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Introduction On The Evolution Of Technology
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The Fate of Evolution As a society, we believe advancement in technology and science play an important role in our evolutionary process. But there is a price to be paid for these discoveries: our glaciers are melting, the oceans are rising in temperature and volume and the polar bears are dying because they are no longer able to swim the distances between remaining ice floes. In our advanced society, have we placed capitalism above all else? When Zeus wanted to teach Prometheus a lesson for giving the human race fire, he created Pandora. Before Pandora, “human beings used to live completely free from evils and hard work and painful diseases” (Hesiod Theogony, qtd Morford et al 91). To punish Prometheus and his beloved human race, Zeus …show more content…
We, as humans, have difficulty being content with what we have. When our ancestors started logging in Northern Minnesota and Wisconsin, the wood from the trees was used to make homes for the settlers in this region. But our desire for profit caused loggers to clear cut major swaths of forest, leaving the wildlife without a home. The defense industry made major advances in the first part of the twentieth century, but were not satisfied, and as a result, most of Japan and parts of Asia were devastated by the atomic bomb. We blindly create the next thing without considering all possible outcomes, sometimes leading to major disaster. Just like Zeus and Prometheus, forethought, unfortunately, becomes afterthought and regret. But that doesn’t mean Prometheus shouldn’t have given us tools to evolve our society. I think living in a “perfect” world that didn’t require us to use our higher reasoning and problem solving skills would be very …show more content…
Perhaps the Greeks put so much importance on fate because there weren’t as many choices available to them in a less evolved society--that they were more likely to accept things as they were instead of taking things into their own hands. But that was not true for people like Galileo, Copernicus or Socrates, these men did not accept the teachings of society and pushed past beliefs they found to be antiquated. Fate no longer carries the weight it used to and we consider ourselves able to utilize our higher reasoning to make choices and map out our future. When Paris’s mother, Hecuba, learned her child was destined to bring down the walls of Troy, she set the child outside the city gates and hoped the child’s fate would not come true. When we accept the state our society is in, because “my hands are tied”, or “I’m only one person, what difference can I make?”, it’s like we are accepting fate, and yet we don’t have
In the end however, fate has a way of getting involved with present people, and stories of a distant past. They can help tell great stories of people who performed great deeds as part of their fated life, however when it comes to the world we truly live in, perhaps something that tells a good story isn’t always the best way to have one’s entire future determined.
To this day, the story of Pandora fascinates human beings enough to survive in media and culture. However, the modern adaptations of the myth often deviate from the misogynist undertones of Hesiod’s original version. As retaliation for Prometheus stealing fire from Olympus and gifting it to humans, Zeus resolves to afflict mankind with misfortune in the form of Pandora. He instructs Hephaestus to mold a woman out of clay and water, and asks Athena and Aphrodite to give her “painful yearning and consuming obsession”, “a bitch’s mind and knavish nature” and “lies and wily pretenses” (Works and Days, 39). Pandora is given to the misguided and forgetful Epimetheus and, due to her curiosity, releases all the terrible things that trouble mankind. Only hope is left at the end, which becomes trapped in the jar when Pandora replaces the lid. Despite Hesiod’s conclusion that the story proves “there is no way to evade the purpose of Zeus” (Works and Days, 40), it is clear that Pandora taking the form of a woman with negative attributes carries its own, separate significance. Hesiod proves this in the following: “For from her [Pandora] is descended the female sex, a great affliction to mortals as they dwell with their husbands” (Theogony, 20). Hesiod believed that all women were descended from Pandora – a woman he described as being deceitful, troublesome and difficult. By
In Hesiod’s version, Zeus created Pandora as a punishment to man and illustrated her as an evil, deceitful and supposed curse on mankind, “Evil conspirators. And he added another evil to offset the good...she was a real pain for human beings” (Hesiod, 149-164) On the contrary women in Ovid’s tale were treated as companions who worked together for the greater good, as depicted by the myth of Pyrrha and Deucalion, “Then, side by side, they went without delay to seek the waters of Cephisus’ stream.” (Ovid, 17) Deucalion and Pyrrha are portrayed to be righteous and true devotes of the Olympian gods and hence given the responsibility of repopulating earth. Ovid demonstrates that the humans in this myth portray the role of a god, where they repopulate Earth with righteous humans, thus creating order in the universe again. He portrays their role as a vital component in this occurrence as without their diligence and morals—this act would not have been possible. Thus, establishing the human-centered concept of his
Fate is an old debated concept. Do one's actions truly play a role in determining one's life? Is fate freedom to some or is it binding to others, in that no individual can make completely individual decisions, and therefore, no one is truly free. Nowadays, fate is a subject often rejected in society, as it is seen as too big, too idealistic, and too hard to wrap a persons head around. However, at the time of Antigone, the concept was a terrifying reality for most people. Fate is the will of the gods, and as is apparent in Antigone, the gods' will is not to be questioned. Much of Sophocles' work focuses on the struggle between human law and what is believed to be the god’s law. Fate was an unstoppable force and it was assumed that any efforts to change one's future were unrealistic. In Sophocles' Antigone, fate plays a crucial role the choices that the characters make.
The ancient Greeks were fond believers of Fate. Fate, defined according to Webster’s, is “the principle or determining cause or will by which things in general are believed to come to be as they are or events to happen as the do.” The Greeks take on Fate was slightly modified. They believed that the gods determined Fate: “…fate, to which in a mysterious way the gods themselves were subject, was an impersonal force decreeing ultimate things only, and unconcerned with day by day affairs.” It was thought that these gods worked in subtle ways; this accounts for character flaws (called harmatia in Greek). Ancient Greeks thought the gods would alter a person’s character, in order for that person to suffer (or gain from) the appropriate outcome. Such was the case in Oedipus’s story.
The very creation of women was set as a punishment to man because Prometheus, son of Iapetos, tried to trick Zeus into eating bones and then, with the tube of a fennel, steals fire to give to mankind. Zeus then proclaimed, "To set against the fire I shall give them an affliction in which they will all delight as they embrace their own misfortune." Out of Zeus' anger came Pandora, the first woman. Zeus ordered Hephaestus to mold women from the earth and water, Athene to dress and adorn her, Temptation to give her necklaces of gold, and Hermes to implant a bitch's mind and a thief's temper. Hesiod describes women as a "precipitous trap, more than mankind can manage." Hesiod states, "even so as a bane for mortal men has high-thundering Zeus created women, conspirators in causing difficulty." And thus the first woman was named Pandora, Allgift,-"a calamity for men who live by bread." And so Pandora and all the evils of the world, except Hope, were released into the world by a punishing Zeus. Hesiod explains how formerly the tribes of men lived "remote from ills, without harsh toil and the grievous sickness that are deadly to men." From Pandora descended the female sex, "a great affliction to mortals as they dwell with their husbands- no fit partners for accursed Poverty, but only for Plenty." An analogy is then used to compare women to drones who, according to Hesiod, feed off hard-working bees all day. Hesiod immed...
And so for men Zeus plotted grief and trouble. He hid fire. And Prometheus, bold son of Lapetus, stole it back from the side of wise Zeus, in a fennel stalk, and gave it to men and Zeus who delights in the thunder did not notice” (Bauschatz, ). Clearly, disobedience and deceiving the gods leads to chaos because Prometheus who tried to steal the fire from Zeus enraged him and therefore ordered the creation of Pandora as punishment and evil delivered to men.
While mortals do not unjustly complain about their fates, they fail to acknowledge that they are also responsible for their ill fate, as mortals themselves, possess a sizable degree of control. There is little doubt that Odysseus and his crew are unlucky, but had it not been for their brash decisions they would have reached Ithaca much sooner. After Od...
An interesting and important aspect of this Greek notion of fate is the utter helplessness of the human players. No matter the choice made by the people involved in this tragedy, the gods have determined it and it is going to come to pass. T...
...that fate. Events that lead to other events will eventually lead one to their fate. “Oedipus the King” is a great play that sets an example of what fate is. Oedipus chooses to flee from home, in attempt to avoid the god’s statement of his fate from coming true. However, Oedipus’s decision for fleeing is what was necessary to make his fate come true. Undoubtedly, this is what was meant to happen because Oedipus allowed it to. Perhaps if Oedipus ignored the god and never did a thing then perhaps the outcome could have been different for Oedipus. However it did not turn out that way and the choices that Oedipus made is what led him to his doom.
The first thing that comes up in The Odyssey that pertains to fate is when Zeus exclaims “My word, how mortals take the gods to task! All their afflictions come from us, we hear. And what of their own failings? Greed and folly double the suffering in the lot of man.” Zeus is saying that we all as humans cause our own misery and blame the gods for it. His attitude towards the struggles of humans is that since we cause our own problems, we should fix them by ourselves too. He is admitting that the gods do not have full control over events in human life. They have a
In Sophocles ' Oedipus the King, the themes of fate and free will are very strong throughout the play. Only one, however, brought about Oedipus ' downfall and death. Both points could be argued to great effect. In ancient Greece, fate was considered to be a rudimentary part of daily life. Every aspect of life depended and was based upon fate (Nagle 100). It is common belief to assume that mankind does indeed have free will and each individual can decide the outcome of his or her life. Fate and free will both decide the fate of Oedipus the King.
Fate has a place in the Greek world but its place is not the same as it is in other scenarios or worlds. It is important to understand the word before we discuss it. Fate as far as Greek mythology goes is not just fate. By most standards fate means that things occur for an unknown reason that no one has any control over. However, in the world of Greek Mythology fate does not just happen. The gods engineer fate and they interfere to make things happen that might not otherwise have happened. Since the players do not always know of the gods' involvement, things may actually appear to be fate but in reality be engineered happenings.
The idea of fate has baffled mankind for centuries. Can humans control what happens to them, or is everyone placed in a predestined world designed by a higher power? The Epic of Gilgamesh and Oedipus The King highlight on the notion that no matter what, people cannot control what is destined to occur. Interestingly enough, many other distantly connected cultures had, and have similar gods or goddesses who play a role in the fate of individuals. Oedipus, King of Thebes, was told by the Oracle at Delphi that he would one day kill his father and marry his mother. Determined not to let this prophecy verify his fears, Oedipus does all in his power to prevent this from happening, yet fails. Similarly, Gilgamesh, king of Uruk, attempts to obtain immortality, but fails as well. Gilgamesh's and Oedipus's intense fear and ignorance cause them to try to interfere with their fates, leading to their failures and realization of the futility of trying to control destiny.
The idea of fate has existed for a long time and exists even today. Fate revolves around the idea that people's lives are predetermined and that no matter what is done it cannot be changed. With the gods it was used to explain events that seemed strange. Sophocles expands on this idea by introducing Oedipus' fate. The thought of fate is strong considering no matter how hard he struggles he still receives what was predetermined. As a baby he survived the elements on Mount Cithaeron. As Oedipus was destined to live, it shows the dominance of fate. Having fate play such a large part of the play is certainly an insight into the Greek's idea that fate controls us no matter how hard we struggle against it.