Good and Evil in Young Goodman Brown by Nathaniel Hawthorne
In “Young Goodman Brown,” there is a fight between good and evil with one main character being torn between the two sides and every other character seemingly on one side or the other through the reader’s view, although many characters do deceive Goodman Brown about whether they are good or evil. This fight between the two sides and the deception that causes confusion for Goodman Brown is the source of tension throughout the entire story. In “Young Goodman Brown,” every character’s traits and dialogue, the setting, and even colors mentioned have double meanings and are symbolic to the main binary oppositions of either good or evil.
In the beginning of the story, Young Goodman Brown “crosses the threshold” of his home, leaving his Faith, whom he calls his “angel on earth” and traveling on a journey into the dark night (page 2186). Right away the reader sees that Faith is symbolic of goodness, although she does wear pink ribbons, a mixture of white and red that symbolizes purity and sexuality, but these are worn in the confines of her marriage, causing the reader to view the pink as being sacred. The journey Goodman Brown is taking is opposite of everything that Faith stands for and immediately appears to be ominous when good Faith begs him to stay with “trouble in her face, as if a dream had warned her what work is to be done tonight” (2187). Goodman Brown knows that he is leaving for an “evil purpose,” but feels justified in doing so because “after this one night [he’ll] cling to [Faith’s] skirts and follow her to Heaven,” as if his association with Faith, who represents goodness, will save him and allow him to enter into Heaven even if he enters into the si...
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...odman Brown is forever changed by the revealing of the true deceptive nature of his fellow Christians that night. Everything and everyone he believed in is now viewed as evil, not good. His own worship in church is drowned by “an anthem of sin [that] rushed loudly upon his ear and drowned the blessed strain” of his song (2195). The key fact is that Goodman Brown let the evil images and people take his Faith away, but he never stops being “followed by Faith,” even when she is “an aged woman” and he is “borne to his grave” (2195). He stops loving and living by his Faith, but she never stops loving and living by him. Evil overtakes Goodman Brown, making his dying hour gloom, but Faith remains in the end.
Work Cited
Hawthorne, Nathaniel. “Young Goodman Brown.” The Heath Anthology of American Literature. Ed. Paul Lauter. Boston: Houghton Mifflin, 2002. 2186-95.
But, was Goodman Brown just dreaming or did these events actually happen. These events could not have happened so he had to be dreaming this whole time. Goodman Brown had been questioning his faith for some time and had a very realistic dream. In the story, Goodman Brown is confronted with much more evilness rather than good which ultimately causes him to question his faith. Nathaniel Hawthorne is believed to be the author with the most symbolic messages and the symbols that he uses in "Young Goodman Brown" are strong with great meaning behind them. Symbols are a prominent part of nearly every story, they help improve the story by branching out on the main idea with other meanings in the
In “The Minister’s Black Veil”, Mr. Hooper’s wife begs him to take off the veil but to no avail. The secret sins symbolized by the black veil, he wears will not go away on earth so in turn he refuses to take it off. As a result, his wife leaves him. In “Young Goodman Brown”, Goodman Brown leaves his wife, Faith, at night. Goodman Brown is leaving because he wants to commit an evil deed in the night. In the gloomy and evil night, Faith describes herself as “A lone woman is troubled with such dreams and such thoughts that she’s afeard of herself sometimes” (36). His wife is a symbol of Goodman Brown’s faith which waivers because of his secret sin. Also pertaining to Faith, Goodman Brown discovers his wife was worshipping the devil. Their relationship suffers as a result. The author describes,“Often walking suddenly at midnight, he shrank from the bosom of Faith”(45). Goodman Brown is not able to see his wife in the same light because he is afraid of her secret sin. He ends up dying as an alone and downcast
Nathaniel Hawthorne, "Young Goodman Brown," in Literature: Reading and Writing the Human Experience, eds. Richard Abcarian, Marvin Klotz, Peter Richardson, 7th ed. (New York: St. Martin's Press, 1998), p.62.
The biggest symbol in Young Goodman Brown is the idea of faith. Before he goes on his “errand,” he is talking to his wife, promising he will come back, but in actuality he is talking to his faith, as in religion. He subconsciously knows he is going against his faith on this errand, but will return. “My love and my Faith,” replied young Goodman Brown, “of all nights in the year, this one night must I tarry away from thee. My journey, as thou callest it, forth and back again…” When Brown says later in the story “I am losing my Faith”, he is not only about his wife, (which is shown through her pink ribbon in the tree), but more about his religion, which is flashing before his eyes. This errand was a test of Goodman Brown’s faith. When Brown hears people singing hymns in swears, it is a symbol of the corruption of the church. The name Goodman Brown I think is very ironic. Is he a good man after this errand?
Before young Goodman Brown begins his journey, he says his farewells to his wife, Faith, who is reluctant to see him go. “And Faith, as the wife was aptly named, thrust her own pretty head into the street, letting the wind play with the pink ribbons of her cap while she called to Goodman Brown. ‘Dearest heart,’ whispered she…, ‘prithee put off your journey until sunrise and sleep in your own bed to-night…’ ‘My love and my Faith,’ replied young Goodman Brown, ‘of all nights in the year, this one night must I tarry away from thee…’” (Hawthorne pg. 1). Before departing on his “journey”, Goodman Brown bids goodbye to his wife. Faith’s pink ribbons are not only a symbol of the innocence and purity of Faith, but also for the innocent and immature views of Goodman Brown, who has until his journey into the woods, only seen the unblemished and holy side of his fellow townspeople rather than understanding that almost all people, good and bad alike, will carry some kind of sin. After entering the woods, Goodman Brown meets a man dressed in “grave and decent attire” who greets the goodman upon seeing him. “‘You are late, Goodman Brown,’ said he. ‘The clock of the Old South was striking as I came through Boston, and that is full fifteen minutes agone.’ ‘Faith kept me back a
During Goodman Brown’s journey, he recognized Goody Cloyse, his catechism teacher, the preacher, and Deacon Gookin is going to the devil’s meeting. However, after seeing his church members at the devil’s meeting, Goodman says, “My Faith is gone! and There is no good on earth; and sin is but a name. Come devil! for to thee is this world given” (Hawthorne 27). “But, where is Faith?”, asked Goodman Brown (Hawthorne 29). As hope came into his heart, he trembled when he found the pink ribbon of his wife, Faith, in the forest. At that moment, Goodman Brown lost his faith in his family and church members. Goodman becomes unforgiving of others and believes only evil can be created from evil and there is nothing that anyone can do to change it. Here, Hawthorne demonstrates that a naive faith in our family, friends, and church member’s righteousness could lead to distrust. While, “Young Goodman Brown” lives a long life with Faith, he never loses his meanness toward humanity and the evil in the world, “for his dying hour was gloom” (Hawthorne
In "Young Goodman Brown," Nathaniel Hawthorne, through the use of deceptive imagery, creates a sense of uncertainty that illuminates the theme of man's inability to operate within a framework of moral absolutism. Within every man there is an innate difference between good and evil and Hawthorne's deliberate use of ambiguity mirrors this complexity of human nature. Hawthorne's Young Goodman Brown, is misled by believing in the perfectibility of humanity and in the existence of moral absolutes. According to Nancy Bunge, Hawthorne naturally centers his story upon a Puritan protagonist to convey the "self-righteous" that he regards as the "antithesis of wisdom"(4). Consequently, Young Goodman Brown is unable to accept the indefinable vision of betrayal and evil that he encounters in the forest. The uncertainty of this vision, enhanced by Hawthorne's deliberate, yet effective, use of ambiguity, is also seen in the character of Faith, the shadows and darkness of the forest, and the undetectable boundaries that separate nightmarish dreams from reality.
In Young Goodman Brown, Nathaniel Hawthorne tells the tale of a man and his discovery of evil. Hawthorne’s primary concern is with evil and how it affects Young Goodman Brown. Through the use of tone and setting, Hawthorne portrays the nature of evil and the psychological effects it can have on man. He shows how discovering the existence of evil brings Brown to view the world in a cynical way. Brown learns the nature of evil and, therefore, feels surrounded by its presence constantly.
Hawthorne, Nathaniel. "Young Goodman Brown." Literature Craft & Voice. 2nd ed. New York: McGraw-Hill, 2010. 449-55. Print.
Nathaniel Hawthorne utilizes symbolism throughout his short story Young Goodman Brown to impact and clarify the theme of good people sometimes doing bad things. Hawthorne uses a variety of light and dark imagery, names, and people to illustrate irony and different translations. Young Goodman Brown is a story about a man who comes to terms with the reality that people are imperfect and flawed and then dies a bitter death from the enlightenment of his journey through the woods. Images of darkness, symbolic representations of names and people and the journey through the woods all attribute to Hawthorne's theme of good people sometimes doing bad things.
Hawthorne, Nathaniel. “Young Goodman Brown.” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts and Robert Zweig. 5th Compact ed. New York: Pearson Longman, 2012. 329-37. Print.
In Nathaniel Hawthorne's short story "Young Goodman Brown,” the author uses danger and mystery to represent the struggle of good versus evil. Young Goodman Brown journeys into the night and comes to realize an unforgiving truth. Everyone is in danger of abandoning their faith or is inherently evil. Nathaniel Hawthorne has filled this story symbolism, after reading this story the reader may have questions about Young Goodman Browns’ determination to journey towards his evil purpose. Nathaniel Hawthorne implies strong faith can endure but when that faith is destroyed, what view does a person have towards mankind? Let us take a look at Nathaniel Hawthorne’s use of significant symbols throughout “Young Goodman Brown.”
Unfortunately, Goodman Brown truly has lost his faith. Though his wife appears unchanged and wishes to welcome him with open, loving arms Brown rejects her. The reader is left slightly confused as to why, but perhaps Brown has given up hope that good can win over the enormous amount of sin or evil out there. He is unable to accept Faith now that he is forced to see her in her unclean or imperfect state. Brown can no longer see the good for the evil surrounding him, and has lost all hope. Although Brown tried to resist the devil, in the end he failed in his journey of exploring evil and returning to the side of good.
...Brown, like all humans, sees that everyone can be corrupt and immoral, that it is possible for people to make mistakes. This is extremely disappointing to brown and ruins him. Brown felt that he made the right decision and did not follow the devil, but everyone else around him did. Even his own wife follows the devil. She is supposed to represent holiness and faith, and she is just as corrupt as everyone else. This portrays how even the church, which is supposed to be holy, can be corrupt. The story symbolizes that everyone in society is flawed and no one is perfect. However this idea drives Goodman brown to become insane. He dwells on this fact and loses his ability to see the good in people as well as the bad. Brown couldn't realize that even if people are evil at times, they can still be good people. This is what caused brown to change so drastically.
The dialogue, action and motivation revolve about the characters in the story (Abrams 32-33). It is the purpose of this essay to demonstrate the types of characters present in Nathaniel Hawthorne’s “Young Goodman Brown,” whether static or dynamic, whether flat or round, and whether protrayed through showing or telling.