Hamlet Act III Sc iii
This scene is a dramatic peak in which both Claudius and Hamlet acknowledge their respective dilemmas. The King faces the question of how to repent and so save himself, at least, from spiritual damnation. Hamlet’s theological problem with killing Claudius becomes yet another hurdle and he becomes increasingly trapped by his own indecision.
Claudius makes his first admission of regicide in this soliloquy. He uses disease imagery, continuing the motif, heightening our awareness of the terrible thing he has done. The King refers to the ‘primal eldest curse’, an allusion to the Biblical story of Cain and Abel. This parallel is apt, not only because they were brothers, it represents a terrible sin against God -- in this case because the natural order has been violated. There is no evidence to suggest Claudius was particularly pious prior to this crime, but the need for Grace in the eyes of God would have been very important to him. Ironically he is unable to pray, for forgiveness, because his ‘stronger guilt defeats my [Claudius’] strong intent’. His intent could also be his original desire for kingship, meaning that his guilt is so severe he can’t appreciate the rewards.
Curiously the strength of his language, regarding his crime, is only matched by Hamlet. Claudius is under pressure, both from his conscience and Hamlet’s cloak of madness which threatens to unmask him. Just prior to this soliloquy he was arranging for the removal of Hamlet to England...
My so called friends Rosencrantz and Guildenstern whom I know from Wittenberg were invited by my mother and Claudius to spy on me because they were concerned with my behavior and my apparent inability to recover from my father’s death. Claudius wasn’t only worried about me but also worried that Prince Fortinbras’s would attack Denmark thankfully he only asks if his armies could be allowed safe passage through Denmark on their way to attack the Poles. Relieved to have averted a war with Fortinbras’s army, Claudius gives him permission to only pass by. When I saw my friends have arrived I asked why they came to visit they lied and said just to see me I knew my mother and her king were behind this so I didn’t worry much
My mother told Claudius that I murdered Polonius. Claudius told Gertrude that they must ship me to England at once and find a way to explain my misdeed to the court and to the people and sent them to find me. After I safely stowed Polonius’s body Rosencrantz and Guildenstern found me and asked me where I placed the body. I refused to give them a straight answer. Feigning offense at being questioned, he accuses them of being spies in the service of Claudius. I agreed to allow Rosencrantz and Guildenstern to escort him to Claudius. All Claudius did was tell everyone why he was sending me to England. After I left with Rosencrantz, and Guildenstern on our way to the ship bound for England, we ran into the captain of Prince
Again Shakespeare wants to show the audience the character although it is weakened, does still have a conscience. This scene also creates dramatic irony, as he tries to pray but cannot because of the guilt he feels, Hamlet thinks he is praying so doesn’t kill him Shakespeare chose to have this build up and this soliloquy to show the dramatic irony and another more guilty more humane side to Claudius. Shakespeare shows the character of Claudius as been a villain, yet he shows other sides to him which have feeling of guilt showing that the character is not entirely bad. Claudius is shown as an ambitious and ruthless king but also as the main source and theme of evil throughout the play.
In Hamlet, Shakespeare developed a character, an antagonist, which produces twists and turns throughout the play. Even though in the beginning of the play, Claudius seemed to be an intelligent man, who has excellent speaking skills that helped him take the leadership of his deceased brother’s kingdom, and marry his wife. But, combining both his intelligence and excellent speaking skills, shows Claudius’s true nature: an astute, lustful conspirator. Through the different settings and situations, Claudius’s character contributes to the overall understanding of the play through psychological, biblical and philosophical methods.
Act 3 Scene 4, so called the closet scene, is the first time we see Hamlet and Gertrude together alone. In this scene Hamlet releases his anger and frustration at his mother for the sinful deed she has committed i.e. her marriage to her brother-in-law and the murderer. We can see that Gertrude is unaware of her husband's murder when she says `As kill a King?' and it is the first time she confronts her own behavior. There is a conflict between the two; Hamlet gives powerful replies
King Hamlet's "foul and most unnatural murder" (Shakespeare I.v.31) tops Claudius' list of egregious sins. Using his mastery of manipulation, Claudius, the “incestuous” and “adulterate beast” managed to win the honorable queen Gertrude by using the “shameful lust [of her] will” (I.v.49…52-53). Claudius had to use verbal trickery to influence Gertrude into switching husbands that quickly after her husband’s death, which shows his true skill: lying convincingly. Claudius manages to validate his ascent to the throne by diverting attention away from him and to the attack by the young Fortinbras of Norway (I.ii.1-38). The most horrible of Claudius’ crimes is his lack of emotion over his traitorous fratricide. Claudius does not even give his late brother a word of respect; instead the focus is upon the future of Denmark. Claudius goes so far as to chastise Hamlet for his “unmanly grief” (I.ii.98), emphasizing that for the benefit of Denmark; all those affected by the death of King Hamlet should keep a strong façade. Later in Hamlet, Claudius begins to openly express his remorse and recognizes the immorality of his actions when he says himself: “O, my offense is rank, it smells to heaven;/ It hath the primal eldest curse upon’t, / A brother’s murder. Pray cannot I” (III.iii.40-42). He expresses his grief and sin in private but keeps a façade in front of the rest of the kingdom. Claudius is
Essentially, it all comes back to consequences. If Hamlet takes his life to escape his troubles, he could end up with worse predicaments in the afterlife. However, killing Claudius could very easily end his own life as well. The true irony lies in the multiple deaths Hamlet will unintentionally cause, which includes his beloved Ophelia. This speech connects to many of the play’s themes: including suicide, love, truth, teen angst, the debate between thought and action, natural order, inevitability, and so forth. The soliloquy is crucial. Here it reveals the quality of Hamlet’s mind, his passionate nature struggling relentlessly to escape his misery. And although, there is much up for debate, the reader is reassured that Hamlet has not departed from Christianity. There can be no doubt of his conviction in heaven and hell.
... of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a false fencing competition and foolishly pushing the poisoned wine without considering the suspiciousness of the action. In his short-sighted and rash decision making, Claudius shows that he allows his inflated sense of regality and self-worth to cloud his judgment.
In the play,”Hamlet, Act 3 scene 1” the target audiences between both plays were to a wide variety of people. Back when Hamlet was first written, it was made to be viewed by a wide variety of audiences. Typically during the renaissance era, plays were made more common to the lower part of society; this being why Hamlet was written. Although both plays are to the same audience, the first one is more distinct into who it wants viewed. It had elegance, and was more formal and professional. You could see in the audience people were wearing suits a formal attire. As to the second one, it was smaller scale, and the audience had people in shorts and sweats.
Claudius is seen in Hamlets eyes as a horrible person because he convicted murder and incest. Claudius had killed the king of Denmark, Old Hamlet, to obtain the position of the throne. He had been jealous of Old Hamlet’s wife Gertrude and wanted to marry her for her power. Although, such an act would be called incest and considered unnatural he did not care, all he had cared about was the power that he would be stealing from Hamlet and Old Hamlet, Gertrude’s son and husband (R). When Hamlet had talked to his f...
Furthermore, it is possible to propose that Shakespeare merely uses this scene to provoke irritation and consequently suspense from the audience. If Hamlet wasn’t given this opportunity to kill Claudius we would have not this insight into Hamlet’s indecisiveness, possible cowardice and inability to kill Claudius in cold blood. It is probable to suggest that through this soliloquy we are shown that Hamlet’s initial passion for revenge after the Ghost’s visitation has faded as the play progresses to merely thinking about killing Claudius.
...3.57). Though Claudius appears to show remorse for his actions, he shows his true character by focusing on maintaining the power and rewards that came from murdering his brother.
As illustrated through his speeches and soliloquies Hamlet has the mind of a true thinker. Reinacting the death of his father in front of Claudius was in itself a wonderful idea. Although he may have conceived shcemes such as this, his mind was holding him back at the same time. His need to analyze and prove everythin certain drew his time of action farther and farther away. Hamlet continuously doubted himself and whether or not the action that he wanted to take was justifiable. The visit that Hamlet recieves from his dead father makes the reader think that it is Hamlet's time to go and seek revenge. This is notthe case. Hamlet does seem eager to try and take the life of Claudius in the name of his father, but before he can do so he has a notion, what if that was not my father, but an evil apparition sending me on the wrong path? This shows that even with substantial evidence of Claudius' deeds, Hamlet's mind is not content.
This description of Hamlet moulds him into "a tragedy of a man who cannot make up his mind" and thus in his soliloquy acts as an oblique commentary on his relationship with his uncle, his newly formed opinion of his mother and the grief for his father which pervades his mind. The "degree of scepticism" which Hamlet approaches his environment with not only concerning in the world around him, although it is this world an "unweeded garden" which seems to cause him most strain (enough strain that he doesn't want to exist in it anymore). It is also however directed towards Claudius, "[Hamlet's] father's brother", who Hamlet actively attempts to alienate as foreign and as a traitor because Claudius embraces the marriage and dismisses the funeral. Claudius is more concerned with the new relation between his "sometime sister", "now queen" and himself, and unlike Hamlet who becomes a slave of his environment, Claudius embraces the events unfolding before him.
... be overstepping the boundaries of morality. Not only does Hamlet want to kill Claudius, but he also wants to damn his soul. This contrasts greatly with Claudius’ act of murder, which is carried out with no preference for the victim’s afterlife. As a result of Hamlet’s tendency to over-think situations, his mission of vengeance is once again delayed.