How Did The Cold War Contribute To The Emergence Of Music Videos

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Towards the Audio-Visual The Music Video and Popular Music The latter half of the 20th century was, if anything, a time for change. In the aftermath of the Second World War, the globe was affected by a fundamental shift in the balance of power, economics, politics, and technology. The Cold War brought about the emergence of computers, space exploration, and increased emphasis on national research and development. The sexual revolution of the 1960s emphasized the need for balance between morals and progressive sentiment, and the Vietnam War created a new form of American consumer – liberal in philosophy and radical in action. So much was transformed during this era that almost every aspect of American life was affected. Given this sociopolitical …show more content…

In so doing, they established visual style as a pre-eminent aspect of performance (Shuker 125). During this time, music videos became an essential part of music industry promotional strategy. Virtually every single released, by both majors and independent labels alike, was supported by a video. Of course, like with any other technological advancement, music videos had – and still have – its pros and cons. For one thing, it enabled artists and producers to capitalize on the growth of television. This was a healthy development for the music industry, as it predicated the means for new alternatives for growth and development. All of a sudden, artists and musicians were no longer limited to radio or the traditional methods for distributing their music. They tapped into the visual spectacle that is television and managed to reach out to a wider audience, one that is concerned less with hearing and more with telling a story through both sound and the moving image. Artists and musicians also had more freedom for expression, as they were not constrained with the lyrical texture or melodic harmonies of particular songs. They expanded their artistic avenues towards the moving image, as Michael Jackson particularly did well in his now-legendary music video for …show more content…

These elements have, time and again, been pointed out not only by music critics, but also by the general public. Firstly, the music video had made ‘image’ more important than the experience of music itself, with effects which are to be feared. There is, for example, potential difficulties for artists with poor ‘images’. It is hard to imagine someone less appealing as, say, Britney Spears breaking out and achieving widespread chart success. Moreover, the adoption of the music video as a primary distribution tool also ran the risk that theatricality and spectacle would take precedence over intrinsically ‘musical’ values (Vernallis 50). This is the qualm that dominated hip hop music videos in the 1990s, for example, when enlarged bosoms and buttocks littered the image, to the detriment of the music itself. More philosophically, the emergence of music video also deprived the individual listener of a fundamental interpretive liberty of the musical text. Rather than read a particular song in a particularly individual way, for example, the listener is thrust into a visual stimulus that “dictated” whatever it was that the text was saying. The video, rather than the listener, now has visual or narrative interpretations of the song lyrics, and these are thrust into the consciousness of the listener, allowing for an affective

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