Works Consulted Green, Fiona. “Plainly on the Other Side: Susan Howe’s Recovery.” Contemporary Literature 42.1 (2001): 78-101. Ickstadt, Heinz. “Emily Dickinson’s Place in Literary History; or, the Public Function of a Private Poet.” The Emily Dickinson Journal 10.1 (2001): 55-68. Ma, Ming-Qian.
Sublime. 2001. The Internet Encyclopedia of Philosophy. 10/02/04 http://www.iep.utm.edu/s/sublime.htm http://www.press.jhu.edu.ezproxy.library.dal.ca/books/hopkins_guide_to_literary_theory/entries/british_theory_and_criticism-_2.html Sulerud, Maija. Thomas Cole: The Oxbow (The Connecticut River near Northampton) 1836.
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It is implied, further, that if we are to find true fulfilment and meaning in our own lives, then we must be able to contrast the good parts of life with the bad parts, to feel both joy and despair. As rationalisations go, it's a good one. But it's still wrong-headed. If pressed, we must concede that the victims of chronic depression or pain today don't need interludes of happiness or anaesthesia to know they are suffering horribly. Moreover, if the mere relativity of pain and pleasure were true, then one might imagine that pseudo-memories in the form of neurochemical artefacts imbued with the texture of "pastness" would do the job of contrast just as well as raw nastiness.
"Genre: Contemporary literature | Illiterarty.com." Illiterarty.com | Book reviews and blogs by Bridget. Web. 16 Feb. 2010. . "Maya Angelou - Biography -."
Retrieved from http//www.wayanswardhani.lecture.ub.ac.id/files/2013/05/feminist literary criticism.pdf. Wiehardt, G. (n.d). Style. Style for creative writers. Retrieved from http//www.frictionwriting.about.com/od/craftechniqu/g/style.htm.