many similarities between the original written play A Midsummer Night’s Dream by William Shakespeare and the on-screen production of the aforementioned play which was directed by Michael Hoffman, there are differences in setting and
The second being through the actions. of characters and by their behaviour and the third by the incidents of the play. I will be there. Shakespeare uses characters like Mercutio and the Nurse to bring out the comical element of the play, and each character does this in a different way of doing things. & nbsp; One of Shakespeare's tools used to evoke humour is the mockery that is aimed at a particular character. Some of the funniest moments are when one character is sarcastic to another.
Shakespeare, William. A Midsummer Night’s Dream. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 2004.
In A Midsummer Night's Dream, playwright William Shakespeare creates in Bottom, Oberon, and Puck unique characters that represent different aspects of him. Like Bottom, Shakespeare aspires to rise socially; Bottom has high aims and, however slightly, interacts with a queen. Through Bottom, Shakespeare mocks these pretensions within himself. Shakespeare also resembles King Oberon, controlling the magic we see on the stage. Unseen, he and Oberon pull the strings that control what the characters act and say. Finally, Shakespeare is like Puck, standing back from the other characters, acutely aware of their weaknesses and mocks them, relishing in mischief at their expense. With these three characters and some play-within-a-play enchantment, Shakespeare mocks himself and his plays as much as he does the young lovers and the mechanicals onstage. This genius playwright who is capable of writing serious dramas such as Hamlet and Julius Caesar is still able to laugh at himself just as he does at his characters. With the help of Bottom, Oberon, and Puck, Shakespeare shows us that theatre, and even life itself, are illusions that one should remember to laugh at.
The clown contributes towards the humourous entertainment of this play through his numerous puns and jokes. He is a source of laughter, not because we are humoured by his "foolery"; for he proves to be no fool at all; but rather because he amuses us with his brilliant wit. Having mastered the art of jesting, Feste is sensitive of his profession, always aware of the circumstances he is in and the appropriateness of this folly.
In conclusion, a comic relief is used to relieve tension and to contrast serious scenes to increase the ultimate tragic nature of the play. Polonius uses his self absorbed dull personality to create humor in his scenes. Rosencrantz and Guildenstern act as the fool by their tactless actions and dialogue, their lightheartedness makes the tragic parts of the play seem all the more tragic. And finally Hamlet uses his morbid humor to intensify scenes of sorrow while he also bitterly teases others to relieve tensions at times. The comic relief in Shakespeare’s Hamlet contrasts intense scenes as to make them more intense.
Magic affects both the plot and the environment of William Shakespeare’s play “A Midsummer Night’s Dream,” as it influences the thoughts and actions of the characters through most of the play. Through its power, magic confuses the characters and creates conflicts between them, but it also solves the conflicts. The character’s use and misuse of magic lead to some of the ridiculous moment of the play.
At the start of Act 1 Scene 5 the guests at the Capulets’ ball have just finishes dining and Sampson and Gregory, the two head servants, are complaining that a number of the servants, especially Potpan, are not helping to clear up: “Where’s Potpan that he helps not to take away?” Most of the servants are trying to clean up quickly because they want to have their own party later. The scene then moves on to Lord Capulet inviting all of the guests to come and dance, he is making jokes and the mood seems quite relaxed and jovial: “You are welcome, gentlemen. Come, musicians play.” This first part of the scene presents the audience with a lively, laid-back and fun atmosphere and is more light-hearted than the previous scenes. It is a complete contrast from the fighting and arguing in the first scene.