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Importance of genres of literature
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Urinetown: The Musical was held at a quaint theatre in Austin by the name The City Theatre. It is in production August 15 through September 7th at 7:30 pm. Greg Kotis originally wrote this play, with music written by Mark Hollman; both wrote the lyrics. The Production Director for this rendition was Marco Bazan; Cathie Sheridan was the Music Director. Both did a spectacular job of conducting production’s comedic intensity. Urinetown was originally written in the 1990s when Kotis was traveling Europe and failed to have the correct amount of change in order to pay for the pay-toilets. As it says in the program, this theatre musical pays homage to other great musicals such as West Side Story, Les Miserables, Chicago, Evita, and Fiddler on the Roof.
This musical is political satire, focusing on the greed and unjust handling of public facilities, enlightening the audience on how life would be if one were to pay for the use of toilets. The stage is washed with yellow lighting and most cast members dress to set the “urine” tone wear various articles of yellow clothing. The attitude was very much “us against them”, with the poorer, dirty townsmen having to pay for toilets while the wealthy need not worry.
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Once in this position, she understands the dire toilet situation of the city, while at the same time falling in love for the janitor of one of the restroom areas. She fights for the townsmen’ rights but is taken hostage by her lover’s equals in an effort to get the rights they deserve. Later in the play, she obtains reigning position of the town and fails to properly manage the water shortage and deficit. Instead, she rules with love and smiles, which naturally does not work very well. The people, as well as herself, eventually die of disease and
While she might think that her plans are working, they only lead her down a path of destruction. She lands in a boarding house, when child services find her, she goes to jail, becomes pregnant by a man who she believed was rich. Also she becomes sentenced to 15 years in prison, over a street fight with a former friend she double crossed. In the end, she is still serving time and was freed by the warden to go to her mother’s funeral. To only discover that her two sisters were adopted by the man she once loved, her sister is with the man who impregnated her, and the younger sister has become just like her. She wants to warn her sister, but she realizes if she is just like her there is no use in giving her advice. She just decides that her sister must figure it out by
The play shows how Eva Smith is a victim of the attitude of society in
The character that is mentioned most in this story is one by the name of Mrs.
rational and sinless life. As the play goes on she chooses to keep her virtue by
On a cold, brisk Tuesday night, I attended the musical called Urinetown by Mark Hollmann and Greg Kotis. Urinetown was held in Rowand-Johnson Hall, at the Marian Gallaway Theatre. As I quickly walked in the entrance, I noticed that people were wearing casual attire. I gave the usher my ticket and walked to my seat. This time my seat was located up at the front so I had a great view of the stage. This particular theatre is my favorite, it is very open and you can see from every seat. This musical is known to be a musical comedy which deals with different themes, unique text, and extraordinary technical elements.
The play is set in the 1920s when women started to receive clerical jobs and were expected to complete certain milestones in life. For example, in the scene labeled “at home” young woman – the main character – tells her mom that she is going to get married, because everybody does it, but then says she will not because she does not love Mr. Jones (Machinal). Ultimately her choice was to not get married, but in the end she does because her mom needs and wants her to get married for financial stability and the young woman feels that her destiny was to care for her mother. However, in the scene titled “prohibited”, the young woman starts deciding her destiny and chooses to cheat on her husband, Mr. Jones (Machinal). This is the moment when she realizes she can control her own destiny. That she does not have to be the happy housewife that society says her fate has to be. But there was still one problem, society still appeared to be in control of her destiny because she hasn’t decided on what her exact destiny would
Irvington Conservatory Theater's production of Urinetown: The Musical proves, through an apocalyptic Fremont that has been in a 20-year drought where the government has banned private toilets, that you should always follow you heart. From the beginning, the musical’s storyline is imbedded into various songs, giving a cheerful tone to the production, but is still rich in detail. The constant repetition in the title song builds the suspense, making the audience wonder what Urinetown really is. While the name may seem immature, the musical deals with monopolies, bureaucracy, and love. A key character who educates the audience about love is Hope Caldwell, who tends to see the good in everyone but finds herself between her father and her own love.
The girl in this story is incredibly naive. Her character is very weak due to her inability to realize the inevitable. This creates the internal conflict in which she faces. By the usage of first-person point of view, Tallent enables the reader to realize the obvious truth that this girl refuses to see. The entire setting takes place in a small town, where there is "nothing else to do," inside of Jack's dirty old pickup truck, and symbolizes the filthiness of their sex based relationship.
Which is caused by the narrator having a male perspective. The narrator does not give the women and credit or redeeming qualities. All the women follow a general stereotype. If they tried to break away from the stereotype, they would me more important and influential characters. Paquette, a chambermaid in the Baron’s castle, is described as “a pretty and obedient brunette” (5). She is identified obedient not because of her job as a chambermaid, but because she is willing to exploit her soul and body to the men around the castle. In regards to the old woman, she doesn’t even have an actual name, which does not matter since is ugly and useless. The old woman has the mindset that she is; an object; a mistake; a disgrace. That her time has passed as a beautiful useful woman. All the rape and abuse has physically affected her and she is out of luck. In fact, she is lucky if men talk to her, or even look at her without
Kenrick, John. Musical Theatre A History. New York: The Continuum International Publishing Group, 2008. Print.
changes as the play progresses. Early on in the play, she is full of ambition;
...cements him in the lowest social class in Russia. He is weak and unable to crawl out of these depths by himself. Luka brought a false salvation with him, and took it away when he left. Without the illusion and without the aid of alcohol, the Actor is brutally forced into seeing the truth, and it is beastly. The Actor's realization arrives in Act IV when he quotes, " `this hole here... it shall be my gave... I die, faded and powerless.' " Hedda is forced into a dull marriage in which she is expected to be obedient, and her pregnancy shoves her into the role of motherhood. At the end of the play, she is unable to fight against the blackmailing judge since he is a powerful figure in the community, and she is just a married bourgeois woman. In many aspects of their lives, the Actor and Hedda are ultimately trapped because of the roles society has forced upon them.
Beatrice's refusal to be controlled by men and Hero's subservience carries echoes of modern-day feminism. Comparing this novel to a contemporary society, women have made a substantial amount of progress in terms of gender roles. It is women like Beatrice, and the many others that choose to defy the expectations that are placed upon us by society, that help us progress to a more utopian civilization. This novel can be read by future generations to reflect back on how much we have changed and how much we have progressed, not only as women, but as humans in general. Additionally, this play also serves as one of the world's greatest odes to the single life known to man.
Never stable even as a girl, she was shattered by her husband's suicide and the circumstances surrounding it. Later the harrowing deaths at Belle Reve with which she evidently had to cope on her own, also took their toll. By this time she had begun her descent into promiscuity and alcoholism, and in order to blot out the ugliness of her life she created her fantasy world of adoring respectful admirers, of romantic songs and gay parties. She is never entirely successful at this, as the memories of her husband's suicide remain persistently alive in her mind. She retreats into her make-believe world, making her committal to an institution inevitable.
At the very beginning of the play we find out what Helen does for a