The epic of Gilgamesh seems to have little, to no correlation, to the Harry Potter series. After all, they were written four thousand years apart from J. K. Rowling’s beloved series. Even though they have no apparent association with each other, they do have an overarching theme of the quest for immortality and its inevitable failure that link the two texts together. Generally speaking, society and their texts have their own idea on how they perceive everlasting life and how to achieve it. However, all searches, crusades, and pursuits can be summarized in one word; futile.
In the books, we have Gilgamesh, a King of Uruk and hero, on the hunt for immortality due to his fear of mortality. On the opposite end of the spectrum, Voldemort is the main antagonist in the Harry Potter series, who, like Gilgamesh, is seeking immortality to avoid death and or being killed. When we draw a comparison between the two, the desire and motivation behind the need for immortality has not changed. Be it a ten years ago, or even a few thousand, people have expressed
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Voldemort uses a Horcrux to keep him from death. An explanation of how a horcrux is formed is discussed and explained in great detail between Professor Slughorn and Tom Riddle (Voldemort before his rise to power) in the following conversation;
“A Horcrux is the word used for an object in which a person has concealed part of their soul.”
"I don't quite understand how that works, though, sir," said Riddle. His voice was carefully controlled, but Harry could sense his excitement.
"Well, you split your soul, you see," said Slughorn, "and hide part of it in an object outside the body. Then, even if one's body is attacked or destroyed, one cannot die, for part of the soul remains earthbound and undamaged. But of course, existence in such a form ..."
“... few would want it, Tom, very few. Death would be
The philosophy that comes across in Gilgamesh’s story is that he life is something to be enjoyed because once you die you will life your afterlife in eternal anguish.
As a natural phenomena that occurs frequently yet is still not completely understood, death has confounded and, to a certain degree, fascinated all of humanity. Since the dawn of our species, people have tried to rationalize death by means of creating various religions and even attempted to conquer death, leading to great works of literature such as the Epic of Gilgamesh and the Cannibal Spell For King Unis. Considered one of the earliest great pieces of literature, the Epic of Gilgamesh tells an adventurous yet profound tale about the god-like king of Uruk, Gilgamesh, and his quest to find immortality. While his name now lives on through the Epic, Gilgamesh did not attain eternal life as the plant of immortality was stolen from him by a snake.
Utanapishtim explained to Gilgamesh how he didn’t believe he was worthy of immortality; he then challenged Gilgamesh to a challenge he failed terribly at. After Utanapishtim sends off Gilgamesh he tells them to come back and explains to him about a plant that can make the person who eats it young again. He eventually finds the plant but after a series of unfortunate events he realizes that he cannot live forever. He comes to accept this and returns home and has an awakening. He understands that he may not be able to live forever but his legacy can. He learns that being a great, caring and selfless leader is the way to live in history forever. His citizens loved the new Gilgamesh and he went down in history as a great leader and his story is still told to this
The Epic of Gilgamesh has many similarities to The Legend of King Arthur. Although Gilgamesh and King Arthur have comparison they also have differences. The main difference is that one is an Epic and the other is a Legend. To compare and contrast The Epic of Gilgamesh and The Legend of King Arthor, one must first know what the words, "Epic" and "Legend" mean. Primarily, "epic" is a long narrative poem about the deeds of a semi-god, also known as a superhuman hero who's actions are depended on as the fate of a nation, tribe or a human race. This usually consists of an adventure filled plot and is concerned with timeless human problems such as honour, jealousy, war and hatred. These contain gods and goddesses and the setting is fixed in a far distant place at a time long past. Epics are based on legends and myths.
Often, literature is based on several heroes and their adventures. Most especially, the epic stories symbolize different countries, nations, and cultures. The authors usually shape the characteristics of these stars and profile their unique techniques of writing as well as their imaginative power. Gilgamesh is one of the most known heroes, whose character was developed in the famous “Epic of Gilgamesh” as the strongest of men, a fair judge, a brave warrior, and an ambitious builder who built the magnificent walls of Uruk to protect its people. On the other hand, there are some undesirable characteristics that he possesses such as selfishness, and arrogance mostly brought about by the fact that he is part human and part god. He is characterized
Death and Immortality in The Epic of Gilgamesh The search for immortality has been a major concern for many men and women all throughout history. True love and immortality in life would be a dream come true to many. To spend time with a special someone, the person one feels closest to, and never have to say good-bye would greatly appeal to most people. But when death steps into the picture, even with all the pain and devastation, one starts to re-evaluate themselves. In The Epic of Gilgamesh, Gilgamesh explores the possibility of immortality following the saddening death of his friend and brother, Enkidu.
In his search for everlasting life, we realize that being two-thirds god was not enough for Gilgamesh. He wants to live forever so that no one would ever forget him. But Gilgamesh isn’t the only person who searches for immortality. In many stories there is a search for the “Fountain of Youth.” By drinking this water you would have everlasting life. Fear of death and desire to live forever has driven people to do all they can so that they can extend their existence to as long as possible. This is one of the major themes of Gilgamesh and one of the reasons it is an epic.
The stories of the hunt for immortality gathered in the Epic of Gilgamesh depict the conflict felt in ancient Sumer. As urbanization swept Mesopotamia, the social status shifted from a nomadic hunting society to that of a static agricultural gathering society. In the midst of this ancient "renaissance", man found his relationship with the sacred uncertain and precarious. The Epic portrays the strife created between ontological nostalgia for a simpler time and the dawn of civilization breaking in the Near East. In this Epic, Gilgamesh is seen trying to achieve immortality through the methods of both the old and the new. His journeys through the sacred and the profane in many ways characterize the confusion arising from the unstable social climate. Therefore, the society, by writing the story of Gilgamesh, guarantees not only his immortality, but the immortality of the new order being established.
The theme of death being inevitable leads to another theme, similar to the first. This is that immortality is unachievable, shown through similar examples as the first theme. Gilgamesh realizes that immortality is not obtainable after his quest for it. He discovers that the quest was pointless, because he will die regardless of the steps to prevent his death in the future. "'Never has a mortal man done that, Gilgamesh'" (Tablet IX, Column III, 8). "'The fate of mankind overtook him... In fear of death I roam the wilderness...Me, shall I not lie down like him, never again to move?'" (Tablet X, Column II, 3, 8, 13-14). "'From the beginning, there is no permanence'" (Tablet X, Column VI, 32).
Enkidu’s death evokes a disturbing thought in Gilgamesh. He finally realizes that he is mortal. He then goes about trying to find the key to immortality. Gilgamesh first seeks out Utnapishtim, the only human to gain immortality. When Gilgamesh cannot pass the test of staying awake for seven days, Utnapishtim then gives him the plant "Old Men Are Young Again." Despite this second opportunity, Gilgamesh is not triumphant in his search for immortality because a serpent eats the plant and Gilgamesh’s opportunity is lost forever. He does not realize that Enlil, the father of the gods, had already determined his destiny. It is clear from the events of the story that Gilgamesh was not to obtain everlasting life and it is no coincidence that all of his efforts fail in one way or another. This is another example of man’s lack of control where the gods are concerned
As seen in the journey to the forest of cedars, Gilgamesh takes reprieve during his journey to appeal to his human side which needs rest. This is only because Gilgamesh believes to have triumphed over the human part of himself that he allows himself to drop his guard. Ironically, it is through this action that he loses his immortality: “Gilgamesh saw a pond whose water cool, he went down into it to bathe in the water. A snake caught the scent of the plant, stealthily it came up and carried the plant away, on its way back it shed its skin” (150). This is significant because it shows that Gilgamesh will always be subject to his humanity no matter how hard he tries to deny
Since the beginning of recorded history, everlasting life has been pursued by old and young, rich and poor. One need only look to the Gilgamesh Epic, the oldest story in the world, to discover where these roots lay. Gilgemesh, the mighty king and warrior, fearing his own demise, seeks out Utnapishtim, a mortal made immortal by the gods, in the hopes that he'll reveal the secret of eternal life. The immortal tells the king of a flower, which when eaten, bestows eternal life. Note that the answer is tangible and real, something that can be seen and held. Not immortality for the soul, but for the body. In the end Gilgamesh fails at his quest, but he is all the wiser for his journeys. The Greeks, too, sought immortality, but it tended to be of a spiritual nature only, because generally the gods were the only ones considered to be true immortals.
After the death of Enkidu, Gilgamesh tries to find immortality by trying to cross the ocean to find it.
For example, before he starts to return home he realizes how his dear brother Enkidu dies and does not want the same thing to happen to himself. Not only is Gilgamesh afraid of death, he sets off to find immortality by seeking Utnapishtim, a man who the gods gave eternal life too. Gilgamesh then tells Utnapishtim that he wants eternal life aswell, and how to receive it, “Because of [his] brother, [he is] afraid of death”(Sandars 32). Utnapishtim then takes Gilgamesh to Urshanabi, a ferryman who shows Gilgamesh how to receive eternal life by telling him about a plant that grows under the water and it shall give him the life he wants if he succeeds in taking it. Like the man Gilgamesh is, he goes into the water and grabs the plant so he can bring it back to Uruk to give to an old man, but also eat it himself to restore both their youth. Soon after, when Gilgamesh arrives back to land, a serpent eats the plant which makes Gilgamesh heartbroken, but then he remembers everything he learned on his journey and is appreciative of mortality. Once Gilgamesh arrives back to Uruk after his long journey, “He [became] wise, saw mysteries and [learned] secret things”(Sandars 38).
...reat flood. Gilgamesh was not worthy of being a full god. Instead, Utnapishtim granted Gilgamesh the opportunity of the life he wished for so deeply by challenging him to stay awake for six days and seven nights. Being the human being that he was, Gilgamesh was unable to stay awake for the duration of that time. Prior to Gilgamesh’s reluctant return to Uruk, Utnapishtim bestowed upon him the secret of the magical plant that grows in the depths of the seas that which makes man youthful again. After successfully retrieving the plant, Gilgamesh unfortunately loses possession of the motif to a snake whom according to mythology now acquires “eternal life” or “everlasting youth” due to the continuous shedding of the skin. So, once again, Gilgamesh had been cheated of his supernatural gift yet again, demonstrating his true identity of a mortal human being (Gresseth, 6).